Hostname: page-component-77c89778f8-gq7q9 Total loading time: 0 Render date: 2024-07-22T15:04:06.539Z Has data issue: false hasContentIssue false
  • English
  • Français

Sound Art as Sonification, and the Artistic Treatment of Features in our Surroundings

Published online by Cambridge University Press:  26 March 2009

Claudia Tittel
Claudia Tittel
Affiliation:
Geschwister-Scholl-Str. 30, 14548 Schwielowsee OTCaputh, Germany E-mail: claudiatittel@freenet.de
Get access Rights & Permissions [Opens in a new window]

Abstract

The article tries to explain different aspects of sound art in public space in the context of an understanding of a modified language of twentieth-century visual art and music. It gives a description of different approaches to colouring situations and contexts with sound. Various examples of sonification and artistic treatments in our surrounding are shown. It shows an artistic practice which is linked to social-cultural aspects and their critical role in art. Therefore sound installations are placed into a genealogy of installation practice in public space.

Type
Research Article
Information
Organised Sound , Volume 14 , Issue 1 , April 2009 , pp. 57 - 64
Copyright
Copyright © Cambridge University Press 2009

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Barthelmes, B. 2000. Sound and Site. Positionen. Beiträge zur Neuen Musik 42: 2–6.Google Scholar
Bock, O. 2001. Einflüsse und Wechselwirkungen technischer Innnovation und künstlerischer Kreativität. Klanginstallationen. Technische Universität Berlin.Google Scholar
Breitsameter, S. 1996. Klang(in der)landschaft – sound(e)scape to open space. In Klangkunst. Exhibition Catalogue. Munich, New York: Prestel.Google Scholar
Buren, D. 1975. Notizen über die Arbeit im Verhältnis zu den Orten, in die sie sich einschreibt, verfasst zwischen 1967 und 1975 und in folgender Auswahl neu zusammengestellt. In G. Fietzek and G. Inboden (eds.) Daniel Buren. Achtung! Texte 1967–1991. Dresden: Texte zur Kunst 1995: 202–214.Google Scholar
Kemp, W. 1991. Kontexte. Für eine Kunstgeschichte der Komplexität. Texte zur Kunst 2(2): 89–101.Google Scholar
Kubisch, C. 2000. KlangRaumLichtZeit. Works from 1980–2000. Exhibition Catalogue. Heidelberg: Kehrer.Google Scholar
Minard, R. 1993. Sound Environments, Music for Public Spaces. Berlin: Akademie der Künste.Google Scholar
Neuhaus, M. 1994. Sound Works. Ostfildern: Cantz.Google Scholar
Rosenthal, M. 2003. Understanding Installation Art. From Duchamp to Holzer. Munich, New York: Prestel.Google Scholar
Russolo, L. 1919. L’arte dei rumori. In U. Apollonio (ed.) Der Futurismus. Manifeste und Dokumente einer künstlerischen Revolution 1909–1918. Cologne, Dumont, 1972: 86–109.Google Scholar