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Catherine A. Bradley and Karen Desmond (eds.), The Montpellier Codex: The Final Fascicle. Contents, Contexts, Chronologies, Studies in Medieval and Renaissance Music 16. Woodbridge and Rochester, NY: Boydell and Brewer, 2018. xviii + 333 pp. £75. ISBN 978 1 78327 272 3.

Published online by Cambridge University Press:  09 April 2019

THOMAS B. PAYNE
THOMAS B. PAYNE*
Affiliation:
tbpayn@wm.edu
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Plainsong & Medieval Music , Volume 28 , Issue 1 , April 2019 , pp. 79 - 83
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Copyright © Cambridge University Press, 2019 

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References

1 Despite the claim that these are the ‘first four recordings of this evocative motet’ (p. 283), at least one other was executed and distributed before 1976: a 1958 recording of the work by Russell Oberlin et al., originally on the Expériences Anonymes label (EA-0035) and re-released in 1994 on CD as The French Ars Antiqua: Music of the Middle Ages, vol. 7 (New York: Lyrichord LEMS 8007), track 18, does not form part of the discussion.