Hostname: page-component-7479d7b7d-k7p5g Total loading time: 0 Render date: 2024-07-12T02:31:03.634Z Has data issue: false hasContentIssue false

Losing Perspective in the Age of News

Published online by Cambridge University Press:  23 October 2020

Extract

When Ralph Waldo Emerson writes in “Experience” (1844) that “men seem to have learned of the horizon the art of perpetual retreating and reference,” he means that we see through our current moment by looking forward. The “art” that Emerson evokes to describe the restlessness and expansiveness of the nineteenth century is the art of perspective: we gain perspective, in other words, when we project for ourselves an image of the world in which everything takes shape in relation to something else. “All our days are so unprofitable while they pass,” says Emerson, because we orient our present toward our prospects; taking the long view “degrade[s] today” by distancing us from where we are. We retreat from our momentary positions to be part of the big picture. We want to stay relevant, but Emerson looks askance at our constant need to look toward the emerging pattern of events. “The men ask, ‘What's the news?‘” he says, “as if the old were so bad” (472).

Type
Theories and Methodologies
Copyright
Copyright © Modern Language Association of America, 2010

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Allen, John E. Newspaper Makeup. New York: Harper, 1936. Print.Google Scholar
Barnhurst, Kevin G., and Nerone, John. The Form of News: A History. New York: Guilford, 2001. Print.Google Scholar
Blondheim, Menahem. News over the Wires: The Telegraph and the Flow of Public Information in America, 1844-1897. Cambridge: Harvard UP, 1994. Print.Google Scholar
Crimp, Douglas. Interview by Margaret Dikovitskaya. Dikovitskaya 131–41.Google Scholar
Dikovitskaya, Margaret. Visual Culture: The Study of the Visual after the Cultural Turn. Cambridge: MIT P, 2006. Print.Google Scholar
Dimock, George. Interview by Margaret Dikovitskaya. Dikovitskaya 142–45.Google Scholar
Editor's Table.” Appleton's Journal: A Magazine of General Criticism Oct. 1880: 380–84. Making of America. Web. 21 Oct. 2009.Google Scholar
Elkins, James. Visual Studies: A Skeptical Introduction. New York: Routledge, 2003. Print.Google Scholar
Emerson, Ralph Waldo. “Experience.” Essays and Poems. Ed. Porte, Joel. Coll. ed. New York: Lib. of Amer., 1996. 471–92. Print.Google Scholar
Emerson, Ralph Waldo. “The Fugitive Slave Law.” Essays and Poems. Ed. Porte, Joel. Coll. ed. New York: Lib. of Amer., 1996. 9931008. Print.Google Scholar
Gunning, Thomas. Interview by Margaret Dikovitskaya. Dikovitskaya 173–80.Google Scholar
Hudson, Frederic. Journalism in the United States, from 1690-1872. New York: Harper, 1873. Print.Google Scholar
Hudson, Frederic, Lee, Alfred McClung, and Mott, Frank Luther. American Journalism, 1690-1940. Vol. 1. New York: Routledge, 2000. Print.Google Scholar
Husch, Gail E. Something Coming: Apocalyptic Expectation and Mid-Nineteenth-Century American Painting. Hanover: UP of New England, 2000. Print.Google Scholar
Jay, Martin. “Cultural Relativism and the Visual Turn.” Journal of Visual Culture 1.3 (2002): 267–78. Sage Journals Online. Web. 21 Oct. 2009.Google Scholar
Levin, David Michael. The Philosopher's Gaze: Modernity in the Shadows of Enlightenment. Berkeley: U of California P, 1999. Print.CrossRefGoogle Scholar
Liu, Alan. The Laws of Cool: Knowledge Work and the Culture of Information. Chicago: U of Chicago P, 2004. Print.CrossRefGoogle Scholar
The Mission of the Newspaper.” Springfield Republican 4 Jan. 1851. Rpt. in Voices of the Past: Key Documents in the History of American Journalism. Ed. Calder M. Pickett. Columbus: Grid, 1977. 108-09. Print.Google Scholar
Mitchell, W. J. T. Picture Theory: Essays on Verbal and Visual Representation. Chicago: U of Chicago P, 1994. Print.Google Scholar
Mitchell, W. J. T. What Do Pictures Want? The Lives and Loves of Images. Chicago: U of Chicago P, 2005. Print.CrossRefGoogle Scholar
Panofsky, Erwin. Perspective as Symbolic Form. Trans. Wood, Christopher S. New York: Zone, 1997. Print.Google Scholar
Pictures in the Private Galleries of New York. No. III.” Putnam's Monthly Magazine Oct. 1870: 379. Making of America. Web. 21 Oct. 2009.Google Scholar
Pinkard, Terry. Hegel: A Biography. New York: Cambridge UP, 2000. Print.Google Scholar
Thoreau, Henry David. Walden; or, Life in the Woods. Ed. Sayre, Robert F. New York: Lib. of Amer., 1985. Print.Google Scholar
“Widow, sb.1.” Def. 3. The Oxford English Dictionary. 2nd ed. 1989. Print.Google Scholar
Wolf, Bryan. “All the World's a Code: Art and Ideology in Nineteenth-Century American Painting.” Art Journal 44.4 (1984): 328–37. Print.Google Scholar
Wolff, Justin. Richard Caton Woodville: American Painter, Artful Dodger. Princeton: Princeton UP, 2002. Print.Google Scholar