Shakespeare's intimate acquaintance with the music of his time and his enthusiasm for the art are well known, and there can be little question that he consorted to some extent with the London musicians of 1600. Certain of them may have been actively associated with the production, and possibly with the composition, of his plays. Precisely what form such association took, however, is a matter upon which investigation has hitherto yielded only meagre and confusing results. Speculation links Shakespeare's name with many composers and performers of the period, some of whom must indeed have supplied both the incidental music so abundantly required for his stage productions and the earliest settings of his lyrics.