No CrossRef data available.
Article contents
Hearing Maskanda: Musical Epistemologies in South Africa. By Barbara Titus. New York: Bloomsbury Publishing, 2022. 280 pp. ISBN 978-1-501-37776-1
Review products
Hearing Maskanda: Musical Epistemologies in South Africa. By Barbara Titus. New York: Bloomsbury Publishing, 2022. 280 pp. ISBN 978-1-501-37776-1
Published online by Cambridge University Press: 29 April 2024
Abstract
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Review
- Information
- Copyright
- Copyright © The Author(s), 2024. Published by Cambridge University Press
References
Coplan, D.B. 2001.‘Sounds of the “Third Way”: Identity and the African Renaissance in contemporary South African popular traditional music’, Black Music Research Journal, 21/1, 107–24.CrossRefGoogle Scholar
De Jong, N. and Thandiszwe Diko, King Madzikane II. 2020. ‘Maskanda, Umkhosi wokukhahlela and the articulation of identity in South Africa’, Journal of the Royal Musical Association, 145/1, 167–90CrossRefGoogle Scholar
Small, C. 1998. Musicking: The Meanings of Performing And listening (Middletown, CT, Wesleyan University Press)Google Scholar