Hostname: page-component-848d4c4894-5nwft Total loading time: 0 Render date: 2024-06-06T06:21:50.727Z Has data issue: false hasContentIssue false
  • English
  • Français

DIY House Shows and Music Venues in the US. Ethnographic Explorations of Place and Community. By David Verbuč. New York, Routledge, 2022, 282 pp. ISBN: 978-1-032-04917-5

Review products

DIY House Shows and Music Venues in the US. Ethnographic Explorations of Place and Community. By David Verbuč. New York, Routledge, 2022, 282 pp. ISBN: 978-1-032-04917-5

Published online by Cambridge University Press:  15 February 2024

Benjamin Duester Open the ORCID record for Benjamin Duester [Opens in a new window]
Benjamin Duester*
Affiliation:
Georg August University of Göttingen, Göttingen
*
benjamin.duester@uni-goettingen.de
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review
Information
Popular Music , First View , pp. 1 - 3
Copyright
Copyright © The Author(s), 2024. Published by Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Azerrad, M. 2001. Our Band Could Be Your Life: Scenes from the American Rock Underground 1981–1991 (Boston, MA, Little Brown)Google Scholar
Bennett, A., and Peterson, R.A. 2004. Music Scenes: Local, Translocal and Virtual (Nashville, TN, Vanderbilt University Press)CrossRefGoogle Scholar
Debies-Carl, J.S. 2014. Punk Rock and the Politics of Place: Building a Better Tomorrow (New York, Routledge)CrossRefGoogle Scholar
Deleuze, G., and Guattari, F. 1987. A Thousand Plateaus: Capitalism and Schizophrenia (Minneapolis, MN, University of Minnesota)Google Scholar
Hannerz, E. 2015. Performing Punk (New York, Palgrave Macmillan)CrossRefGoogle Scholar
McCartney, M. 2022. If These Walls Could Sing (Los Angeles, CA, Disney+)Google Scholar
Olson, M. 1998. ‘“Everybody loves our town’: Scenes, spatiality, migrancy’, in Mapping the Beat: Popular Music and Contemporary Theory, ed. Swiss, T., Sloop, J., and Herman, A. (Oxford, Blackwell), pp. 269–89Google Scholar
The Punkast. 2022. ‘This week's episode: David Verbuč’, https://www.thepunkast.com/episodes/david-verbu%C4%8D (accessed 14 July 2023)Google Scholar
Straw, W. 1991. ‘Systems of articulation, logics of change: Communities and scenes in popular music’, Cultural Studies, 5/3, pp. 368–88CrossRefGoogle Scholar