Hostname: page-component-84b7d79bbc-l82ql Total loading time: 0 Render date: 2024-07-26T11:52:22.271Z Has data issue: false hasContentIssue false

The impact of the Beatles on pop music in Australia: 1963–66

Published online by Cambridge University Press:  11 November 2008

Rights & Permissions [Opens in a new window]

Extract

Core share and HTML view are not available for this content. However, as you have access to this content, a full PDF is available via the ‘Save PDF’ action button.

For young Australians in the early 1960s America was the icon of pop music and fashion. This was the result of the projection of America through the mass media and the numerous American rock'n'roll acts that were brought to Australia by Lee Gordon, an American entrepreneur who lived in Sydney (Zion 1984). This overall tendency led the American, A. L. McLeod, to observe when writing about Australian culture in 1963 that

in general, Australian popular music is slavishly imitative of United States models; it follows jazz, swing, calypso or whatever the current fashion is in New York or San Francisco at a few months distance. (McLeod 1963, p. 410)

Yet by late 1963 the potency of America was in decline. For while the Californian surf music craze made a somewhat delayed impact, especially in Sydney, the popularity of the Beatles was gathering momentum. This can be traced crudely through the Top Forty lists of the day: in Sydney the song ‘From Me To You’ entered the charts on 12 July 1963 and eventually reached number six (Barnes et al. 1979, p. 50).

Type
Research Article
Copyright
Copyright © Cambridge University Press 1987

References

Baker, G. 1980. ‘Easybeats Absolute Anthology: 1965–1969’, record sleeve notes.Google Scholar
Baker, G. 1982. The Beatles Down Under: The 1964 Australia and New Zealand Tour (Wild and Woolley)Google Scholar
Barnes, J. et al. 1979. Top Forty Research, 1956–1977 (Westmead, Sydney)Google Scholar
Chambers, I. 1985. Urban Rhythms: Pop Music and Popular Culture (London)Google Scholar
Galbreath, M. and Pearson, G. 1982. Elizabeth: The Garden City (South Australia Investigator Press)Google Scholar
Harker, D. 1980. One for the Money: Politics and Popular Song (London)Google Scholar
Herbert, G. 1963. Hemisphere, 7, 12, pp. 1116Google Scholar
Livin' End, 1, 1983 (Geelong)Google Scholar
Livin' End, 6, 1986Google Scholar
McGrath, N. 1984. Noel McGrath's Australian Encyclopaedia of Rock and Pop, (Adelaide)Google Scholar
McLeod, A. L. (ed.) 1963). Patterns of Australia (Melbourne)Google Scholar
Porter, D. 1980. ‘Popular Music’, Australia in the 1960s (Adelaide: Rigby)Google Scholar
Price, C. A. 1963. ‘Chapter 13’ in ed. Matsdorf, W. S., Migrant Youth: Australian Citizens of Tomorrow (Sydney, University of NSW)Google Scholar
Price, C. A. (ed.) 1971. Australian Immigration: A Bibliography and Digest No. 2, 1970 (Australian National University)Google Scholar
Ready Steady Go! 1983, Issue 6, (Lindfield, N.S.W.)Google Scholar
Rice, T. et al. 1984. Guinness Book of Hits of the 60s (Middlesex)Google Scholar
Rogers, N. 1975. Rock'n'Roll Australia: the Australian Pop Scene 1954–1964 (Australia)Google Scholar
Tulloch, J. 1982. Australian Cinema: Industry Narrative and Meaning (Sydney)Google Scholar
Tunstall, J. 1977. The Media are American: Anglo-American Media in the World, (London)Google Scholar
Walker, C. 1981. ‘Ready Steady Go!!: Rock in the Sixties’, in Beilby, P. and Roberts, M.Australian Music Directory, 1st edition, 1981–1982 (North Melbourne)Google Scholar
Wallis, K. L. 1968. ‘British immigration in Western Australia: a thesis’, unpublished, (Graylands Teachers' College)Google Scholar
Wilton, J. and Bosworth, R. 1984. Old Worlds and New Australia: The Post-War Migrant Experience (Australia)Google Scholar
Zion, L. 1984. ‘Rock and Opera: Selling the Product’, Arena, 68, pp. 31–7.Google Scholar