Hostname: page-component-7479d7b7d-fwgfc Total loading time: 0 Render date: 2024-07-09T05:04:43.686Z Has data issue: false hasContentIssue false

Reflecting surfaces: the use of elements from Indian music in popular music and jazz

Published online by Cambridge University Press:  11 November 2008

Extract

In this article I explore the manner in which elements from a non-Western music appear in pop music and jazz. The music under discussion is that of the Indian subcontinent and the classical music of North India in particular. The essay covers references to Indian music in pop, rock and jazz from the sixties to the present day but concentrates mainly on the sixties and seventies, and, in the world of pop, on the music of the Beatles. The influence of orientalism on Western music is not a recent phenomena, as Reck (1985) notes, but its appearance in pop during the sixties meant that it reached a larger audience than ever before.

Type
Research Article
Copyright
Copyright © Cambridge University Press 1988

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Beatles, The. 1970. The Beatles Complete (London: Northern Songs/Wiseman)Google Scholar
Belz, Carl. 1972. The Story of Rock (New York: Harper & Row)Google Scholar
Berendt, Joachim. 1981. The Jazz Book (London: Granada)Google Scholar
Brown, Charles T. 1983. The Art of Rock and Roll (Englewood Cliffs, N.J.: Prentice Hall)Google Scholar
Budds, Michael J. 1978. Jazz in the Sixties (Iowa: University of Iowa Press)Google Scholar
Cole, Bill. 1976. John Coltrane (New York: Schirmer)Google Scholar
Davies, Hunter. 1978. The Beatles (New York: McGraw-Hill)Google Scholar
Edwardes, Michael. 1971. East–West Passage: The Travel of Ideas, Arts and Inventions between Asia and the Western World (New York: Taplinger)Google Scholar
Harrison, George. 1980. I, Me, Mine (London: Ganga Publishing)Google Scholar
Kaufmann, Walter. 1984. The Ragas of North India (New York: Da Capo Press)Google Scholar
Martin, George. 1979. All You Need is Ears (London: Macmillan)Google Scholar
McLaughlin, John. 1976. John McLaughlin and The Mahavishnu Orchestra (New York: Warner Tamerlane/Chimnoy Music)Google Scholar
Mellors, Wilfrid. 1973. The Twilight of the Gods: The Beatles in Retrospect (London: Faber)Google Scholar
Neuman, Daniel M. 1980. The Life of Music in North India (Detroit: Wayne State University Press)Google Scholar
Norman, Philip. 1981. Shout! The Beatles in Their Generation (Boston: Twayne)Google Scholar
O'Grady, Terence. 1983. The Beatles: A Musical Evolution (Boston: Twayne)Google Scholar
Pichaske, David. 1979. A Generation in Motion: Popular Music and Culture in The Sixties (New York: Schirmer)Google Scholar
Reck, David B. 1978. ‘The neon electric saraswati: being reflections on the influence of Indian music on contemporary music scene in America’, Contributions to Asian Studies, 12Google Scholar
Reck, David B. 1985. ‘Beatles orientalis: influences from Asia in a popular song form’, Asian Music, XVI(1), pp. 83150CrossRefGoogle Scholar
Russell, J. P. 1982. The Beatles on Record (New York: Scribner's)Google Scholar
Shankar, Ravi. 1968. My Music, My Life (New York: Simon and Schuster)Google Scholar
Small, Christopher. 1977. Music–Society–Education (London: John Calder)Google Scholar
Whitcomb, Ian. 1983. Rock Odessey: A Chronicle of the Sixties (London: Hutchison)Google Scholar