No CrossRef data available.
Article contents
Sex and Gender in Pop/Rock Music: the Blues through The Beatles to Beyoncé. By Walter Everett. London: Bloomsbury, 2023. xii + 260 pp. ISBN: 978-1-5013-4595-1
Review products
Sex and Gender in Pop/Rock Music: the Blues through The Beatles to Beyoncé. By Walter Everett. London: Bloomsbury, 2023. xii + 260 pp. ISBN: 978-1-5013-4595-1
Published online by Cambridge University Press: 16 February 2024
Abstract
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Review
- Information
- Copyright
- Copyright © The Author(s), 2024. Published by Cambridge University Press
References
Covach, J., and Boone, G.M. (eds), 1997. Understanding Rock: Essays in Musical Analysis (New York, Oxford University Press)CrossRefGoogle Scholar
Everett, W. (ed.) 2000. Expression in Pop-Rock Music: a Collection of Critical and Analytical Essays (New York, Garland)Google Scholar
Everett, W. (ed.) 2007. Expression in Pop-Rock Music: Critical and Analytical Essays (New York, Oxford University Press)CrossRefGoogle Scholar
Everett, W. 2009. Foundations of Rock: from ‘Blue Suede Shoes’ to ‘Suite: Judy Blue Eyes’ (New York, Oxford University Press)Google Scholar
Hawkins, S. (ed.) 2017. The Routledge Research Companion to Popular Music and Gender (Abingdon, Routledge)CrossRefGoogle Scholar
Jarman-Ivens, F. (ed.) 2007. Oh Boy! Masculinities in Popular Music (New York, Routledge)Google Scholar
Johnson, B., and Cloonan, M. 2009. Dark Side of the Tune: Popular Music and Violence (Farnham, Ashgate)Google Scholar
Maus, F.E., and Whiteley, S., with Nyong'o, T. and Sherinian, Z. (eds). 2022. The Oxford Handbook of Music and Queerness (New York, Oxford University Press)CrossRefGoogle Scholar
Middleton, R. 2006. Voicing the Popular: on the Subjects of Popular Music (Abingdon, Routledge)Google Scholar
Powers, A. 2017. Good Booty: Love and Sex, Black and White, Body and Soul in American Music (New York, Dey Street)Google Scholar
Rustin, N. and Tucker, S. (eds). 2008. Big Ears: Listening for Gender in Jazz Studies (Durham, NC, Duke University Press)CrossRefGoogle Scholar
Rycenga, J., and Whiteley, S. (eds). 2006. Queering the Popular Pitch (New York, Routledge)Google Scholar
Whiteley, S. (ed.) 1997. Sexing the Groove. Popular Music and Gender (London, Routledge)Google Scholar