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English Influences in American Church Music
Published online by Cambridge University Press: 01 January 2020
Extract
Before beginning my paper this afternoon, permit me to express my humble appreciation of the honour you confer upon me by the invitation to thus address you. In the long history of your Association, the second oldest of all of the musicological societies in existence today, but three other Americans have thus confronted you. In 1895, Waldo Selden Pratt spoke on The Isolation of Music. Again, in 1912, Professor Albert Stanley of the University of Michigan read a paper on Graduate Work in Music in America. More recently, Professor Glen Haydon of the University of North Carolina addressed you, in 1945, on Music and Philosophy.
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- Copyright © Royal Musical Association, 1944
References
1 Four Centuries of Scottish Psalmody (London: Cumberlege, 1949), Chapter X.Google Scholar
2 James Lyon's Urania (Philadelphia, 1762).Google Scholar
3 The Organ (London), Vol. XIV (1934-5), pp. 34–42, 92-101, 163-71.Google Scholar
4 Quoted in Gardiner M. Day, The Biography of a Church (Cambridge, Mass.: Riverside Press, 1951), p. 30.Google Scholar
5 Implying that it would be the principal organ there.Google Scholar
6 Oscar Sonneck, Early Concert Life in America (Leipzig: Breitkopf & Hãrtel, 1907), p. 9.Google Scholar
7 The historiographer of St. Michael's, George W. Williams, Jr., has been unable to establish any connexion with your famous composer in spite of their identical names.Google Scholar
8 Himself an English-born pupil of Barnby and Macfarren.Google Scholar
9 September 1953.Google Scholar
10 Granville L. Howe, A Hundred Years of Music in America (Chicago, 1889), pp. 266–9.Google Scholar