Hostname: page-component-78c5997874-v9fdk Total loading time: 0 Render date: 2024-11-09T03:36:20.721Z Has data issue: false hasContentIssue false

An Ex-centric Approach to American Cultural Studies: The Interesting Case of Zora Neale Hurston as a Noncanonical Writer

Published online by Cambridge University Press:  30 July 2009

Get access

Extract

The authors of these passages share more than a belief in the efficacy of the category of “race” and a need to assert pride in their African-American heritage. Both have, of late, experienced notable recognition and affirmation from constituencies that typically evince little interest in black Americans and their culture. Zora Neale Hurston is one of only three or four 20th-century writers who have achieved canonical status, with the result that her works invariably appear in courses offered in American literature or American Studies, not just in more narrowly de-fined courses, such as African-American Writers or American Women Writers. Clarence Thomas, as the second black Supreme Court Justice, holds the highest position in government ever held by an African American. Arguably, his judicial position and her supreme reputation are the result of the affirmative action and desegregation programs (and in his case, the “multicultural” mandate) they oppose. Perhaps their opposition to these programs is what fits them for this crossover appeal. In effect, they deny the reality of the effects of segregation – unequal funding, and therefore poorer education and continuing secondary employment, housing, and so on – on most black Americans.

Type
Research Article
Copyright
Copyright © Cambridge University Press 1996

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

WORKS CITED

Awkward, Michael, ed. New Essays on Their Eyes Were Watching God. New York: Cambridge University Press, 1990.Google Scholar
Baker, Houston. Blues, Ideology, and Afro-American Literature: A Vernacular Theory. New York, Chicago: University of Chicago Press, 1984.CrossRefGoogle Scholar
Boas, Franz. “The Negro in America.” Yale Quarterly Review 10 (1921): 384–95.Google Scholar
Bronner, Simon. American Folklore Studies: An Intellectual History. Lawrence: University Press of Kansas, 1986.CrossRefGoogle Scholar
Carby, Hazel V.The Multicultural Wars”. Radical History Review 54 (1992): 718.Google Scholar
Carby, Hazel V. “The Politics of Fiction, Anthropology, and the Folk: Zora Neale Hurston”.New Essays on Their Eyes Were Watching God. New York: Cambridge University Press, 1990: 7193.Google Scholar
Cheyfitz, Eric. “The Irresistibleness of Great Literature: Reconstructing Hawthorne's Politics.” American Literary History 6 (1994): 539–59.CrossRefGoogle Scholar
Cheyfitz, Eric. The Poetics of Imperialism: Travel and Colonization from The Tempest to Tarzan. New York: Oxford University Press, 1991.Google Scholar
Conrad, Earl. Rock Bottom. Garden City, N.Y.: Doubleday, 1952.Google Scholar
Corkin, Stanley, and Phyllis, Frus. “Teaching American Literature with No Margins: Zora Neale Hurston as an (African) American Writer”. Paper delivered at the conference “Transatlantic Passages”. Sponsored by the Collegium for African American Research and the W. E. B. Du Bois Institute for Afro-American Research, Tenerife, Spain, February 1995.Google Scholar
Cronon, Edmund David. Black Moses. Madison: University of Wisconsin Press, 1955.Google Scholar
Cruse, Harold. Plural But Equal: A Critical Study of Blacks and Minorities and America's Plural Society. New York: Morrow, 1987.Google Scholar
Dalgarno, Emily. “Words Walking Without Masters: Ethnography and the Creative Process in Their Eyes Were Watching God”. American Literature 64 (1992): 519–41.CrossRefGoogle Scholar
Davis, David Brion. The Problem of Slavery in the Age of Revolution, 1770–1823. Ithaca, N.Y.: Cornell University Press, 1975.Google Scholar
Dollard, John. Caste and Class in a Southern Town. 3rd ed.New York: Anchor, 1957.Google Scholar
Douglas, Ann. Terrible Honesty: Mongrel Manhattan in the 1920s. New York: Farrar Straus Giroux, 1995.Google Scholar
Du Bois, W. E. B.The Seventh Son: The Thought and Writings of W. E. B. Du Bois. Ed. Julius Lester. New York: Random House, 1971.Google Scholar
Dundes, Alan. Mother Wit from the Laughing Barrel: Readings in the Interpretation of Afro-American Folklore. Englewood Cliffs, N.J.: Prentice-Hall, 1973.Google Scholar
Eichenbaum, Boris. “The Theory of the ‘Formal Method.’” Russian Formalist Criticism. Ed. and trans. Lemon, Lee T. and Reis, Marion J.. Lincoln: University of Nebraska Press, 1965: 99139.Google Scholar
Ellison, Ralph. “Change the Joke and Slip the Yoke.” Shadow and Act. New York: Random House, 1964: 4559.Google Scholar
Ferguson, Sally Ann. “Folkloric Men and Female Growth in Their Eyes Were Watching God.” Black American Literature Forum 21 (1987): 185–97.CrossRefGoogle Scholar
Fields, Barbara Jeanne. “Ideology and Race in American History” Region, Race, and Reconstruction: Essays in Honor of C. Vann Woodward. Ed. Kousser, J. Morgan and McPherson, James M.. New York: Oxford University Press, 1982: 143–77.Google Scholar
Fields, Barbara Jeanne. “Slavery, Race and Ideology in the United States of America.” New Left Review 181 (0506 1990): 95118.Google Scholar
Foley, Barbara. Radical Representations. Durham, N.C.: Duke University Press, 1994.CrossRefGoogle Scholar
Foley, BarbaraSubversion and Oppositionality in the AcademyCollege Literature 17 (1990): 6479.Google Scholar
Fox-Genovese, Elizabeth. “To Write My Self: The Autobiographies of Afro-American Women”. Feminist Issues in Literary Scholarship. Ed. Benstock, Shari. Bloomington: Indiana University Press, 1987:161–80.Google Scholar
Fraser, Gertrude. “Race Class, and Difference in Hortense Powdermaker's After Freedom: A Cultural Study of the South”. Journal of Anthropological Research 47 (1991): 403–15.CrossRefGoogle Scholar
Frus, Phyllis, and Stanley, Corkin. “The More Things Change: Canon Revision and the Case of Willa Cather” English as a Discipline; or Is There a Plot in This Play? Ed. Raymond, James. Tuscaloosa: University of Alabama Press, 1995: 119–42.Google Scholar
Garrow, David J. “On Race, It's Thomas v. an Old Ideal”. New York Times, 07 2, 1995: E1, E5.Google Scholar
Gates, Henry Louis Jr. The Signifying Monkey: A Theory of Afro-American Literary Criticism. New York: Oxford University Press, 1988.Google Scholar
Giddings, Paula. “The Last Taboo” Race-ing Justice, En-Gendering Power. Ed. Morrison, Toni. New York: Pantheon, 1992: 441–65.Google Scholar
Giddings, Paula. When and Where I Enter: The Impact of Black Women on Race and Sex in America. New York: Morrow, 1984.Google Scholar
Gossett, Thomas F.Race: The History of an Idea in America. Dallas: Southern Methodist University Press, 1975.Google Scholar
Guillory, John. Cultural Capital: The Problem of Literary Canon Formation. Johns Hopkins University Press, 1993.CrossRefGoogle Scholar
Hanna, Alfred Jackson, and Kathryn Abbey, Hanna. Lake Okeechobee: Wellspring of the Everglades. Indianapolis, Ind.: Bobbs-Merrill, 1948.Google Scholar
Hankins, Frank H.The Racial Basis of Civilization. New York: Knopf, 1926.Google Scholar
Hemenway, Robert E.Zora Neale Hurston: A Literary Biography. Urbana: University of Illinois Press, 1977.Google Scholar
Hemenway, Robert E. “Are You a Flying Lark or a Setting Dove?” Afro-American Literature: The Reconstruction of Instruction. Ed. Fisher, Dexter and Stepto, Robert B.. New York: MLA, 1979:122–52.Google Scholar
Henri, Florette. Black Migration: Movement North, 1900–1920. Garden City, N.Y.: Anchor, 1975.Google Scholar
Hughes, Langston. The Big Sea. New York: Hill and Wang, 1963.Google Scholar
Hurston, Zora Neale. Dust Tracks on a Road. New York: HarperCollins, 1992.Google Scholar
Hurston, Zora Neale. “The Eaton ville Anthology”. I Love Myself When I Am Laughing & Then Again When I Am Looking Mean and Impressive: A Zora Neale Hurston Reader. Ed. Walker, Alice. Old Westbury, N.Y.: Feminist Press, 1979: 177–;88.Google Scholar
Hurston, Zora Neale. “High John de Conquer” The Book of Negro Folklore. Ed. Hughes, Langston and Bontemps, Arna. New York: Dodd, Mead, 1966: 93102.Google Scholar
Hurston, Zora Neale. “How It Feels to Be Colored Me”. I Love Myself When I Am Laughing Then Again When I Am Looking Mean and Impressive: A Zora Neale Hurston Reader. Ed. Walker, Alice. Old Westbury, N.Y.: Feminist Press, 1979: 152–55.Google Scholar
Hurston, zora Neale. Mules and Men. New York: HarperCollins, 1992.Google Scholar
Hurston, zora Neale. Tell My Horse Philadelphia: J. B. Lippincott, 1938.Google Scholar
Hurston, zora Neale. Their Eyes Were Watching God. New York: Harper and Row, 1990.Google Scholar
Hurston, zora Neale. The Sanctified Church. Berkeley, Calif.: Turtle Island, 1983.Google Scholar
Hyman, Stanley Edgar. “The Folk TraditionPartisan Review 25 (1958): 197222.Google Scholar
Johnson, Alex. “Bid Whist, Tonk, and United States v. Fordice: Why Integrationism Fails African-Americans AgainCalifornia Law Review 81 (1993): 1401–70.CrossRefGoogle Scholar
Johnson, James Weldon. “Harlem: The Cultural Capital” The New Negro. Ed. Locke, Alain. New York: Boni, 1925: 301–11.Google Scholar
Johnson, James Weldon. The Book of American Negro Poetry. New York: Harcourt, 1922.Google Scholar
Jones, Jacqueline. Labor of Love, Labor of Sorrow: Black Women, Work, and the Family from Slavery to the Present. New York: Basic, 1985.Google Scholar
Kaplan, Carla. “The Erotics of Talk: ‘That Oldest Human Longing’ in Their Eyes Were Watching GodAmerican Literature 67 (1995): 115–42.CrossRefGoogle Scholar
Kelley, Robin D. G.Race Rebels: Culture, Politics, and the Black Working Class. New York: Free Press, 1994.Google Scholar
Kluger, Richard. Simple Justice: The History of Brown v. Board of Education and Black America's Struggle for Equality. New York: Vintage, 1977.Google Scholar
Levine, Lawrence. Black Culture and Black Consciousness: Afro-American Folk Thought from Slavery to Freedom. New York: Oxford University Press, 1977.Google Scholar
Lillios, Anne. “Excursions into Zora Neale Hurston's Eatonville”. Zora in Florida. Ed. Glassman, Steve and Seide, Kathryn Lee. Orlando: University of Central Florida Press, 1991:1327.Google Scholar
Locke, Alain. “The New Negro” The New Negro. Ed. Locke, Alain. New York: Boni, 1925: 316.Google Scholar
Locke, Alain. Review of Their Eyes Were Watching God, by Zora Neale Hurston. Opportunity 16 (01 1938); reprinted in Zora Neale Hurston: Critical Perspectives Past and Present. Ed. Henry Louis Gates Jr. and K. A. Appiah. New York: Amistad, 1993: 18.Google Scholar
Lott, Eric. Love and Theft: Blackface Minstrelsy and the American Working Class. New York: Oxford University Press, 1993.Google Scholar
Lowe, John. Jump At the Sun: Zora Neale Hurston's Cosmic Comedy. Urbana: University of Illinois Press, 1994.Google Scholar
Lubiano, Wahneema. “Black Ladies, Welfare Queens, and State Minstrels: Ideological War by Narrative Means.” Race-ing Justice, En-Gendering Power. Ed. Morrison, Toni. New York: Pantheon, 1992: 323–63.Google Scholar
McKee, James B.Sociology and the Race Problem. Urbana: University of Illinois Press, 1993.Google Scholar
Marks, Carol. Farewell We're Gone: The Great Black Migration. Bloomington: Indiana University Press, 1989.Google Scholar
Meier, August, and Elliott, Rudwick. From Plantation to Ghetto: An Interpretive History of American Negroes. New York: Hill and Wang, 1966.Google Scholar
Morton, Patricia. Disfigured Images: The Historical Assault on Afro-American Women. New York: Greenwood, 1991.Google Scholar
“Justice Set Aside”. Nation. 07, 10, 1995: 3940.Google Scholar
Ohmann, Richard. “The Shaping of a Canon: US Fiction, 1962–1975” Politics of Letters. Middletown, Conn.: Wesleyan University Press, 1987: 6891.Google Scholar
Osofsky, Gilbert. Harlem: The Making of a Ghetto. New York: Harper, 1971.Google Scholar
Powdermaker, Hortense. After Freedom: A Cultural Study in the Deep South. New York: Viking, 1939.Google Scholar
Rabinowitz, Peter. “Canons and Close Readings” Falling into Theory: Conflicting Views on Reading Literature. Ed. Richter, David H.. Boston: Bedford, 1994: 218–21.Google Scholar
Roediger, David. The Wages of Whiteness: Race and the Making of the American Working Class. London: Verso, 1991.Google Scholar
Rooney, Ellen. Seductive Reasoning: Pluralism as the Problematic of Contemporary Literary Theory. Ithaca, N.Y.: Cornell University Press, 1989.Google Scholar
Scruggs, Charles. The Sage in Harlem: H. L. Mencken and the Black Writers of the Twenties. Baltimore: Johns Hopkins University Press, 1984.CrossRefGoogle Scholar
Showalter, Elaine. “Women's Writing Between the Wars” Columbia Literary History of the United States. Ed. Elliott, Emory. New York: Columbia University Press, 1990: 822–41.Google Scholar
Spillers, Hortense. “A Hateful Passion, a Lost Love”. Feminist Issues in Literary Scholarship. Ed. Benstock, Shari. Bloomington: Indiana University Press, 1987: 181207.Google Scholar
Stocking, George. “The Ethnographer's Magic” Fieldwork in British Anthropology from Tyler to Malinowski. Ed. Stocking, George. Madison: University of Wisconsin Press, 1983: 70120.Google Scholar
Szwed, John F.Race and the Embodiment of CultureEthnicity 2 (1973): 1933.Google Scholar
Wallace, Michele. “Who Dat Say Who Dat When I Say Who Dat? Zora Neale Hurston Then and Now”. Voice Literary Supplement 04 1988:1821.Google Scholar
Washington, Mary Helen. Invented Lives: Narratives of Black Women 1860–1960. New York: Doubleday, 1987.Google Scholar
Williams, Vernon J.From a Caste to a Minority: Changing Attitudes of American Sociologists Toward Afro-Americans, 1896–1945. New York: Greenwood, 1989.Google Scholar
Williamson, Joel. New People: Miscegenation and Mulattoes in the United States. New York: Free Press, 1980.Google Scholar
Wright, Richard. “Between Laughter and TearsNew Masses 25 (10 5, 1937): 2225.Google Scholar
Wright, Richard. “Blueprint for Negro Writing” The Richard Wright Reader. Ed. Wright, Ellen and Fabre, Michael. New York: Harper, 1978: 3649.Google Scholar