Hostname: page-component-78c5997874-fbnjt Total loading time: 0 Render date: 2024-11-17T19:38:06.837Z Has data issue: false hasContentIssue false

The evolution of the Queensland kid: Changing literary representations of Queensland children in children's and adolescent fiction

Published online by Cambridge University Press:  26 February 2016

Get access

Extract

Since the education explosion in mid-nineteenth century England, when astute publishers began to capitalise upon a newly created and burgeoning market, Australia has always featured prominently in fiction aimed at children and adolescents. Those British children who initially made up the bulk of the reading audience for books set in Australia were eager to read episodic stories set in exciting countries far from home, and an Australian setting offered a glamorous backdrop for tales of high adventure. Moreover, it appears that while the nineteenth-century British reading public perceived Australia as an exotic place, then Queensland was quintessentially so. A disproportionate number of early tales about life in Australia is set in this colony, most often in the outback regions, but also in the vicinity of the coastal tropics. Nineteenth-century Queensland was viewed by the British, as well as by many Australians, as a remote outpost of Great Britain; it was commonly thought of as the least urbanised, the least “civilised”, the least industrialised and perhaps the most remote of all the regions of Australia. It was widely seen as an area of great and diverse (if also mysterious and desolate) natural beauty, of rural innocence as yet unpolluted by dark, satanic mills (even Brisbane was a sleepy, sprawling country town in picturesque contrast to the bustling southern cities of Sydney and Melbourne). Children's novelists capitalised on the mystique of Queensland, archetypal frontier colony, by creating a cluster of tales showing what it was like to be a Queensland kid.

Type
Representations of the Child
Copyright
Copyright © Cambridge University Press 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Endnotes

1. See, for instance, Marcie Muir, A Bibliography of Australian Children's Books, Vols 1 and 2 (London: Andre Deutsch, 1970); Terence, O'Neill and Frances O'Neill, Australian Children's Books to 1980: A Select Bibliography of the Collection Held in the National Library (Canberra: National Library) for an indication of the numerical superiority of novels dealing with Queensland life.Google Scholar

2. Niall, Brenda, Australia Through the Looking Glass: Children's Fiction 1830–1980 (Melbourne: Melbourne University Press, 1984), p.150.Google Scholar

3. Niall, Australia Through the Looking Glass, p.43. Guinea Gold by Charles H. Eden was published in London in 1886 by the Society for Promoting Christian Knowledge and is a typical product from this publishing company. Set in outback Queensland, New Guinea and on The Great Barrier Reef, it shows how Christian perseverance eventually wins out, especially when the Christians are British as well.Google Scholar

4. Haverfield, E.L., Queensland Cousins (London: Nelson, 1908), p.197.Google Scholar

5. See, for instance, such nineteenth-century classics as Henry Lawson's short stories, his “Town and Country” debate with Banjo Paterson and Tom Collins' Such as Life.Google Scholar

6. Haverfield, Queensland Cousins, pp.2223. My italics.Google Scholar

7. Ethel Turner, Seven Little Australians (Sydney: Angus and Robertson, 1976), pp.7–8. Seven Little Australians was first published in 1894, was reprinted ten times in the following nine years, and was translated into several languages. For the first time Australian urban and family life was “presented with conviction and realism to children, presented not as a pale second best to the Bush, nor merely as a reflection of English city life, but as an imaginable way of life with its own peculiar flavour”. Rosemary Wighton, Early Australian Children's Literature (Melbourne: Oxford University Press, 1963), p.30.Google Scholar

8. Haverfield, Queensland Cousins, p.187.Google Scholar

9. Frances Campbell, Two Queenslanders and their Friends (London: Alexander Moring, 1904), p.267268.Google Scholar

10. Campbell, Two Queenslanders, p.30. 147Google Scholar

11. See, for instance, Garth's, JohnOur Girl”, The Australian Magazine, 11 August 1908, pp.10061009; Mary Gaunt, “Women in Australia”, Empire Review 1 (1901): 211–216.Google Scholar

12. Mary Grant Broce published her Billabong series of children's books from 1910 until 1942 (there are fifteen books in all). Together with Ethel Turner, her great rival, Broce has been credited with the upsurge of interest in Australian children's stories which escalated at the start of this century. Her Billabong books have recently been reissued by Angus and Robertson.Google Scholar

13. Campbell, Two Queenslanders, p.32.Google Scholar

14. Campbell, Two Queenslanders, p.267.Google Scholar

15. Joseph Bowes, The Young Settler: The Story of a New Chum in Queensland (London: Epworth Press, 1927), p.27. Bowes also wrote several other books of this type, including The Young Anzacs, The Aussie Crusaders, Comrades (A Story ofthe Australian Bush), and Pals (young Australians in Sport and Adventure).Google Scholar

16. Charles Darwin, The Descent of Man and Selection in Relation to Sex (Chicago: Encyclopaedia Brittannica, 1971), p.328.Google Scholar

17. See Walter McVitty, Authors and Illustrators of Australian Children's Books (Sydney: Hodder and Stoughton, 1989), p.171.Google Scholar

18. Mary Elwyn Patchett, Ajax the Warrior (London: Puffin, 1953), p.7.Google Scholar

19. Moore Raymond, Smiley (London: Sylvan Press, 1945), p.5.Google Scholar

20. Raymond, Smiley, p.6.Google Scholar

21. Raymond, Moore, Smiley Gets A Gun (London: Sylvan Press, 1947), p.16.Google Scholar

22. Lake, Marilyn, “The Politics of Respectability: Identifying the masculinist context”, Australian Historical Studies 22 (1986): 116–131.Google Scholar

23. Raymond, Smiley, p.83.Google Scholar

24. Raymond, Smiley, p.183.Google Scholar

25. Ottley, Reginald, By the Sandhills of Yamboorah (London: Andre Deutsch, 1965), p.170.Google Scholar

26. Ottley, Reginald, The Bates Family (London: Collins, 1969), p.24.Google Scholar

27. Ottley, By the Sandhills of Yamboorah, p.25.Google Scholar

28. Ottley, By the Sandhills of Yamboorah, p.119.Google Scholar

29. Ottley, By the Sandhills of Yamboorah, p. 150.Google Scholar

30. See, for instance Gary Crew's The Inner Circle (Melbourne: Heinemann, 1986) and The House of Tomorrow (Melbourne: Heinemann, 1988). It is interesting to note that when The Inner Circle was first published in England (after a highly successful Australian ron) the publishers chose a front cover portraying Joe, the Aboriginal protagonist, with recognisably Jamaican features. Obviously they thought that the novel transposed well into an inner-city British setting. See also Donna Sharp's Blue Days (St Lucia: University of Queensland Press, 1986) for a story of growing up in Coorparoo, coping with the death of a parent, the loss of a best friend, and a first love - marred by a Dolly-type ending.Google Scholar

31. Krauth, Nigel and Krauth, Caron, I Thought You Kissed With Your Lips (Ringwood: Penguin, 1990), pp.2223.Google Scholar

32. Krauth and Krauth, I Thought You Kissed With Your Lips, p.103.Google Scholar

33. Krauth and Krauth, I Thought You Kissed With Your Lips, pp.2829.Google Scholar