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CLASSICAL DIFFUSION

Published online by Cambridge University Press:  24 January 2024

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Extract

At Howard University, the only historically Black university in the United States with a Classics department, campus leaders decided in 2021 to eliminate that department after a three-year review of its academic programs. The response was vehement and swift, with students, faculty, and alumni condemning the decision as a case of administrative overreach. The philosopher Cornel West described the divestment from the Classics curriculum as a ‘spiritual catastrophe’ for the institution. Few missed the irony that Toni Morrison, one of Howard's most celebrated alumni, studied with Frank Snowden, Jr., a renowned professor of Classics, and received a ‘minor’ in that field as an undergraduate; or that the central inspiration for Morrison's Beloved was a fugitive slave woman named Margaret Garner who became known as ‘the modern Medea’ for having decided (in 1856, in flight from her master's agents) that it was better to kill her children than see them returned to enslavement in the American South. Others would point to the long tradition of transformational Black thinkers who admit to having been inspired by the classics, including Frederick Douglass and Martin Luther King, Jr.

Type
Research Article
Copyright
Copyright © The Author(s), 2024. Published by Cambridge University Press

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References

1. In her memoir, Dust Tracks on a Road, Hurston (2006) wrote, ‘There is no more dynamic teacher [than her night-school instructor Dwight O.W. Holmes] anywhere under any skin. He is not a pretty man, but he has the face of a scholar, not dry and set like, but fire flashes from his deep-set eyes. His high-bridged, but sort of bent nose over his thin-lipped mouth—well, the whole thing reminds you of some Roman like Cicero, Caesar or Virgil in tan skin’ (155). Romare Bearden created his ‘Odysseus Series’ in 1977—a cycle of twenty collages and watercolors based on Homer's epic poem The Odyssey: see O'Meally (2008). On classical references in hip hop, see Padilla Peralta (2015). Additional major touchstones in Black Classicism include Eccleston and Peralta (2022), Goff and Simpson (2007), Greenwood (2010), Rankine (2006), Roynon (2013), and Walters (2007).

2. Douglass (1986), 57 and 66.

3. Douglass (1986), this and following quotations: 65.

4. Douglass (1986), 83.

5. Hickman (2016).

6. Stovall (2022).

7. Douglass (1986), 51.

8. Moten (2017), xi.

9. Moten (2017), xxi.