Hostname: page-component-5c6d5d7d68-vt8vv Total loading time: 0.001 Render date: 2024-08-08T08:42:23.696Z Has data issue: false hasContentIssue false

Reversing the Tapestry: Prison of Love in Text, Image, and Textile*

Published online by Cambridge University Press:  20 November 2018

Emily C. Francomano*
Affiliation:
Georgetown University

Abstract

In the 1520s the internationally popular romance Prison of Love was adapted as a series of tapestries known as L'Histoire de Lérian et Lauréolle. This article explores the translation of the romance to a larger-than-life, three-dimensional narrative object created from sumptuous materials that literally enveloped courtly life. Unlike previous studies of Prison of Love's international reach, this article reads the tapestry chamber as an integral part of the romance's complex history of transmission among the princely courts of Europe in the early sixteenth century. Further, study of the textiles’ production, use, and reception will show that the tapestry chamber, though incomplete, is material evidence of a particular sixteenth-century reading of the romance.

Type
Research Article
Copyright
Copyright © 2011 Renaissance Society of America

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Footnotes

*

Support for this project came from an American Council of Learned Societies fellowship (Spring 2008), a Summer Academic Research Grant from Georgetown University (2008), and from the Georgetown University Medieval Studies Program. Research for this project was also undertaken in the context of the National Endowment for the Humanities Summer Seminar for College and University Teachers, The Reformation of the Book: 1450–1650 (2009). I wish to express my gratitude to colleagues who commented upon earlier versions of this article presented at the Northwestern University Medieval Studies Colloquium (November 2008) and at the University of Kansas Hall Center for the Humanities (March 2010). I am also grateful to colleagues Sarah McNamer, Jonathan Ray, Isidro Rivera, and Patricia Manning, and to the anonymous evaluators for this journal, whose insights were extremely helpful in the preparation of the present study. Translations are the author's unless otherwise noted.

References

Adamson, John. “The Making of the Ancien-Régime Court 1500–1700.” In The Princely Courts of Europe: Ritual, Politics and Culture Under the Ancien Régime 1500–1750 , ed., Adamson, John, 741. London, 1999.Google Scholar
The Arts of France from François Ier to Napoléon Ier: A Centennial Celebration of Wildenstein's Presence in New York. Ed. Wildenstein, Guy. New York, 2005.Google Scholar
Bal, Mieke. Reading Rembrandt: Beyond the Word-Image Opposition. Chicago, 1991.Google Scholar
Barthes, Roland. Image, Music, Text. Trans., Heath, Stephen. New York, 1978.Google Scholar
Baxandall, Michael. Painting and Experience in Fifteenth Century Italy: A Primer in the Social History of Pictorial Style. Oxford, 1972.Google Scholar
Bell, Susan Groag. The Lost Tapestries of the City of Ladies: Christine de Pizan's Renaissance Legacy. Berkeley, 2004.Google Scholar
Binotti, Lucia. “Humanistic Audiences: Novela sentimental and Libros de caballerías in Cinquecento Italy.” La corónica 39.1 (2010): 67113.CrossRefGoogle Scholar
Blaisdell, Charmarie Jenkins. “Renée de France between Reform and Counter-Reform.” Archiv für Reformationsgeschichte 63 (1972): 196226.Google Scholar
Blaisdell, Charmarie Jenkins. “Politics and Heresy in Ferrara, 1534–1559.” Sixteenth Century Journal 6.1 (1975): 6793.CrossRefGoogle Scholar
Brassat, Wolfgang. Tapisserien und Politik. Funktionen, Kontexte und Rezeption eines reprasentativen Mediums. Berlin, 1992.Google Scholar
Brown, Clifford , and , Demarcel, Guy. Tapestries for the Courts of Federico II, Ercole, and Ferrante Gonzaga, 1522–63. Seattle, 1996.Google Scholar
Brownlee, Marina Scordilis. The Severed Word: Ovid's Heroides and the Novela Sentimental. Princeton, 1990.10.1515/9781400861408CrossRefGoogle Scholar
Cacho Blecua, Juan Manuel “Los grabados de la Cárcel de Amor (Zaragoza, 1493, Barcelona, 1493, y Burgos, 1496): La muerte de Leriano.” In Actas del XI Congreso International de la Asociación Hispánica de Literatura Medieval , ed., López Castro, Armando and , Cuesta Torre, María Luzdivina, 367–79. León, 2007.Google Scholar
Camille, Michael. “Before the Gaze: The Internal Senses and Late Medieval Practices of Seeing.” In Vision and Visuality Before and Beyond the Renaissance: Seeing as Others Saw , ed., Nelson, Robert S., 197223. Cambridge, 2000.Google Scholar
Campbell, Thomas P. “The English Royal Tapestry Collection, 1485–1547.” 2 vols. PhD diss ., Courtauld Institute, University of London, 1998.Google Scholar
Campbell, Thomas P. Henry VIII and the Art of Majesty: Tapestries at the Tudor Court. New Haven, 2007.Google Scholar
Campori, Guiseppe. Arrazaria Estense. Modena, 1876.Google Scholar
Castiglione, Baldassare. The Book of the Courtier by Baldassare Castiglione, Translated by Sir Thomas Hoby. Ed., Henderson, Drayton. New York, 1937.Google Scholar
Cervantes Saavedra, Miguel de. The History of Don Quixote of the Mancha Translated from the Spanish of Miguel de Cervantes by Thomas Shelton. 4 vols. Ed., Fitzmaurice-Kelly, James. New York, 1967.Google Scholar
Chalment, Nora. Les Fresques mobiles du Nord: Tapisseries de nos Règions, XVIe–XXe siècles. Antwerp, 1994.Google Scholar
Chartier, Roger. The Order of Books. Trans., Cochrane, Lydia G.. Stanford, 1992.Google Scholar
Chartier, Roger. Inscription and Erasure: Literature and Written Culture from the Eleventh to the Eighteenth Century. Trans., Goldhammer, Arthur. Philadelphia, 2007.Google Scholar
Cleland, Elizabeth. “Oriane Passing the Magical Love Tests in the Magician's Enchanted Garden.” In Tapestry in the Baroque: Threads of Splendor , ed., Campbell, Thomas P., 3642. New Haven, 2007.Google Scholar
De Grazia, Margreta, Quilligan, Maureen , and , Stallybrass, Peter. “Introduction.” In Subject and Object in Renaissance Culture , ed., de Grazia, Margreta, Quilligan, Maureen , and , Stallybrass, Peter, 113. Cambridge, 1996.Google Scholar
Delmarcel, Guy. Los Honores: Flemish Tapestries for the Emperor Charles V. Antwerp, 2000.Google Scholar
Deyermond, Alan. “The Woodcuts of Cárcel de Amor, 1492–1496.” Bulletin hispanique 104.2 (2002): 511–28.CrossRefGoogle Scholar
Dictionnaire de biographie française. 20 vols. Paris : Letouzey et Ané, 1933–2009.Google Scholar
Du Bellay, Joachim. The Defense and Enrichment of the French Language . In The Regrets with The Antiquities of Roman, Three Latin Elegies, and The Defense and Enrichment of the French Language , ed. and trans., Helgerson, Richard, 318417. Philadelphia, 2006.Google Scholar
Eagleton, Terry. Against the Grain: Essays 1975–1985. London, 1986.Google Scholar
Flores, Juan de. Historia di Isabella et Aurelio, composta da Giouanni di Fiori in castigliano; tradotta in lingua volgare italica, p[er] M. Lelio Aletiphilo. Venice, 1534.Google Scholar
Francomano, Emily C. “‘Puse un sobreescripto’ [I wrote a new cover]: Manuscript, Print, and the Material Epistolarity of Cárcel de amor. Fifteenth-Century Studies 36 (2011): 2548.Google Scholar
Fraxanet Sala, María Rosa. “Estudios sobre los grabados de la novella ‘La Cárcel de Amor’ de Diego de San Pedro.” In Estudios de iconografía medieval española , ed., Yarza Luaces, Joaquín, 429–82. Barcelona, 1984.Google Scholar
Fried, Michael. Absorption and Theatricality: Painting and Beholder in the Age of Diderot. Berkeley, 1980.Google Scholar
García, María Dulce. Espada, escudo y espejo: El lenguaje como tema en las novelas de Diego de San Pedro. New Orleans, 1996.Google Scholar
Gastañega-Ponce de León, José Luis. “Diego de San Pedro y el descontento en la corte de los Reyes Católicos: Una lectura de Cárcel de amor.” Bulletin of Hispanic Studies 85.6 (2008): 809–20.CrossRefGoogle Scholar
Genette, Gerard. Palimpsests: Literature in the Second Degree. Trans., Newman, Channa and , Doubinsky, Claude. Lincoln, 1997.Google Scholar
Gregory I, Pope. The Letters of Gregory the Great. Ed. and trans., Martin, John C.. 3 vols. Toronto, 2004.Google Scholar
Guiffrey, Jules. Tapisseries françaises. 4 vols. Paris, 1878–85.Google Scholar
Guilbert, Nicholas. “A propos de la tapisserie ‘L'Histoire de Lérian et Lauréolle’ présenté au musée des Tissus de Lyon.” Bulletin des Musées et des monuments lyonnais 4 (1997): 3033.Google Scholar
Hampton Court Palace. “Henry VIII's Tapestries Revealed, Hampton Court Palace April 2009 – January 2010.” http://www.hrp.org.uk/aboutus/whatwedo/collectionscare/vrtapestrieshamptoncourt.aspx (accessed 11 February 2011).Google Scholar
Harris, Jonathan Gil. Untimely Matter in the Time of Shakespeare. Philadelphia, 2009.CrossRefGoogle Scholar
Hutcheon, Linda. A Theory of Adaptation. New York, 2006.CrossRefGoogle Scholar
Jardine, Lisa , and , Brotton, Jerry. Global Interests: Renaissance Art between East and West. Ithaca, 2000.Google Scholar
Joubert, Fabienne. La tapisserie médiévale au Musée de Cluny. Paris, 1987.Google Scholar
Kurth, Betty. “Mediaeval Romances in Renaissance Tapestries.” Journal of the Warburg and Courtauld Institutes 5 (1942): 237–45.CrossRefGoogle Scholar
Love, Harold. Attributing Authorship: An Introduction. Cambridge, 2002.CrossRefGoogle Scholar
Luzio-Renier, Alessandro. “Inventario de lo libri lasciati per la q. delice memoria dell'Ill.ma. S.ra Isabella d'Este marchesaba di Mant.” La coltura e le relazioni letterarie di Isabella d'Este Gonzaga 43 (1903): 273–81.Google Scholar
Márquez Villanueva, Francisco. Cárcel de amor, novela política.” Revista de Occidente 14 (1966): 185200.Google Scholar
Miguel-Prendes, Soledad. “Las cartas de Cárcel de Amor. Hispanófila 34.3 (1991): 122.Google Scholar
Miguel-Prendes, Soledad. “Reimagining Diego de San Pedro's Readers at Work: Cárcel de amor. La corónica 22.2 (2004): 744.CrossRefGoogle Scholar
Miles, Margaret. Image as Insight: Visual Understanding in Western Christianity and Secular Culture. Boston, 1985.Google Scholar
Mitchell, W. J. T. Picture Theory: Essays on Verbal and Visual Representation. Chicago, 1994.Google Scholar
Molinier, Emile. “Les tapisseries des Ducs de Lorraine.” Bulletin archéologique du Comité des travaux historiques et scientifiques (1885): 468–76.Google Scholar
The moste pleasaunt historye of Blanchardine, sonne to the King of Friz; & the faire lady Eglantine Queene of Tormaday, (surnamed) the proud ladye in loue. London : E. Allde for William Blackewall, 1595. Early English Books Online.Google Scholar
Ong, Walter. “Orality, Literacy, and Medieval Textualization.” New Literary History 16.1 (1984): 112.CrossRefGoogle Scholar
Orth, Myra Dykman. “‘The Prison of Love’: A Medieval Romance in the French Renaissance and Its Illustration (B.N. MS fr. 2150).” Journal of the Warburg and Courtauld Institutes 46 (1983): 211–21.CrossRefGoogle Scholar
Pinet, Simone. “The Knight, the Kings, and the Tapestries: The Amadis Series.” Revista canadiense de estudios hispánicos 30.3 (2006): 537–54.Google Scholar
Rees, Ronald. Interior Landscapes: Gardens and the Domestic Environment. Baltimore, 1993.Google Scholar
Sanders, Julie. Adaptation and Appropriation. London, 2006.Google Scholar
San Pedro, Diego de. La Prison d'amour. Trans., D'Assy, François. Paris, 1526.Google Scholar
San Pedro, Diego de. Desprecio de la fortuna . In Obras Completas III. Poesías , ed., Severin, Dorothy S. and , Whinnom, Keith, 270–97. Madrid, 1979a .Google Scholar
San Pedro, Diego de. Prison of Love, 1492 together with the Continuation by Nicolás Núñez. Trans., Whinnom, Keith. Edinburgh, 1979b .Google Scholar
San Pedro, Diego de. Càrcer d'amor; Carcer d'amore. Due traduzione della “novella” di Diego de San Pedro. Ed., Luisa Indini, Maria and , Minervini, Vincenzo. Fasano, 1986.Google Scholar
San Pedro, Diego de. Cárcel de Amor con la continuación de Nicolás Núñez. Ed., Parilla, Carmen. Barcelona, 1995.Google Scholar
San Pedro, Diego de. The Castell of Love: A Critical Edition of Lord Berners's Romance. Ed., Boro, Joyce. Tempe, 2007a .Google Scholar
San Pedro, Diego de. La Prison d'amour. Ed., Duché-Gavet, Véronique. Trans., Corrozet, Gilles. Paris, 2007b .Google Scholar
Schlauch, Margaret. Antecedents of the English Novel. Warsaw, 1963.Google Scholar
Sears, Elizabeth. “Introduction.” In Reading Medieval Images: The Art Historian and the Object , ed., Sears, Elizabeth and , Thomas, Thelma K., 17. Ann Arbor, 2002.CrossRefGoogle Scholar
Sponsler, Claire. “Text and Textiles: Lydgate's Tapestry Poems.” In Medieval Fabrications: Dress, Textiles, Clothwork, and Other Cultural Imaginings , ed., Jane Burns, E., 1934. New York, 2004.CrossRefGoogle Scholar
Stack, Lotus. The Essential Thread: Tapestry on Wall and Body. Minneapolis, 1988.Google Scholar
Standen, Edith. “Studies in the History of Tapestry 1520–1790.” Apollo (1981): 654.Google Scholar
Tamen, Miguel. The Friends of Interpretable Objects. Cambridge, MA, 2004.Google Scholar
Webb, Charmarie Jenkins. “Royalty and Reform: The Predicament of Renée De France, 1510–1575.” PhD diss ., Tufts University, 1969.Google Scholar
Weigert, Laura. “Review: Tapestry Exposed.” The Art Bulletin 85.4 (2003): 784–96.CrossRefGoogle Scholar
Weigert, Laura. Weaving Sacred Stories: French Choir Tapestries and the Performance of Clerical Identity. Ithaca, 2004.Google Scholar
Weissberger, Barbara F. “The Politics of Cárcel de amor. Revista de Estudios Hispánicos 26.3 (1992): 307–26.Google Scholar
Weissberger, Barbara F. “Resisting Readers and Writers in the Sentimental Romances and the Problem of Female Literacy.” In Studies on the Spanish Sentimental Romance (1440–1550): Redefining a Genre , ed., Gwara, Joseph and , Michael Gerli, E., 173–90. London, 1997.Google Scholar
Weissberger, Barbara F. “The Gendered Taxonomy of Spanish Romance.” La corónica 29.1 (2000): 205–29.CrossRefGoogle Scholar
Whinnom, Keith. The Spanish Sentimental Romance, 1440–1550: A Critical Bibliography. London, 1983.Google Scholar