Hostname: page-component-6d856f89d9-nr6nt Total loading time: 0 Render date: 2024-07-16T04:33:58.306Z Has data issue: false hasContentIssue false

Touching Touchets: Perkin Warbeck and the Buggery Statute*

Published online by Cambridge University Press:  20 November 2018

Lisa Hopkins*
Affiliation:
Sheffield Hallam University

Abstract

At first sight, The Chronicle History of Perkin Warbeck seems to be the only one of Ford's plays that is not pointedly and openly concerned with sexual deviation; in contrast to his other plays, it presents a cast of characters who are models of sexual rectitude. Sometimes, however, dogs that do not bark can be as significant as ones that do. This paper argues that Perkin Warbeck actually encodes a trangressive sexuality so subversive that its traces are hidden deep within the fabric of the play, visible only to a reading that historicizes Ford's work within very specific contexts and connects the play with the Buggery Statute.

Type
Studies
Copyright
Copyright © Renaissance Society of America 1999

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Footnotes

*

I am grateful for the comments and questions of Richard Dutton, Scott Wilson, and Alison Findlay when an earlier draft of this article was read to the Lancaster Renaissance Seminar, and for the very detailed and helpful suggestions of the Renaissance Quarterly reviewer.

References

Anderson, Donald K. Jr.Richard II and Perkin Warbeck.” Shakespeare Quarterly 13 (1962): 260–63.Google Scholar
Armstrong, William A. “The Audience of the Elizabethan Private Theatres.” Review of English Studies, n. s. 10 (1959): 234–49.Google Scholar
Arthurson, Ian. The Perkin Warbeck Conspiracy 1491-1499. Stroud, 1994.Google Scholar
Babb, Lawrence. “Abnormal psychology in John Ford's Perkin Warbeck? Modem Language Notes 51 (1936): 234–37.Google Scholar
Battels, Emily C.. Spectacles of Strangeness: Imperialism, Alienation and Marlowe. Philadelphia, 1993.Google Scholar
Breasted, Barbara. “Comus and the Castlehaven Scandal.” Milton Studies 3 (1971): 201–04.Google Scholar
Bredbeck, Gregory W. Sodomy and Interpretation: Marlowe to Milton. Ithaca, 1991.Google Scholar
Brooke, Nicholas. “Marlowe as Provocative Agent in Shakespeare's Early Plays.” Shakespeare Survey 14 (1961): 3444.Google Scholar
Burg, B.R. “Ho hum, another work of the devil: buggery and sodomy in early Stuart England.” Journal of Homosexuality 6 (1980-1): 6978.Google Scholar
Charney, Maurice. “Marlowe's Edward II as Model for Shakespeare's Richard II.” Research Opportunities in Renaissance Drama 33 (1994): 3141.Google Scholar
Clark, G.T. Thirteen Views of the Castle of St. Donat's, Glamorganshire, with a nvtice of the Stradling family. Shrewsbury, 1871.Google Scholar
Cope, Esther S.. Prophetic Writings of Lady Eleanor Davies. Oxford, 1995.Google Scholar
Cornforth, John. “The Backward Look.” In The Treasure Houses of Britain, ed. Gervase Jackson-Stops. New Haven, 1985.Google Scholar
Cutts, John P. “British Museum Additional MS. 31342: William Lawes’ writing for the theatre and the court.” The Library, 5th series 7 (1952): 225–34.Google Scholar
Dolan, Frances. Dangerous Familiars: Representations of Domestic Crime in England 1550-1700. Ithaca, 1994.Google Scholar
Flugel, J.C. “On the Character and Married Life of Henry VIII.” Reprinted in Psychoanalysis and History, ed. Bruce Mazlish, 124-49. New York, 1963.Google Scholar
Ford, John. Perkin Warbeck. In John Ford: Three Plays. Ed. Keith Sturgess. Harmondsworth, 1970.Google Scholar
Ford, John. ’Tis Pity She's a Whore. Ed Derek Roper. Manchester, 1975.Google Scholar
Ford, John. The Lover's Melancholy. Ed. R.F. Hill. Manchester, 1985.Google Scholar
Forker, Charles R. Fancy's Images. Carbondale and Edwardsville, 1990.Google Scholar
Foster, Verna Ann and Foster, Stephen. “Structure and History in The Broken Heart. Sparta, England, and the ‘Truth.'” English Literary Renaissance 55 (1988): 305–28.Google Scholar
Gordon, Dillian. Making and Meaning: The Wilton Diptych. London, 1993.Google Scholar
Griffiths, Ralph A. Sir Rhys ap Thomas and his Family. Cardiff, 1993.Google Scholar
Gurr, Andrew. “The General and the Caviar: Learned Audiences in the Early Theatre.” Studies in the Literary Imagination 26:1 (1993): 720.Google Scholar
Hammill, Graham. “Faustus's Fortunes: Commodification, Exchange, and the Form of Literary Subjectivity.” ELH63 (1996): 309-36.Google Scholar
Hammond, Paul. Love between Men in English Literature. New York, 1996.Google Scholar
Hoenselaars, A.J. “Europe Staged in English Renaissance Drama.” Yearbookof European Studies 6 (1993): 85112.Google Scholar
Hopkins, Lisa. “A Source for John Ford's ‘Tis Pity She's a Whore.” Notes and Queries 240:4 (December, 1994a): 520-1.Google Scholar
Hopkins, Lisa. John Ford's Political Theatre. Manchester, 1994b.Google Scholar
Hopkins, Lisa. “Perkin Warbeck and Henry IV Part One.” Notes and Queries, new series, 42 (September, 1995a): 380-81.Google Scholar
Hopkins, Lisa. “Acting the Self: John Ford's Perkin Warbeck and the Politics of Imposture”. Cahiers Elisabithains 48 (October, 1995b): 3136.Google Scholar
Howard, Jean. “'Effeminately Dolent': Gender and Legitimacy in Ford's Perkin Warbeck” In John Ford- Critical Re-Visions, ed. Michael Neill, 261-79. Cambridge, 1989.Google Scholar
Howarth, David. Lord Arundel and his Circle. New Haven, 1985.Google Scholar
Hoy, Cyrus. “'Ignorance in knowledge': Marlowe's Faustus and Ford's Giovanni.” Modern Philology 57 (1960): 145–54.Google Scholar
James, Mervyn. Society, Politics and Culture. Cambridge, 1986.Google Scholar
Jardine, Lisa. Still Harping on Daughters: Women and Drama in the Age of Shakespeare. Hemel Hempstead, 1983.Google Scholar
Leech, Clifford. “The Caroline Audience.” Modern Language Review 36 (1941): 304–19.Google Scholar
Levine, Laura. Men in Women's Clothing: Anti-theatricality and effeminization 1579-1642. Cambridge, 1994.Google Scholar
Marlowe, Christopher. Edward II. Ed. Charles R. Forker. Manchester, 1994.Google Scholar
Mazzola, Elizabeth. “Expert Witnesses and Secret Subjects: Anne Askew's Examinations and Renaissance Selfincrimination.” In Political Rhetoric, Power, and Renaissance Women, ed. Carole Levin and Patricia A. Sullivan, 157-71. Albany, 1995.Google Scholar
McCabe, Richard A. Incest, Drama and Nature's Law 1550-1700. Cambridge, 1993.Google Scholar
McCormick, Ian. Secret Sexualities. London, 1997.Google Scholar
Neill, Michael. “'Wits most accomplished Senate': The Audience of the Caroline Private Theaters.” Studies in English Literature 18 (1978): 341–60.Google Scholar
Nichol Smith, David. Characters from the Histories and Memoirs of the Seventeenth Century. Oxford, 1920.Google Scholar
Patterson, Annabel. Shakespeare and the Popular Voice. Oxford, 1989.Google Scholar
Shakespeare, William. King Henry V. Ed. T W. Craik. London, 1995.Google Scholar
Shakespeare, William. Henry VIII. Ed. A.R. Humphreys. Harmondsworth, 1971.Google Scholar
Sherman, Stuart P. “Stella and The Broken Heart.” Publications of the Modern Language Association of America 24 (1909): 274–85.Google Scholar
Somerset, Anne. Unnatural Murder: Poison at the Court of James I. London, 1997.Google Scholar
Starr, Nathan Comfort. “The Concealed Fansyes: A Play by Lady Jane Cavendish and Lady Elizabeth Brackley.” Publications of the Modern Language Association of America 46 (1931): 802–38.Google Scholar
Thomas, Graham C .G. “The Stradling Library at St. Donat's, Glamorgan.” National Library of Wales Journal 24:4 (Winter, 1986): 402-19.Google Scholar
Traub, Valerie. “Desire and the differences it makes.” In The Matter of Difference, ed. Valerie Wayne, 81-114. Hemel Hempstead, 1991.Google Scholar
Tricomi, Albert. “Philip, Earl of Pembroke, and the Analogical Way of Reading Political Tragedy.” Journal of English and Germanic Philology 85 (1986): 332–45.Google Scholar
Varney, Andrew. “‘This Tangled Wood’: Milton's Interweaving of Narratives in Comus.” In Narrative Strategies in Early English Fiction, ed. Wolfgang Gortschacher and Holger Klein, 307-18. New York and Salzburg, 1995.Google Scholar
Warnicke, Retha M. The Rise and Fall of Anne Boleyn. Cambridge, 1989.Google Scholar