This article examines the politics and explanatory plausibility of performative accounts of state action through a critical analysis of the themes of continuity and change in the work of David Campbell. As political interventions, performative models reproduce a number of taken-for-granted conceptual distinctions. As explanations, performative models are undermined by an account of the social that privileges representation. Drawing on materialist feminist critiques of performativity, I argue for the necessity of locating accounts of subject formation and state action in the multiple logics that constitute the social.