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Keyboard Sources in Hereford

Published online by Cambridge University Press:  01 January 2020

Barry Cooper
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Extract

Of the twenty or so music manuscripts from the seventeenth and eighteenth centuries preserved in Hereford Cathedral Library, no fewer than six contain sections devoted to keyboard music — a remarkably high proportion. Although all six contain other music too, this article will concentrate on the keyboard music; and, since the sources are very little known and virtually unrecorded in print, a description and inventory of all the keyboard music will be given here. (A complete inventory of all the manuscripts will eventually be published under the auspices of the Répertoire international des sources musicales (RISM).) The six manuscripts can be divided chronologically into three groups: two from around 1700, two from around 1720 and two from around the 1760s.

Type
Research Reports and Documents
Information
Royal Musical Association Research Chronicle , Volume 16 , 1980 , pp. 135 - 139
Copyright
Copyright © Royal Musical Association, 1980

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References

Bibliography

Cambridge, Fitzwilliam Museum, 52.B.6Google Scholar
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Cambridge, Fitzwilliam Museum, 52.B.6Google Scholar
Cambridge, Fitzwilliam Museum, 32.G.18Google Scholar
London, British Library, Add. 5336Google Scholar
London, British Library, Add. 17852Google Scholar
London, British Library, Add. 31446Google Scholar
London, British Library, Add. 34695Google Scholar
London, British Library, Egerton 2959Google Scholar
London, Dulwich College, Reading MSS 92a, 92b, 92dGoogle Scholar
London, Royal College of Music, 2093Google Scholar
Manchester, Henry Watson Library, BR.m.7105.Rf.31Google Scholar
McLean MS: ex libris E.F. Rimbault, owned by Prof, H. McLeanGoogle Scholar
Venice, Biblioteca Nazionale Marciana, MS 9783 (listed as Venice XIV in Kirkpatrick 1953)Google Scholar

Secondary literature and editions

Cooper, Barry, 1978. ‘Alberti and Jozzi: Another View’, The Music Review 39, 160–66Google Scholar
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