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Book Reviews
Published online by Cambridge University Press: 22 January 2016
Extract
Bartk as Ethnomusicologist Malcolm Gillies
Barraqu's Debussy Chris Dingle
Warlock the Composer Mike Smith
Messiaen the Teacher Chris Dingle
Arv Prt Peter Quinn
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- Copyright © Cambridge University Press 1997
References
page 22 note 1 In conversation with Claude Samuel, Messiaen also characterized Barraqué as being a rebel in the Boulez mode.
page no 23 note 2 Particularly regarding rhythm in La Met.
page no 24 note 1 Samson, Jim, Music in Transition: a Study of Tonal Expansion and Atonatlity, 1900–1920 (London: Dent, 1977), p. 101 Google Scholar.
page no 24 note 2 Kington, Beryl, quoting Rowley, Alec (apparently quoting warlock), in Cox, David and Bishop, John (eds), Peter Warlock: a Centenary Celebration (London: Thames Publishing, 1994), p. 217 Google Scholar.
page 25 note 1 Musique et Couleur - nouveaux entretiens avec Claude Samuel by Messiaen, Olivier (Paris, 1986), 41 Google Scholar.
page 25 note 2 The entire Traité is likely to weigh-in at about 5000 pages. According to Jean Leduc, the volume dedicated to birdsong (Tome V) is now going to be split into two parts with a total of 2000 pages.
page 25 note 3 The dedicatee of Technique Je mon langage musical.
page 25 note 4 Director of the paris Conservatoire, 1956–62.
page 26 note 5 Boivin, p. 293.
page 26 note 6 ibid.
page 26 note 7 Messiaen Traité Tome II, p. 130.
page 26 note 8 From the film Messiaen et les oiseaux (1973) by Tual, Denise and Fano, Michel Google Scholar.