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Shostakovich and the LASM

Published online by Cambridge University Press:  22 January 2016

Ludmila Kovnatskaya
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Extract

In the 1920s there were plenty of new opportunities for young composers to meet colleagues of all ages in the many circles, societies and associations which were then in existence. The most interesting, though short-lived of them was the Leningrad Association of Contemporary Music (LASM), which declared itself to be ‘a gathering of everyone connected with music today’. The Association was planned as a local branch of the International Society of Contemporary Music (ISCM) and of the central Moscow association. But in fact the LASM acted quite independently. Its founders were people who were already well-placed and even high-ranking in the country's musical life: the musicologists and critics Boris Asafyev (Igor Glebov), Vyacheslav Karatigin, Alexander Ossovsky and Andrey Rimsky-Korsakov, the composers Yuliya Weysberg, Alexander Zhitomirsky, Andrey Paschenko, Yuriy Tyulin, Maximilian Shteinberg, Lyubov Shtreikher-Bikhter and Vladimir Shcherbachev. Their first meeting took place on 15 April 1925 at the home of Rimsky-Korsakov and Weysberg.

Type
Research Article
Information
Tempo , Issue 206 , October 1998 , pp. 2 - 6
Copyright
Copyright © Cambridge University Press 1998

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References

1 TsGA (St.Pb.) – (Central State Archive of St. Petersburg), f. (fund) 2555, op. (opis=inventory) 1., d. (delo=file) 965, 1. (list) 5.

2 TsGA (St.Pb.), f. 1000, op.50, d. 26, 1. 9.

3 Ibid.

4 Druskin, M, Issledovciniya, Vospontinaniya (Studies, Memoirs), Moscow, 1977, p. 192 Google Scholar.

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7 Sliostakovich, D, Dumi: o proydennom puti (Thoughts about my passed path). In: D. Shostakovich o vremeni i o sebe (… on Time and about himself): 1926–1975, Comp. by Yakovlev, M.. Moscow. 1980, p. 197 Google Scholar.

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10 A lot of very interesting information on this topic is found in Laurel E. Fay's article in the collection of studies: D.D. Sltostakovich. Dedicated to his 90 anniversary, ed. by Kovnatskaya, L.. St. Petersburg, ‘Kompozitor’, 1996 Google Scholar.

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14 It seems very significant that Sofya Khentova separated 1927 as an independent chapter in her book: Shostakovich-pianist (Leningrad, 1964)Google Scholar.

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29 RO RIII, f. 82, op.1, d. 247, 1. 13 (writings at 5 September 1922).