Gerhard's first ballet-score, Ariel, came about in 1934 as a result of a meeting between the composer and Leonid Massine which had been engineered by Antal Dorati—though, in the event, Massine rejected the music for ballet purposes as ‘too symphonic’. Two years later, Dorati was the catalyst for a second time when he suggested to Colonel de Basil (for whose company he was then conducting) that Gerhard would be a suitable composer for a Spanish ballet. Wishing to hear some of Gerhard's work, de Basil visited him one evening in Barcelona with Massine and the lead dancer of his company, and Gerhard improvised various pieces in appropriate style for them at the piano. His friend the poet Ventura Gassol—Minister of Fine Arts in the Catalan Government—was also present, at Gerhard's request, to lend moral support. After Gerhard's rendition, the talk turned to possible Spanish subjects for a ballet and the desirability of incorporating traditional Spanish styles of dancing into the choreography; and Gassol proposed an expedition by car to the town of Berga, in the Pyrenees, to see—as a fine illustration of what they were discussing—the ancient folk festivities of ‘Saint John's Fire’ which would be in progress that night.