Hostname: page-component-77c89778f8-cnmwb Total loading time: 0 Render date: 2024-07-20T09:19:54.802Z Has data issue: false hasContentIssue false

The Bread and Puppet Theatre: The Stations of the Cross

Published online by Cambridge University Press:  07 December 2021

Extract

The Bread and Puppet Theatre was established in New York in 1962 by Peter Schumann, with the idea that “the theatre should be as basic as bread.” Using masks and a variety of puppets as their basic theatrical tools, the group has created its own distinctly innovative performing style. Their presentations often combine religious themes with a political message, with the war in Vietnam a particularly persistent topic. The troupe has done a large amount of traveling outside of New York, performing at GI coffeehouses and at various political demonstrations in the United States and Europe. Their desire to reach a popular audience that does not usually go to the theatre has led them to perform in the streets, parks and ghettos of cities. Bread and Puppet has always been a poor theatre, with unpaid actors and little or no admission charge.

Type
Contemporary
Copyright
Copyright © 1972 The Drama Review

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 See “With the Bread and Puppet Theatre: An Interview with Peter Schumann” in The Drama Review, Vol. 12, No. 2 (T38), pp. 6273.Google Scholar For other material on the Bread and Puppet Theatre, see The Drama Review, Vol. 14, No. 3 (T47), and Kourilsky's, Françoise book Le Bread and Puppet Theatre (Lausanne, Editions d'Homme, 1971).Google Scholar

2 White, B. F. and King, E. J., The Sacred Harp (Nashville: Broadman Press, 1968).Google Scholar The first edition was published in 1844.