Hostname: page-component-848d4c4894-tn8tq Total loading time: 0 Render date: 2024-07-07T12:18:32.917Z Has data issue: false hasContentIssue false

Gurdjieff’s Movement Demonstrations: The Theatre of the Miraculous

Published online by Cambridge University Press:  07 December 2021

Extract

Drawing on pre-Christian Assyrian, Phrygian, Armenian, Zoroastrian, Sufi, Tibetan, and Persian elements at the time of the Russian Revolution, George Ivanovich Gurdjieff attempted to create a school of thought that would coordinate and expand Western man's anatomic and intellectual centers of energy Into newly dynamic forms. Certain physical and mental activities, Gurdjieff believed, could bring about a total alteration of consciousness. For over sixty years his philosophy has found adherents among the intelligentsia of the Russian, French, and English-speaking world. Directors, choreographers, musicians, designers, painters, writers, and psychologists like Nikolai Evreinov, Sergei Diaghilev, Thomas de Hartmann, Alexander and Jeanne Salzmann, Louis Jouvet, Felix Labisse, J.B. Priestley, Aldous Huxley, Katherine Mansfield, Frank Lloyd Wright, Moshe Feldenkrais, and Peter Brook have all sought artistic inspiration in the esoteric teachings of the Russian-born mystic.

Type
Historical
Copyright
Copyright © 1978 The Drama Review

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)