While spending some time during the winter of 1801 in M., one evening in the public gardens I chanced upon Herr C, who had been recently engaged as the leading dancer at the opera house and who had found exceptional success with the public there.

I mentioned how surprised I had been to notice him on several occasions attending a marionette theatre that had been set up in the local market place, which entertained the masses with short dramatic burlesques interspersed with song and dance.

He assured me that the performance of these puppets was a source of great pleasure to him, and he made it quite clear that a dancer who wished to improve himself could learn a great deal from observing them.

Because his remarks were obviously not to be taken lightly, I sat down with him so that we might discuss his reasons for such a remarkable statement.