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Actor and Character in African Masquerade Performance

Published online by Cambridge University Press:  23 January 2009

Frances Harding
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Extract

The tension between form and meaning pervades the entire life of the performer … How is routine life connected to that intensified union of form and meaning which constitutes performance?

Type
Articles
Information
Theatre Research International , Volume 21 , Issue 1 , Spring 1996 , pp. 59 - 71
Copyright
Copyright © International Federation for Theatre Research 1996

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References

Notes

1. Peacock, James L., ‘Ethnographic notes on sacred and profane performance’, By Means of Performance, eds., Scheduler, and Appel, , (Cambridge: Cambridge University Press, 1990), p. 209.Google Scholar

2. Kasfir, S., ed., West African Masks and Cultural Systems, (Tervuren: Musee Royal de l'Afrique centrale, 1988), p. 2.Google Scholar

3. Zarilli, P., ‘What does it mean to “become the character”: power, presence and transcendence in Asian in-body disciplines of practice’, in By Means of Performance, 134.Google Scholar

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5. Ibid., p. 36.

6. Verger, P., Public lecture given at the Institute of Contemporary Art, London, 05 1994.Google Scholar

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8. Zarilli, , ‘What does it mean to “become the character” …’, pp. 133–4.Google Scholar

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10. Ibid.

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15. Schechner, , Between Theatre and Anthropology, p. 127.Google Scholar

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24. Lamp, , ‘Frogs into Princes’, p. 38.Google Scholar

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