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Art and Insurgency in Urgent Times

Published online by Cambridge University Press:  10 July 2017

Abstract

Brazil's constitutional crisis that culminated in the impeachment of President Dilma Rousseff in 2016 triggered a series of popular protests throughout the country. Starting with a brief analysis of the current political situation, this text identifies the characteristics, tools and forms of these political protests, drawing connections between them and debates in the arts.

Type
Dossier: Snapshot: Brazil
Copyright
Copyright © International Federation for Theatre Research 2017 

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References

NOTES

1 Guattari, Félix and Rolnik, Suely, Molecular Revolution in Brazil, trans. Clapshow, Karel and Holmes, Brian (Cambridge, MA: MIT Press, 2007)Google Scholar.

2 The ‘Massacre of Pinheirinho’ consisted of the eviction of the community of Pinheirinho on 22 January 2012. The police violently executed an order for repossession of the land issued by the state court, provoking a revolt and protests in Brazil and in a number of cities around the world.

3 The building, constructed in the nineteenth century in Rio de Janeiro, was the seat of the Indian Protection Service beginning in 1910, becoming the Museu do Índio (Indian Museum) from 1953 to 1977, based on a project conceived by Darcy Ribeiro, that was intended to be the creation of an indigenous university. With its occupation in 2006, the location was transformed into an urban indigenous village that served as a home for people from diverse ethnic groups.

4 [TN] Quilombola are inhabitants of communities founded by escaped slaves in the Brazilian interior from the seventeenth century.

5 [TN] Accused of corruption in Operação Lava Jato (Operation Car Wash), Cunha was suspended in May 2016 and arrested in October of the same year.

6 Arendt, Hannah, The Promise of Politics (New York: Schocken Books, 2005), p. 96 Google Scholar.

7 Hardt, Michael and Negri, Antonio, Multitude: War and Democracy in the Age of Empire (New York: Penguin Press, 2004), p. 202 Google Scholar.

8 [TN] The site, in Botafogo, RJ, was called Canecão, and had been closed since 2010.

9 Rancière, Jacques, The Politics of Aesthetics: The Distribution of the Sensible, trans. Rockhill, Gabriel (London: Bloomsbury Academic, 2000), p. 3 Google Scholar.

10 Benjamin, Walter, ‘The Author as Producer’, trans. Heckman, John, New Left Review, 1, 62 (July–August 1970), pp. 8396 Google Scholar.