Hostname: page-component-77c89778f8-sh8wx Total loading time: 0 Render date: 2024-07-21T04:29:00.277Z Has data issue: false hasContentIssue false
  • English
  • Français

Books Received

Published online by Cambridge University Press:  21 December 2010

Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Books Received
Information
Theatre Research International , Volume 36 , Issue 1 , March 2011 , pp. 95 - 98
Copyright
Copyright © International Federation for Theatre Research 2010

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

BAILES, SARA JANE, Performance Theatre and the Poetics of Failure. Abingdon and New York: Routledge, 2010. Pp. 229. £19.99/$36.95 Pb; £60/$110 Hb.Google Scholar
BAY-CHENG, SARAH, KATTENBELT, CHIEL, LAVENDER, ANDY AND NELSON, ROBIN, eds., Mapping Intermediality in Performance. Amsterdam: Amsterdam University Press, 2010. Pp. 304 + illus. €32.50 Pb.CrossRefGoogle Scholar
BOMY, CHARLOTTE AND HEMMERLÉ, MARIE-AUDE, eds., Mises en scène d'aujourd'hui. Strasbourg: Université de Strasbourg Presses, 2010. Pp. 140. €10 Pb.Google Scholar
BOUCRIS, LUC, DUSIGNE, JEAN-FRANÇOIS AND FOHR, ROMAIN, eds., Scénographie: 40 ans de creation. Montpellier: Ed. L'Entretemps, 2010. Pp. 248 + illus. €29 Pb.Google Scholar
BOUHAÏK-GIRONÈS, MARIE, DOMINGUEZ, VÉRONIQUE AND KOOPMANS, JELLE, eds., Les pères du théâtre médiéval: Examen critique de la constitution d'un savoir académique. Rennes: Presses Universitaires de Rennes, 2010. Pp. 292. €16 Pb.Google Scholar
BRADWELL, MIKE, The Reluctant Escapologist: Adventures in Alternative Theatre. London: Nick Hern, 2010. Pp. xviii + 3023. £14.99 Pb.Google Scholar
BUTEL, YANNICK, ed., De l'informe, du difforme, du conforme au théâtre. Bern, Berlin e.a.: Peter Lang, 2010. Pp. xviii + 142. €34/£27.80/$47.95 Pb.CrossRefGoogle Scholar
CAMPO, GIULIANO AND MOLIK, ZYGMUNT, Zygmunt Molik's Voice and Body Work: The Legacy of Jerzy Grotowski. Abingdon and New York: Routledge, 2010. Pp. 216. £21.99/$35.95 Pb; £65/$120 Hb.Google Scholar
CANNING, CHARLOTTE M. AND POSTLEWAIT, THOMAS, eds., Representing the Past: Essays in Performance Historiography. Des Moines: Iowa University Press, 2010. Pp. 452. £26.95/$29.95 Pb.Google Scholar
CHAOUCHE, SABINE, ed., Le ‘Théâtral’ de la France d'Ancien Régime: De la présentation de soi à la représentation scénique. Paris: Ed. Honoré Champion, 2010. Pp. 544. €95 Hb.Google Scholar
COCKIN, KATHARINE, ed., The Collected Letters of Ellen Terry, Vol. 1: 1865–1888. London: Pickering & Chatto, 2010. Pp. xlvi + 242. £100/$180 Hb.Google Scholar
COHEN-CRUZ, JAN, Engaging Performance: Theatre as Call and Response. Abingdon and New York: Routledge, 2010. Pp. 228. £17.99/$29.95 Pb; £65/$104 Hb.Google Scholar
CRISAFULLI, LILLA MARIA AND ELAM, KEIR, eds., Women's Romantic Theatre and Drama. Farnham and Burlington: Ashgate, 2010. Pp. xii + 292. £55/$99.95 Hb.Google Scholar
DABOO, JERRI, Ritual, Rapture and Remorse: A Study of Tarantism and Pizzica in Salento. Oxford, Bern e.a.: Peter Lang, 2010. Pp. xiv + 284 + illus. £37/$63.95 Pb.CrossRefGoogle Scholar
DAVIS, JIM, ed., Victorian Pantomime. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. xii + 230. £50/$80 Hb.CrossRefGoogle Scholar
DENIZOT, MARION, ed., Théâtre populaire et représentations du people. Rennes: Presses Universitaires de Rennes, 2010. Pp. 224. €17 Pb.Google Scholar
DICKINSON, PETER, World Stages, Local Audiences: Essays on Performance, Place and Politics. Manchester and New York: Manchester University Press, 2010. Pp. xii + 260. £60/$94.95 Hb.Google Scholar
DOLAN, JILL, Theatre & Sexuality. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. xii + 108. £4.99/$9 Pb.CrossRefGoogle Scholar
DUTT, BISHNUPRIYA AND MUNSI, URMIMALA SARKAR, Engendering Performance: Indian Women Performers in Seach of an Identity. New Delhi: Sage India, 2010. Pp. 332. Rs 995/£47.50 Hb.CrossRefGoogle Scholar
FALOCCO, JOE, Reimagining Shakespeare's Playhouse: Early Modern Staging Conventions in the Twentieth Century. Cambridge: D.S. Brewer, 2010. Pp. viii + 208 + illus. £50 Hb.Google Scholar
FARAMOND, JULIE DE, Pour un théâtre de tous les possibles: La revue Travail théâtral (1970–1979). Montpellier: Ed. L'Entretemps, 2010. Pp. 320. €26 Pb.Google Scholar
FELL, JILL, Alfred Jarry. London: Reaktion Books, 2010. Pp. 220. £10.95 Pb.Google Scholar
FLASZEN, LUDWIK, Grotowski & Company. Ed. by ALLAIN, PAUL. Holstebro, Malta, Wroclaw: Icarus, 2010. Pp. 330. £20 Pb.Google Scholar
FORREST, TARA AND SCHEER, ANNA TERESA, eds., Christoph Schlingensief: Art without Borders. Bristol and Chicago: Intellect, 2010. Pp. vi + 224. £19.95 Pb.Google Scholar
FRALEIGH, SONDRA HORTON, Dancing into Darkness: Butoh, Zen, and Japan. Pittsburgh: University of Pittsburgh Press, 2010. Pp. 288. $24.95/£22.50 Pb; $37.50/£35.50 Hb.Google Scholar
GALE, MAGGIE B. AND DEENEY, JOHN F., eds., The Routledge Drama Anthology and Sourcebook. Abingdon and New York: Routledge, 2010. Pp. 880. £29.99/$47.95 Pb; £75/$135 Hb.Google Scholar
GEORGE, DAVID, Sergi Belbel & Catalan Theatre: Text, Performance and Identity. Woodbridge: Tamesis, 2010. Pp. x + 220. £50/$95 Hb.Google Scholar
GOLDMAN, DANIELLE, I Want to Be Ready: Improvised Dance as Practice of Freedom. Ann Arbor: University of Michigan Press, 2010. Pp. 186 + illus. $60 Hb; $24.95 Pb.CrossRefGoogle Scholar
GRITZNER, KAROLINE, ed., Eroticism and Death in Theatre and Performance. Hatfield: University of Hertfordshire Press, 2010. Pp. xiv + 268. £18.99/$37.95 Pb.Google Scholar
HARDWICK, PAUL, ed., The Playful Middle Ages: Meanings of Play and Plays of Meaning. Turnhout: Brepols, 2010. Pp. x + 347 + 40 illus. €80 Hb.CrossRefGoogle Scholar
HARVIE, JEN AND LAVENDER, ANDY, eds., Making Contemporary Theatre: International Rehearsal Processes. Manchester and New York: Manchester University Press, 2010. Pp. xx + 252. £15.99/$24.95 Pb; £55/$84.95 Hb.Google Scholar
HENDERSON, BRUCE AND OSTRANDER, NOAM, eds., Understanding Disability Studies and Performance Studies. Abingdon and New York: Routledge, 2010. Pp. 272. £75/$125 Hb.Google Scholar
HILLMAN, RICHARD, French Origins of English Tragedy. Manchester and New York: Manchester University Press, 2010. Pp. 112. £50/$80 Hb.CrossRefGoogle Scholar
HIRSCH, BRETT D. AND WORTHAM, CHRISTOPHER, eds., ‘This Early Stage’: World and Stage in Late Medieval and Early Modern England. Turnhout: Brepols, 2010. Pp. x + 279 +illus. €70 Hb.CrossRefGoogle Scholar
HOLDSWORTH, NADINE, Theatre & Nation. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. xii + 90. £4.99/$9 Pb.CrossRefGoogle Scholar
HUBER, WERNER, RUBIK, MARGARETE AND NOVAK, JULIA, eds., Staging Interculturality. Trier: Wissenschaftlicher Verlag, 2010. Pp. 312. €32 Pb.Google Scholar
HURLEY, ERIN, Theatre & Feeling. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 96. £4.99/$9.00 Pb.CrossRefGoogle Scholar
KAZUBOWSKI-HOUSTON, MAGDALENA, Staging Strife: Lessons from Performing Ethnography with Polish Roma Women. Montreal and Kingston: McGill-Queen's University Press, 2010. Pp. 266. £70/$95.00 Hb.Google Scholar
KNOWLES, RIC, Theatre & Interculturalism. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 96. £4.99/$9.00 Pb.CrossRefGoogle Scholar
KORDECKI, LESLEY AND KOSKINEN, KARLA, Re-visioning Lear's Daughters: Testing Feminist Criticism and Theory. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 248. $80 Hb.CrossRefGoogle Scholar
KOWAL, REBEKAH J., How to Do Things with Dance: Performing Change in Postwar America. Middletown, CT: Wesleyan University Press, 2010. Pp. 340. £35.95/$40 Hb.Google Scholar
LACY, SUZANNE, Leaving Art: Writings on Performance, Politics and Publics, 1974–2007. Durham and London: Duke University Press, 2010. Pp. 424 + illus. £19.99/$27.97 Pb; £80/$99.95 Hb.CrossRefGoogle Scholar
LAVERY, CARL, The Politics of Jean Genet's Late Theatre: Spaces of Revolution. Manchester and New York: Manchester University Press, 2010. Pp. x + 254. £55/$90 Hb.Google Scholar
LIMON, JERZY, The Chemistry of the Theatre: Performativity of Time. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. x + 246. £50/$80 Hb.CrossRefGoogle Scholar
LIPSCOMB, VALERIE BARNES AND MARSHALL, LENI, eds., Staging Age: The Performance of Age in Theatre, Dance and Film. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 250. £52.50/$80 Hb.CrossRefGoogle Scholar
LOSCO-LENA, MIREILLE, La scène symboliste (1890–1896): Pour un théâtre spectral. Grenoble: Ellug, 2010. Pp. 232. €28 Pb.Google Scholar
MALAEV-BABEL, ANDREI, Yevgeny Vakhtangov (Routledge Performance Practitioners). Abingdon and New York: Routledge, 2010. Pp. 192. £16.99/$28.95 Pb; £60/$110 Hb.Google Scholar
MAZOUER, CHARLES, Le théâtre français de l'âge classique, Vol. II: L'apogée du classicisme. Paris: Ed. Honoré Champion, 2010. Pp. 848. €150 Hb.Google Scholar
MELE, FLORA, Le théâtre de Charles-Simon Favart: Histoire et inventaire des manuscrits. Paris: Ed. Honoré Champion, 2010. Pp. 280. €60 Hb.Google Scholar
MENGEL, EWALD, SCHNAUDER, LUDWIG AND WEISS, RUDOLF, eds., World Stage Vienna: Approaches to Cultural Transfer. Trier: Wissenschaftlicher Verlag, 2010. Pp. 252. €25 Pb.Google Scholar
MÉRAHI, DANIELLE, Joan Littlewood: L'insoumise et le Theatre Workshop. Montpellier: Ed. L'Entretemps, 2010. Pp. 288. €26 Pb.Google Scholar
MERMIKIDES, ALEX AND SMART, JACKIE, eds., Devising in Process. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 256. £16.99/$28 Pb; £50/$85 Hb.CrossRefGoogle Scholar
MESROPOVA, OLGA M. AND WEBER-FÈVE, STACEY, eds., Being and Becoming Visible: Women, Performance and Visual Culture. Baltimore: Johns Hopkins University Press, 2010. Pp. 264. £18/$35 Pb; £36.50/$70 Hb.Google Scholar
MIDDEKE, MARTIN AND SCHNIERER, PETER PAUL, eds., The Methuen Drama Guide to Contemporary Irish Playwrights. London: A&C Black, 2010. Pp. xx + 460. £16.99 Pb.Google Scholar
NELLHAUS, TOBIN, Theatre, Communication, Critical Realism. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 238. £52.50/$80 Hb.CrossRefGoogle Scholar
PETRESCU, CORINA L., Against All Odds: Models of Subversive Spaces in National Socialist Germany. Oxford, Bern e.a.: Peter Lang, 2010. Pp. viii + 276. €42.80/£35/$60.95 Pb.Google Scholar
PILKINGTON, LIONEL, Theatre & Ireland. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 96. £4.99/$9.00 Pb.CrossRefGoogle Scholar
ROBERTS, DAVID, Thomas Betterton: The Greatest Actor of the Restoration Stage. Cambridge: Cambridge University Press, 2010. Pp. xii + 258. £55/$95 Hb.CrossRefGoogle Scholar
ROCHESTER, JOANNE, Staging Spectatorship in the Plays of Philip Massinger. Farnham and Burlington: Ashgate, 2010. Pp. x + 172. £50/$99.95 Hb.Google Scholar
RURU, LI, The Soul of Beijing Opera: Theatrical Creativity and Continuity in the Changing World. Hong Kong: Hong Kong University Press, 2010. Pp. xvi + 336. HKD 105/$25 Pb; HKD 395/$50 Hb.Google Scholar
SARRAZAC, JEAN-PIERRE AND CONSOLINI, MARCO, eds., Avènement de la mise en scène – crise du drame: Continuités-discontinuités. Bari: Edizioni di Pagina, 2010. Pp. 280. €20 Pb.Google Scholar
SAVARESE, NICOLA, Eurasian Theatre: Drama and Performance between East and West from Classical Antiquity to the Present. Trans. by FOWLER, RICHARD. Ed. by CREMONA, VICKI ANN. Holstebro, Malta, Wroclaw: Icarus, 2010. Pp. 640. £24/€30.99 Hb.Google Scholar
SCOTT, SARAH K. AND STAPLETON, M.L., eds., Christopher Marlowe the Craftsman: Live, Stage, and Page. Farnham and Burlington: Ashgate, 2010. Pp. x + 262. £55/$99.95 Hb.Google Scholar
SCOTT, VIRGINIA, Women on the Stage in Early Modern France, 1540–1750. Cambridge: Cambridge University Press, 2010. Pp. x + 326. £55/$95 Hb.CrossRefGoogle Scholar
SMITH, EMMA AND SULLIVAN, GARRETT A. JR, eds., Companion to English Renaissance Tragedy. Cambridge: Cambridge University Press, 2010. Pp. xiv + 274. £17.99/$29.99 Pb; £50/$85 Hb.CrossRefGoogle Scholar
SOLOMON, RAKESH H., Albee in Performance. Bloomington and Indianapolis: University of Indiana Press, 2010. Pp. 320 + illus. £50/$65.00 Hb; £16.99/$24.95 Pb.Google Scholar
SOLTERER, HELEN, Medieval Roles for Modern Times: Theatre and the Battle for the French Republic. University Park, PA: Penn State University Press, 2010. Pp. 304 + 40 illus. $80 Hb.Google Scholar
SOUSA, GERALDO U. DE, At Home in Shakespeare's Tragedies. Farnham and Burlington: Ashgate, 2010. Pp. xii + 204. £55/$99.95 Hb.Google Scholar
TRENCH, RHONA, Bloody Living: The Loss of Selfhood in the Plays of Marina Carr. Oxford, Bern, e.a.: Peter Lang, 2010. Pp. viii + 319. €47.60/£39/$67.95 Pb.CrossRefGoogle Scholar
WALSH, FINTAN, Male Trouble: Masculinity and the Performance of Crisis. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. viii + 234. £50/$80 Hb.CrossRefGoogle Scholar
WALSH, FINTAN, ed., Queer Notions: New Plays and Performances from Ireland. Cork: Cork University Press, 2010. Pp. x + 266 + illus. €39/£39 Hb.Google Scholar
WESKER, ARNOLD, Wesker on Theatre. London: Oberon, 2010. Pp. 164. £9.99 Hb.Google Scholar
WHYBROW, NICOLAS, ed., Performance and the Contemporary City: An Interdisciplinary Reader. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. xx + 302. £19.99/$33.95 Pb.CrossRefGoogle Scholar
WONG, YUTIAN, Choreographing Asian America. Middletown, CT: Wesleyan University Press, 2010. Pp. 280. £24.95/$27.95 Pb; £66.95/$75 Hb.Google Scholar
YOUNG, HARVEY, Embodying Black Experience: Stillness, Critical Memory, and the Black Body. Ann Arbor: University of Michigan Press, 2010. Pp. 272 + illus. £26.95/$29.95 Pb; £71.50/$80 Hb.CrossRefGoogle Scholar