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The Structure of Ritual and Mythos in the Naturalistic Plays of August Strindberg

Published online by Cambridge University Press:  23 January 2009

Gideon Ofrat
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Abstract

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Type
Articles
Information
Theatre Research International , Volume 4 , Issue 2 , February 1979 , pp. 102 - 117
Copyright
Copyright © International Federation for Theatre Research 1979

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References

Notes

1. Frye, N., Anatomy of Criticism (London, 1967).Google Scholar

2. Bentley, E., The Life of Drama (New York, 1967).Google Scholar

3. Anatomy, pp. 223–39.

4. Kaufman, R. J., ‘Strindberg: The Absence of Irony’, Strindberg (New York, 1971), pp. 57–70.Google Scholar

5. Driver, T. F., Romantic Quest, Modern Query (New York, 1970) p. XVI.Google Scholar

6. Anatomy, p. 229.

7. ibid., p. 238.

8. Strindberg, A., Miss Julie (tr. Locock, C. D.), International Modern Plays, ed. A. Dent (New York, 1964) p. 51.Google Scholar

9. Strindberg, A., Creditors (tr. Sprigge, E.), Five Plays of Strindberg (New York, 1960) p. 27.Google Scholar

10. Ofrat, G., ‘Miss Julie as A Midsummer Night's Dream’, (Heb.) Parshanut Ubikoret, 11–12, 01. (1978), pp. 269–84.Google Scholar

11. Madsen, B. G., Strindberg's Naturalistic Theatre (New York, 1962) p. 99.Google Scholar

12. Strindberg, A., The Father (tr. Sprigge, E.), Modern Drama (ed. O. Reinert) (Boston, 1964) p. 127Google Scholar.

13. Miss Julie, p. 31.

14. Creditors, p. 18.

15. ibid., p. 39.

16. ibid., p. 38.

17. ibid., p. 51.

18. ibid., p. 18.

19. The Father, p. 99.

20. ibid., pp. 123–4.

21. ibid., p. 125.

22. ibid., p. 126.

23. ibid., p. 124.

24. Miss Julie, p. 46.

25. ibid., p. 46.

26. ibid., p. 48.

27. ibid., p. 19.

28. ibid., p. 20.

29. ibid., p. 49.

30. ibid.

31. Creditors, p. 52.

32. ibid., p. 28.

33. ibid.,

34. ibid., p. 18.

35. ibid., p. 26.

36. ibid., p. 21 (see also p. 27).

37. ibid., p. 33.

38. ibid., p. 20.

39. ibid., p. 14.

40. ibid., p. 32.

41. Levi-Strauss, C., Structural Anthropology. ‘A Structural study of Myth’ (New York, 1963) pp. 213–17.Google Scholar

42. The Father, p. 115 (see also p. 125 where Adolf relates his birth as a deformed baby).

43. ibid.

44. ibid.

45. Miss Julie, p. 35.

46. Creditors, p. 14.

47. ibid., p. 19.

48. The Father, p. 116.

49. Miss Julie, p. 37.