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An Eternal Parting: Staging Internal Diaspora, Performing South Korean Nationalism

Published online by Cambridge University Press:  24 October 2016

Abstract

The myth of Korean-ness is reconstructed via the figures of minorities in a documentary/performance, An Eternal Parting, performed by the South Korean performance group Movement Dang-Dang in 2011 and 2013. It showcases the phenomena of Korean diaspora, starting with the deportations of Korean exiles from Siberia under Stalin during the 1930s, and hinges on the presence of the descendants of exiled Korean ethnic populations in contemporary South Korea, including how they are both accepted and excluded by their countrymen. However, although An Eternal Parting tries to redefine the myth of Korean-ness from a marginal viewpoint, its fundamental ambivalence does not escape hegemonic Korean ideologies of nationalism, bloodline, family and home.

Type
Articles
Copyright
Copyright © International Federation for Theatre Research 2016 

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References

NOTES

1 Kim, Min-ki, Line 1, trans. Park, You-shin (Seoul: Hakchon Books, 2005), pp. 1213 Google ScholarPubMed.

2 Put simply, the purpose of this act is to ensure overseas Koreans entry into and departure from the Republic of Korea and legal status therein.

3 Park, Min-ch'eol, ‘The Variations of Identity and Value Orientation of Korean Diaspora in Their Migration into South Korea: Focused on Collision of Values in Korea’, Diaspora Research (Diaspora yonku), 8, 2 (2014), pp. 4175 Google Scholar, here p. 51. All translations from Korean sources are mine unless otherwise indicated.

4 Recently, defectors from North Korea have been identified as members of the Korean diaspora. My focus herein, however, is on ethnic Koreans who have returned from China and Central Asia.

5 Park, pp. 52–3.

6 See German Kim, ‘Korean Diaspora in Kazakhstan: Question of Topical Problems for Minorities in Post-Soviet Space’, Slavic Research Center, Hokkaido University, 1989; Kim, Eun-mi and Kim, Ji-hyon, ‘The Formation and Social Organization of a Nascent Multi-ethnic Society in South Korea: Illustrations from Seoul's Foreign Communities’, Korean Sociology (Hankuksahoehak), 42, 2 (2008), pp. 135 Google Scholar.

7 See Jung-kyong Suh, ‘The Return of Korean-Chinese and Korean Society's Issue to Be Solved: Beyond “Chaoxian Minority of China” and “Chinese Brethren of Korea”, Diaspora Research (Diaspora yonku), 8, 1 (2014), pp. 71–94, here p. 83.

8 Compared to Koryoin and Joseonjok, Zainichi occupy a grey area of national/ethnic categorization. Zainichi (literally ‘foreigners in Japan’) moved there in the early twentieth century, at the beginning of colonial rule. Many more arrived in the early 1950s, to escape the Korean War; thus the term includes the descendants of ethnic Koreans in Japan. The problems of modern Korean history, including the division of North from South, have placed Zainichi Koreans in a particularly intricate web of identity in terms of both their citizenship and their nationality. They are among the largest minority populations in Japan, but few hold Japanese citizenship; instead, they are categorized as citizens of either South or North Korea. Nonetheless, as people who have been assimilated or born into Japanese culture, they are not readily accepted back into the land of their origins. See Cho, Kyong-hee, ‘South Korean Society's Perception of Zainichi Koreans’, Hwanghae Culture (Hwanghae munhwa), 57 (2007), pp. 4675 Google Scholar; Kim, Tae-man, ‘Trauma of Japanese Korean Diaspora’, North East Asian Cultural Studies (Dongbukahmunhwa yonku), 25 (2010), pp. 371–87Google Scholar; and Kim, Gwi-ok, ‘Korean Division and Korean Diaspora: Focusing on Korean Residents in Japan’, Historical Criticism (Yoksabipyong), 91 (2010), pp. 5393 Google Scholar. Zainichi Koreans’ history and nationality are extremely complicated issues that require explanations beyond the scope of this article. Their treatment in An Eternal Parting is derived from arguments made by Kyung-sik Suh, a second-generation Zainichi currently residing in South Korea. See Suh, Kyung-sik, Diaspora kihaeng: Ch'ubangdanghanchaui sison (The Journey of Diaspora: A Gaze of the Banished), trans. Kim, Hye-shin (Seoul: Dolbaegae, 2006)Google Scholar.

9 This is my translation of the original Korean title, Kiok ui mongtaju: Oraedoen ibyol. It was staged in 2013 as a new genre, docu-performance, at the former Seoul Station (Culture Station Seoul 284), 5–7 July 2013. The premiere version of An Eternal Parting was staged 4–6 November 2011 at Namsan Arts Centre, as part of the 2011 New Wave Art Festival. Docu-performance is an experimental genre initiated by Min-jung Kim. An Eternal Parting won a New Concept Theatre Award at the Fiftieth Dong-A Theatre Awards, held at Myeongdong Theatre on 27 January 2014. Twenty-one actors performed in this piece. My analysis is based on the show I attended on 7 July 2013.

10 On 23 June 2013, I was invited to Movement Dang-Dang's rehearsal studio to share my experience as an expatriate Korean living abroad. My analysis draws from this brief involvement as the English translator and a consultant.

11 Sowae was staged 9–12 May 2013 at Daehakro Arts Centre, as part of the thirty-fourth Seoul Theatre Festival.

12 Blood Type (Gruppa krovi, Группа крови) is also the title of the album released by Kino in 1988.

13 Min-jung Kim, in an informal conversation with the author during the rehearsal period.

14 All of the quotations are from the video recording of An Eternal Parting (2013).

15 See Choi, Jang-jip, The Condition and the Future of Korean Nationalism (Seoul: Nanam, 1995)Google Scholar.

16 Ibid.

17 Han, Hae-joang Cho, ‘“You are Entrapped in an Imaginary Well”: The Formation of Subjectivity within Compressed Development – a Feminist Critique of Modernity and Korean Culture’, Inter-Asia Cultural Studies, 1, 1 (2000), pp. 4969, here p. 57Google Scholar.

18 Ibid, p. 59.

19 See Lim, Ji-Hyun, Nationalism as Betrayal (Seoul: Sonamu, 1999)Google Scholar.

20 See Seoljin Kim, Arirang Nolki’, YouTube, 28 March 2012, at www.youtube.com/watch?v=gPO7xZnuioU, accessed 20 March 2016.

21 See Billig, Michael, Banal Nationalism (London and Thousand Oaks: Sage, 1995), p. 93 Google Scholar.