From Script to Stage in Early Modern England. Edited By Peter Holland and Stephen Orgel. Basingstoke: Palgrave, 2004. Pp. xiii + 251. £60 Hb; £17.99 Pb Tudor Drama before Shakespeare, 1485–1590: New Directions for Research, Criticism, and Pedagogy. Edited by Lloyd Kermode, Jason Scott-Warren and Martine Van Elk. Basingstoke: Palgrave, 2004. Pp. 271. £40 Hb Pronouncing Shakespeare: The Globe Experiment. By David Crystal. Cambridge: Cambridge University Press, 2005. Pp. 188. £12.99 Hb Talking to the Audience: Shakespeare, Performance, Self. By Bridget Escolme. London: Routledge, 2005. Pp. xii + 192 + 11 illus. £60 Hb; £19.99 Pb

Robert Shaughnessy

doi:10.1017/S0307883305261916

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From Script to Stage in Early Modern England. Edited By Peter Holland and Stephen Orgel. Basingstoke: Palgrave, 2004. Pp. xiii + 251. £60 Hb; £17.99 Pb Tudor Drama before Shakespeare, 1485–1590: New Directions for Research, Criticism, and Pedagogy. Edited by Lloyd Kermode, Jason Scott-Warren and Martine Van Elk. Basingstoke: Palgrave, 2004. Pp. 271. £40 Hb Pronouncing Shakespeare: The Globe Experiment. By David Crystal. Cambridge: Cambridge University Press, 2005. Pp. 188. £12.99 Hb Talking to the Audience: Shakespeare, Performance, Self. By Bridget Escolme. London: Routledge, 2005. Pp. xii + 192 + 11 illus. £60 Hb; £19.99 Pb

Volume 31, Issue 1
Robert Shaughnessy ^(a1)
DOI: https://doi.org/10.1017/S0307883305261916

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From Script to Stage in Early Modern England. Edited By Peter Holland and Stephen Orgel. Basingstoke: Palgrave, 2004. Pp. xiii + 251. £60 Hb; £17.99 Pb Tudor Drama before Shakespeare, 1485–1590: New Directions for Research, Criticism, and Pedagogy. Edited by Lloyd Kermode, Jason Scott-Warren and Martine Van Elk. Basingstoke: Palgrave, 2004. Pp. 271. £40 Hb Pronouncing Shakespeare: The Globe Experiment. By David Crystal. Cambridge: Cambridge University Press, 2005. Pp. 188. £12.99 Hb Talking to the Audience: Shakespeare, Performance, Self. By Bridget Escolme. London: Routledge, 2005. Pp. xii + 192 + 11 illus. £60 Hb; £19.99 Pb

Volume 31, Issue 1
Robert Shaughnessy ^(a1)
DOI: https://doi.org/10.1017/S0307883305261916

To save this article to your Google Drive account, please select one or more formats and confirm that you agree to abide by our usage policies. If this is the first time you used this feature, you will be asked to authorise Cambridge Core to connect with your Google Drive account. Find out more about saving content to Google Drive.

From Script to Stage in Early Modern England. Edited By Peter Holland and Stephen Orgel. Basingstoke: Palgrave, 2004. Pp. xiii + 251. £60 Hb; £17.99 Pb Tudor Drama before Shakespeare, 1485–1590: New Directions for Research, Criticism, and Pedagogy. Edited by Lloyd Kermode, Jason Scott-Warren and Martine Van Elk. Basingstoke: Palgrave, 2004. Pp. 271. £40 Hb Pronouncing Shakespeare: The Globe Experiment. By David Crystal. Cambridge: Cambridge University Press, 2005. Pp. 188. £12.99 Hb Talking to the Audience: Shakespeare, Performance, Self. By Bridget Escolme. London: Routledge, 2005. Pp. xii + 192 + 11 illus. £60 Hb; £19.99 Pb

Volume 31, Issue 1
Robert Shaughnessy ^(a1)
DOI: https://doi.org/10.1017/S0307883305261916

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