This issue of TRI opens with four articles which, in rather diverse ways, address the present stakes and states of feminism in and of performance. Some of the issues these articles take up and the ‘state of the field’ are introduced by Kristina Hagström-Ståhl, the editorial secretary of the journal. The two additional articles in this issue, besides the many book reviews, including those that were left out by mistake in the previous issue are by Min Tian and Gabriele Brandstetter. They are both examples of theatre/performance historiography, the former dealing with a very short but decisive moment for modern theatre history, concerning a meeting between Gordon Craig and Mei Lanfang that ‘hardly’ can be said to have taken place but still happened, and the second dealing with the longue durée of the fascinating notion of virtuosity. F.R