Hostname: page-component-7479d7b7d-qlrfm Total loading time: 0 Render date: 2024-07-10T16:27:54.306Z Has data issue: false hasContentIssue false

Malaysian Drama in English: Is there a Case for a Post-Mortem?

Published online by Cambridge University Press:  23 January 2009

Margaret Yong
Affiliation:
Lectures in the Department of English, University of Malaysia.

Extract

Malaysian drama in English (MDE) is an inelegant name, but it describes exactly a curious breed of theatre in Malaysia: Englishlanguage drama, which seeks to be locally appropriate, in a country whose polycultural history has resulted in the presence of a diverse mixture of languages including Malay (the National Language), the major dialects of Chinese, Hindi, Tamil and other Indian languages, as well as English. Malaysian drama in English has existed for some twentyfive years – not a long history, even measured by the standards of the New Literatures of post-colonial nations. Its quarter century of life has been short and turbulent. MDE has followed a course marked by race riots, language demonstrations, defections from its fold, institutional indifference, censorship, and the gradual withering of the English language itself as a medium viable within the national context. Much of the history of MDE has been affected by the major socio-political changes of the nation. It is not possible, then, to see MDE as an autonomous, selfenclosed entity. Its life cannot be extricated from the national history out of which it grows, and its story is inseparable from the political fortunes of the English language in Malaysia.

Type
Articles
Copyright
Copyright © International Federation for Theatre Research 1983

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Notes

1. Fernando, Lloyd, ‘Introduction’, New Drama One, Kuala Lumpur: Oxford University Press, 1972, p. vii.Google Scholar

2. Fernando mentions, for instance, the production of Christie, Agatha's Witness for the ProsecutionGoogle Scholar during this period.

3. There were obviously many made unhappy by the turn of events at the MATG, for two new organizations were formed: the Klang Theatre Workshop, and the Malaysian Drama Council, a nebulous one-man show.

4. Salleh, Muhammad Haji, ‘The Response of Modern Malaysian Poetry to English Literature: a brief survey’, ACLALS Bulletin, 12 1980, p. 154.Google Scholar

5. Salleh, Muhammad Haji, Tradition and Change in Contemporary Malay-Indonesian Poetry, Kuala Lumpur: Penerbit Universiti Kebangsaan, Malaysia, 1977, p. 137.Google Scholar

6. Wong, Irene F. H., ‘English in Malaysia’, English for Cross-Cultural Communication, edited by Smith, Larry, London: Macmillan, 1981, p. 94.CrossRefGoogle Scholar

7. Jit, Krishen, ‘Images of America in Malay Poetry and Short Stories’, Popular Images of America, edited by Kato, Hidetoshi, Honolulu: The East-West Center, 1977, p. 49.Google Scholar

8. Published in Lloyd Fernando, ed., New Drama One, with two other plays: Dorall's A Tiger is Loose in our Community and Das's Lela Mayang.

9. See my article ‘Images of Women in Malaysian Drama in English’, Women: A Malaysian Focus, edited by Karim, Nik Safiah (to be published by Oxford University Press in 1983).Google Scholar

10. de Graft, J. C., ‘Roots in African Drama and Theatre,’ African Literature Today, edited by Jones, Eldred Durosimi, London: Heinemann and Africana Publishing Company, 1976, p. 12.Google Scholar

11. See Prize-Winning Plays (4 vols), edited by Yeo, Robert, Singapore: Federal Publications, 1981.Google Scholar

12. See his plays for schools: Yeoh, Patrick, Lakunan unluk Sekolah-Sekolah Malaysia, Kuala Lumpur: Penerbit Fajar Bakti, 1974.Google ScholarPubMed

13. See ‘A Oliday Surprise from Kannan’, New Straits Times (Kuala Lumpur), 27 07 1975.Google Scholar

14. See ‘A Festival of Plays through Local eyes’, New Straits Times (Kuala Lumpur), 22 10 1978.Google Scholar

15. Yousof, Ghulam-Sarwar, Halfway Road, Penang, Penang: Teks Publishing, 1982.Google Scholar

16. In fact the national school examinations are conducted in December/January.

17. Tongue, R. K., The English of Singapore and Malaysia, Second Edition, Singapore: Eastern Universities Press, 1979, p. 18.Google Scholar

18. Lee joo For, Son of Zen, in Three Southeast Asian Plays, Kuala Lumpur: Tenggara, 1970, pp. 9293Google Scholar. For a thematic discussion of this play, see Lim, and Yong, , Son of Zen and The Propitious Kidnapping Moana, 4, 4 (10 1974), 412–16.Google Scholar

19. Tone Brulin at Universiti Sains Malaysia, and Joy Zinoman at Universiti Malaya.

20. ‘Stopping the Rot’, Asiaweek, 15 10 1982, p. 40.Google Scholar

21. Lee joo For, The Happening in the Bungalow, in New Drama One, p. 122.Google Scholar