The work of Robert Lepage is examined in the context of the avant-garde, from Robert Wilson and Peter Brook, through the French Surrealists, back to Edward Gordon Craig. As well as being an icon of post-modernism, analysis of productions such as Needles and Opium, Elsinore and Zulu Time show the degree to which Lepage has realized Craig's ideals of the Übermarionette, and his screens, as well as ‘Scene’, his concept of a flexible, mechanized performance space. What this demonstrates is the unity of the modernist movement throughout the twentieth century.