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LIST OF BOOKS RECEIVED AS OF 1 MAY 2011

Published online by Cambridge University Press:  01 November 2011

Abstract

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Books Received
Copyright
Copyright © American Society for Theatre Research 2011

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References

Albanese, Denise. Extramural Shakespeare. Reproducing Shakespeare. New York: Palgrave Macmillan, 2010. $75 cloth.CrossRefGoogle Scholar
Altschuler, Bruce E. Acting Presidents: 100 Year of Plays about the Presidency. The Evolving American Presidency Series. New York: Palgrave Macmillan, 2010. $85 cloth.CrossRefGoogle Scholar
*Astington, John H. Actors and Acting in Shakespeare's Time: The Art of Stage Playing. Cambridge and New York: Cambridge University Press, 2010. $75 cloth, $26.99 paper.CrossRefGoogle Scholar
Bay-Cheng, Sarah, Chiel Kattenbelt, Andy Lavender, and Nelson, Robin, eds. Mapping Intermediality in Performance. Amsterdam: Amsterdam University Press, 2010. $39.50 paper.CrossRefGoogle Scholar
Bial, Henry, and Magelssen, Scott, eds. Theatre Historiography: Critical Interventions. Ann Arbor: University of Michigan Press, 2010. $85 cloth, $28.95 paper.CrossRefGoogle Scholar
Bigsby, Christopher, ed. The Cambridge Companion to Arthur Miller. 2d ed.Cambridge and New York: Cambridge University Press, 2010. $85 cloth, $29.99 paper.CrossRefGoogle Scholar
Bradley, Lynne. Adapting “King Lear” for the Stage. Aldershot: Ashgate, 2010. $99.95 cloth.Google Scholar
Bradshaw, Graham, Bishop, Tom, and Schalkwyk, David, eds. The Shakespearean International Yearbook 10. Aldershot: Ashgate, 2010. $119.95 cloth.Google Scholar
Brosius, Peter, and Adams, Elissa, eds. Fierce & True: Plays for Teen Audiences. Minneapolis and London: University of Minnesota Press, 2010. $54 cloth, $17.95 paper.Google Scholar
Brown, Peter D. G. Oskar Panizza and “The Love Council”: A History of the Scandalous Play on Stage and in Court, with the Complete Text in English and a Biography of the Author. Jefferson, NC and London: McFarland, 2010. $49.95 paper.Google Scholar
*Canning, Charlotte M., and Postlewait, Thomas, eds. Representing the Past: Essays in Performance Historiography. Studies in Theatre History and Culture. Iowa City: University of Iowa Press, 2010. $29.95 paper.CrossRefGoogle Scholar
Cantrell, Tom, and Luckhurst, Mary, eds. Playing for Real: Actors on Playing Real People. New York: Palgrave Macmillan, 2010. $75 cloth, $17 paper.CrossRefGoogle Scholar
*Carlson, Marla. Performing Bodies in Pain: Medieval and Post-Modern Martyrs, Mystics, and Artists. Palgrave Studies in Theatre and Performance History. New York: Palgrave Macmillan, 2010. $80 cloth.CrossRefGoogle Scholar
*Carlson, Marvin. Theatre Is More Beautiful than War: German Stage Directing in the Late Twentieth Century. Iowa City: University of Iowa Press, 2009. $42.95 cloth.Google Scholar
Chekhov, Anton. The Cherry Orchard. Trans. Carnicke, Sharon Marie. Indianapolis and Cambridge: Hackett, 2010. $24.95 cloth, $6.95 paper.Google Scholar
Chekhov, Anton. Five Plays. Trans. Brodskaya, Marina. Stanford: Stanford University Press, 2011. $90 cloth, $17.95 paper, $17.95 e-book.Google Scholar
*Chemers, Michael M. Staging Stigma: A Critical Examination of the American Freak Show. Palgrave Studies in Theatre and Performance History. New York: Palgrave Macmillan, 2008. $85 cloth.Google Scholar
Cheng, Anne Anlin. Second Skin: Josephine Baker and the Modern Surface. Oxford and New York: Oxford University Press, 2011. $24.95 cloth.Google Scholar
Clark, Caryl. Haydn's Jews: Representations and Reception on the Operatic Stage. Cambridge and New York: Cambridge University Press, 2009. $102 cloth.Google Scholar
*Cole, Catherine M. Performing South Africa's Truth Commission: Stages of Transition. Bloomington and Indianapolis: Indiana University Press, 2010. $65 cloth, $24.95 paper.Google Scholar
Cook, Amy. Shakespearean Neuroplay: Reinvigorating the Study of Dramatic Texts and Performance through Cognitive Science. Cognitive Studies in Literature and Performance. New York: Palgrave Macmillan, 2010. $75 cloth.CrossRefGoogle Scholar
Cordner, Michael, and Holland, Peter, eds. Players, Playwrights, Playhouses: Investigating Performance, 1660–1800. Redefining British Theatre History. London and New York: Palgrave Macmillan, 2007. $95 cloth, $30 paper.CrossRefGoogle Scholar
Crisafulli, Lilla Maria, and Elam, Keir, eds. Women's Romantic Theatre and Drama: History, Agency, and Performativity. Farnham, Surrey, UK and Burlington, VT: Ashgate, 2010. $114.95 cloth.Google Scholar
*Cruickshank, Don W. Don Pedro Calderón. Cambridge and New York: Cambridge University Press, 2009. $102 cloth.Google Scholar
Cuder-Domínguez, Pilar. Stuart Women Playwrights, 1613–1713. Farnham, Surrey, UK and Burlington, VT: Ashgate, 2011. $99.95 hardback.Google Scholar
Dash, Irene G. Shakespeare and the American Musical. Bloomington and Indianapolis: Indiana University Press, 2010. $24.95 paper.Google Scholar
Davis, Andrew. America's Longest Run: A History of the Walnut Street Theatre. University Park: Penn State University Press, 2010. $44.95 cloth.Google Scholar
Davis, Jim, ed. Victorian Pantomime: A Collection of Critical Essays. London and New York: Palgrave Macmillan, 2010. $80 cloth.CrossRefGoogle Scholar
*Davy, Kate. Lady Dicks and Lesbian Brothers: Staging the Unimaginable at the WOW Café Theatre. Ann Arbor: University of Michigan Press, 2010. $55 cloth, $26.95 paper.Google Scholar
de Sousa, Geraldo U. At Home in Shakespeare's Tragedies. Farnham, Surrey, UK and Burlington, VT: Ashgate, 2010. $99.95 cloth.Google Scholar
*Dickinson, Peter. World Stages, Local Audiences: Essays on Performance, Place, and Politics. Manchester and New York: Manchester University Press, 2010. $94.95 cloth.Google Scholar
Dolan, Jill. Theatre & Sexuality. Theatre&. New York: Palgrave Macmillan, 2010. $9 paper.CrossRefGoogle Scholar
Donahue, Tim, and Patterson, Jim. Stage Money: The Business of the Professional Theater. Columbia: University of South Carolina Press, 2010. $49.95 cloth, $24.95 paper.Google Scholar
*Duffy, Peter, and Vettraino, Elinor, eds. Youth and Theatre of the Oppressed. New York: Palgrave Macmillan, 2010. $80 cloth.Google Scholar
Dunbar, Mary Judith. “The Winter's Tale.” Shakespeare in Performance. Manchester and New York: Manchester University Press, 2010. $79.95 cloth.Google Scholar
Favorini, Attilio. Memory in Play: From Aeschylus to Sam Shepard. New York: Palgrave Macmillan, 2008. $85 cloth.CrossRefGoogle Scholar
Foster, Michael, and Foster, Barbara. A Dangerous Woman: The Life, Loves, and Scandals of Adah Isaacs Menken, 1835–1868, America's Original Superstar. Guilford, CT: Lyons Press, 2011. $24.95 cloth.Google Scholar
*George-Graves, Nadine. Urban Bush Women: Twenty Years of African American Dance Theater, Community Engagement, and Working It Out. Madison, WI and London: University of Wisconsin Press, 2010. $29.95 paper.Google Scholar
Giguere, Amanda. The Plays of Yasmina Reza on the English and American Stage. Jefferson, NC and London: McFarland, 2010. $45 paper.Google Scholar
Gill, Catie, ed. Theatre and Culture in Early Modern England, 1650–1737: From “Leviathan” to Licensing Act. Burlington: Ashgate, 2010. $99.95 cloth.Google Scholar
Grainger, Roger. Suspending Disbelief: Theatre as Context for Sharing. Brighton, Portland, and Toronto: Sussex Academic Press, 2010. $24.99 paper.Google Scholar
Greenspan, Charlotte. Pick Yourself Up: Dorothy Fields and the American Musical. Oxford and New York: Oxford University Press, 2010. $27.95 cloth.CrossRefGoogle Scholar
*Gruber, William. Offstage Space, Narrative, and the Theatre of the Imagination. London and New York: Palgrave Macmillan, 2010. $80 cloth.CrossRefGoogle Scholar
Harris, Max. Sacred Folly: A New History of the Feast of Fools. Ithaca and London: Cornell University Press. $49.95 cloth.Google Scholar
Harvey, Douglas S. The Theatre of Empire: Frontier Performances in America, 1750–1860. Empires in Perspective. London and Brookfield, VT: Pickering & Chatto, 2010. $99 cloth.Google Scholar
Harvie, Jen, and Lavender, Andy, eds. Making Contemporary Theatre: International Rehearsal Processes. Manchester and New York: Manchester University Press, 2010. $84.95 cloth, $24.95 paper.Google Scholar
Holdsworth, Nadine. Theatre & Nation. Theatre&. New York: Palgrave Macmillan, 2010. $9 paper.CrossRefGoogle Scholar
Hurley, Erin. National Performance: Representing Quebec from Expo 67 to Céline Dion. Toronto: University of Toronto Press, 2011. $45 cloth.Google Scholar
Hurley, Erin. Theatre & Feeling. Theatre&. New York: Palgrave Macmillan, 2010. $9 paper.CrossRefGoogle Scholar
*Jannarone, Kimberly. Artaud and His Doubles. Ann Arbor: University of Michigan Press, 2010. $55 cloth.CrossRefGoogle Scholar
*Jones, Megan Sanborn. Performing American Identity in Anti-Mormon Melodrama. Studies in American Popular History and Culture. New York and London: Routledge, 2009. $125 cloth.Google Scholar
Jordan, Constance, and Cunningham, Karen, eds. The Law in Shakespeare. Early Modern Literature in History. New York: Palgrave Macmillan, 2010. $95 cloth, $31 paper.Google Scholar
*Kennedy, Dennis. The Spectator and the Spectacle: Audiences in Modernity and Postmodernity. Cambridge and New York: Cambridge University Press, 2009. $93 cloth.Google Scholar
Kimbrough, Andrew M. Dramatic Theories of Voice in the Twentieth Century. Amherst: Cambria Press, 2011. $114.99 case laminate.Google Scholar
King, William Davies. Another Part of a Long Story: Literary Traces of Eugene O'Neill & Agnes Boulton. Ann Arbor: University of Michigan Press, 2010. $60 cloth.CrossRefGoogle Scholar
*Knowles, Ric. Theatre & Interculturalism. Theatre'. New York: Palgrave Macmillan, 2010. $9 paper.CrossRefGoogle Scholar
Kordecki, Lesley, and Koskinen, Karla. Re-Visioning Lear's Daughters: Testing Feminist Criticism and Theory. New York: Palgrave Macmillan, 2010. $80 cloth.CrossRefGoogle Scholar
Kowal, Rebekah J. How to Do Things with Dance: Performing Change in Postwar America. Middletown, CT: Wesleyan University Press, 2010. $40 cloth.Google Scholar
LaBute, Neil. The Break of Noon. New York: Soft Skull Press, 2010. $13.95 paper.Google Scholar
LaBute, Neil. “Filthy Talk for Troubled Times” and Other Plays. New York: Soft Skull Press, 2010. $13.95 paper.Google Scholar
Lambert, Philip. To Broadway, to Life! The Musical Theater of Bock and Harnick. Oxford and New York: Oxford University Press, 2010. $35.00 cloth.CrossRefGoogle Scholar
Lavery, Carl. The Politics of Jean Genet's Late Theatre: Spaces of Revolution. Manchester and New York: Manchester University Press, 2010. $90 cloth.Google Scholar
*Lee, Josephine. The Japan of Pure Invention: Gilbert & Sullivan's “The Mikado.” Minneapolis and London: University of Minnesota Press, 2010. $75 cloth, $25 paper.Google Scholar
Lev-Aladgem, Shulamith. Theatre in Co-Communities: Articulating Power. London and New York: Palgrave Macmillan, 2010. $80 cloth.CrossRefGoogle Scholar
*Lipscomb, Valerie Barnes, and Marshall, Leni, eds. Staging Age: The Performance of Age in Theatre, Dance, and Film. New York: Palgrave Macmillan, 2010. $80 cloth.CrossRefGoogle Scholar
Lovensheimer, Jim. “South Pacific”: Paradise Rewritten. Broadway Legacies. Oxford and New York: Oxford University Press, 2010. $27.95 cloth.CrossRefGoogle Scholar
McDonnell, Bill. Theatres of the Troubles: Theatre, Resistance and Liberation in Ireland. Exeter Performance Studies. Exeter, UK: University of Exeter Press, 2010. $32.95 paper.Google Scholar
Madison, D. Soyini. Acts of Activism: Human Rights as Radical Performance. Theatre and Performance History. Cambridge and New York: Cambridge University Press, 2010. $99 cloth.CrossRefGoogle Scholar
*Malkin, Jeanette R., and Rokem, Freddie, eds. Jews and the Making of Modern German Theatre. Iowa City: University of Iowa Press, 2010. $49.95 cloth.CrossRefGoogle Scholar
Mermikides, Alex, and Smart, Jackie, eds. Devising in Process. London and New York: Palgrave Macmillan, 2010. $85 cloth, $28 paper.CrossRefGoogle Scholar
Mesropova, Olga M., and Weber-Fève, Stacey, eds. Being and Becoming Visible: Women, Performance, and Visual Culture. Baltimore: Johns Hopkins University Press, 2010. $70 cloth, $35 paper.CrossRefGoogle Scholar
Miller, Bruce. Acting Solo: Roadmap to Success. Milwaukee and New York: Limelight Editions, 2010. $16.99 paper.Google Scholar
Nadel, Alan, ed. August Wilson: Completing the Twentieth-Century Cycle. Iowa City: University of Iowa Press, 2010. $29.95 paper.CrossRefGoogle Scholar
Nellhaus, Tobin. Theatre, Communication, Critical Realism. What Is Theatre? New York: Palgrave Macmillan, 2010. $80 cloth.CrossRefGoogle Scholar
Newey, Katherine, and Richards, Jeffrey. John Ruskin and the Victorian Theatre. London and New York: Palgrave Macmillan, 2010. $90 cloth.CrossRefGoogle Scholar
Newstok, Scott L., and Thompson, Ayanna, eds. Weyward “Macbeth”: Intersections of Race and Performance. New York: Palgrave Macmillan, 2010. $95 cloth, $29 paper.CrossRefGoogle Scholar
Pao, Angela C. No Safe Spaces: Re-casting Race, Ethnicity, and Nationality in American Theater. Ann Arbor: University of Michigan Press, 2010. $80 cloth, $32.50 paper.CrossRefGoogle Scholar
Pearson, Mike. Site-Specific Performance. London and New York: Palgrave Macmillan, 2010. $85 cloth, $29 paper.CrossRefGoogle Scholar
Pilkington, Lionel. Theatre & Ireland. Theatre'. New York: Palgrave Macmillan, 2010. $9 paper.CrossRefGoogle Scholar
*Puchner, Martin. The Drama of Ideas: Platonic Provocations in Theater and Philosophy. New York and Oxford: Oxford University Press, 2010. $29.95 cloth.CrossRefGoogle Scholar
Raffield, Paul. Shakespeare's Imaginary Constitution: Late-Elizabethan Politics and the Theatre of Law. Oxford and Portland: Hart, 2010. $70 hardback.Google Scholar
*Ragussis, Michael. Theatrical Nation: Jews and Other Outlandish Englishmen in Georgian Britain. Philadelphia: University of Pennsylvania Press, 2010. $55 cloth.CrossRefGoogle Scholar
Rodger, Gillian M. Champagne Charlie and Pretty Jemima: Variety Theater in the Nineteenth Century. Urbana, Chicago, and Springfield: University of Illinois Press, 2010. $80 cloth, $28 paper.Google Scholar
Rokison, Abigail. Shakespearean Verse Speaking: Text and Theatre Practice. Cambridge and New York: Cambridge University Press, 2010. $95 cloth.Google Scholar
Scott, Virginia. Women on the Stage in Early Modern France, 1540–1750. Cambridge and New York: Cambridge University Press, 2010. $95 cloth.CrossRefGoogle Scholar
*Shevtsova, Maria, and Innes, Christopher. Directors/Directing: Conversations on Theatre. Cambridge and New York: Cambridge University Press, 2009. $88 cloth, $24.99 paper.Google Scholar
*Solomon, Rakesh H. Albee in Performance. Bloomington and Indianapolis: Indiana University Press, 2010. $65 cloth, $26 paper.Google Scholar
Solterer, Helen. Medieval Roles for Modern Times: Theater and the Battle for the French Republic. University Park: Penn State University Press, 2010. $80 cloth, $45.95 paper.Google Scholar
Soto-Morettini, Donna. The Philosophical Actor: A Practical Meditation for Practicing Theatre Artists. Bristol, UK and Chicago: Intellect, 2010. $30 paper.Google Scholar
*Stempel, Larry. Showtime: A History of the Broadway Musical Theater. New York and London: W. W. Norton, 2010. $39.95 cloth, $30 paper.Google Scholar
Torr, Diane, and Bottoms, Stephen. Sex, Drag, and Male Roles: Investigating Gender as Performance. Ann Arbor: University of Michigan Press, 2010. $70 cloth, $26.95 paper.CrossRefGoogle Scholar
Wilson, James F. Bulldaggers, Pansies, and Chocolate Babies: Performance, Race, and Sexuality in the Harlem Renaissance. Triangulations: Lesbian/Gay/Queer Theater/Drama/Performance. Ann Arbor: University of Michigan Press, 2010. $27.95 paper.CrossRefGoogle Scholar
Winet, Evan Darwin. Indonesian Postcolonial Theatre: Spectral Genealogies and Absent Faces. Studies in International Performance. London and New York: Palgrave Macmillan, 2010. $85 cloth.CrossRefGoogle Scholar
Wong, Yutian. Choreographing Asian America. Middletown, CT: Wesleyan University Press, 2010. $75 cloth, $27.95 paper.Google Scholar