Hostname: page-component-7479d7b7d-8zxtt Total loading time: 0 Render date: 2024-07-10T20:22:45.375Z Has data issue: false hasContentIssue false

Pioners and All: The Beginnings of Shakespeare Film

Published online by Cambridge University Press:  21 October 2010

Robert Hamilton Ball
Affiliation:
Professor of English atQueens College.

Extract

It was bright in London on that day toward the close of the nineteenth century—or at least there were bright intervals. In the early morning the sun sparkled on the silver Thames, and as one strolled north along the Victoria Embankment from Westminster Bridge, Wordsworth's sonnet came to mind. Farther north still, as the river turned more and more to the east above Charing Cross it was pleasant to wander in the gardens. This was historic ground. At the foot of Buckingham Street was the seventeenth century Water Gate of York House and then the region known as the Adelphi, built by the brothers Adam. It had once been the site of Durham House, the home of the fourteenth century Bishop of Durham, and later of Lady Jane Grey and of Sir Walter Raleigh. Adelphi Terrace, looking on the Thames, had been inspired by Robert Adam's visit to the palace of Diocletian at Spalato though remodeling had now altered its original design. Robert and James Adam had resided at No. 4; Thomas Hardy had worked at No. 8; the Savage Club occupied Nos. 6 and 7. There were dramatic associations too. David Garrick had lived and died at No. 5; Richard D'Oyly Carte was in the Adam residence; and Bernard Shaw had recently moved into No. 10.

Type
Research Article
Copyright
Copyright © American Society for Theatre Research 1960

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)