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Stephen Luttmann, Paul Hindemith: a Research and Information Guide, 2nd edn (New York: Routledge, 2009), ISBN 978 0 415 99416 3 (hb)
Published online by Cambridge University Press: 31 July 2012
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References
1 Joel Haney, ‘The Emergence of a Postwar Musical Outlook: Hindemith's Hard-Edged Simplicity, 1919–1922’ (PhD diss., Yale University, 2006); Jörg Hindemith official website <http://www.joerghindemith.de>.
2 Schubert, Giselher, ‘Hindemiths Briefe an Karin Thienemann 1932–1937’, Hindemith-Jarbuch 36 (Frankfurt: Schott, 2007), 146–86Google Scholar.
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4 Forte, , The Structure of Atonal Music (New Haven: Yale University Press, 1973)Google Scholar. David Neumeyer, ‘Counterpoint and Pitch Structure in the Early Music of Paul Hindemith’ (PhD diss., Yale University, 1976); see also Neumeyer, , The Music of Paul Hindemith (New Haven, CT: Yale University Press, 1987)Google Scholar.
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8 Typographical errors in the print edition include a misdirection of the reader on page 542 to Virgil Thomson in item 438 (which is actually by Dietmar Schenk), and font errors in the spelling of Czech names.
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