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Miriama Young, Singing the Body Electric: The Human Voice and Sound Technology (Farnham: Ashgate, 2015), ISBN: 978-0-754-66986-9 (hb).

Published online by Cambridge University Press:  14 March 2016

Abstract

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Reviews
Copyright
Copyright © Cambridge University Press, 2016 

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References

1 Abbate, Carolyn, Unsung Voices: Opera and the Musical Narrative in the Nineteenth Century (Princeton: Princeton University Press, 1996)Google Scholar; Poizat, Michel, The Angel's Cry: Beyond the Pleasure Principle in Opera, trans. Denner, Arthur (Ithaca: Cornell University Press, 1992)Google Scholar; and Chion, Michel, The Voice in Cinema , trans. Gorbman, Claudia (New York: Columbia University Press, 1999)Google Scholar.

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3 Sterne, Jonathan, ‘Sonic Imaginations’, The Sound Studies Reader, ed. Sterne, Jonathan (London and New York: Routledge, 2012), 119Google Scholar.

4 Young quotes Dolar in her introduction. See Dolar, A Voice and Nothing More, 13.

5 Sterne, Jonathan, The Audible Past: Cultural Origins of Sound Reproduction (Durham: Duke University Press, 2003)CrossRefGoogle Scholar; and Weiss, Allen, Breathless: Sound Recording, Disembodiment and The Transformation of Lyrical Nostalgia (Durham: Duke University Press, 1995)Google Scholar.

6 Serres, Michel, Genesis, trans. James, Genevieve and Nielson, James (Ann Arbor: University of Michigan Press, 1997)Google Scholar.

7 Deleuze, Gilles and Guattari, Felix, Anti-Oedipus: Capitalism and Schizophrenia, trans. Hurley, Robert, Seem, Mark, and Lane, Helen R. (Minneapolis: University of Minnesota Press, 1983)Google Scholar.