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NATURAL HISTORY ILLUSTRATION

Published online by Cambridge University Press:  07 April 2005

Barbara Gates
Affiliation:
University of Delaware

Extract

INTEREST IN VICTORIAN natural history illustration has burgeoned in recent years. Along with handsome, informative shows at the Pierpont Morgan Library in New York (“Picturing Natural History”), at the American Philosophical Society (“Natural History in North America, 1730–1860”), and at the Royal Botanical Gardens in Melbourne (“Nature's Art Revealed”), the year 2003 saw an entire conference devoted to the subject in Florence, Italy. In 2004, the eastern United States was treated to two more fauna- and flora-inspired shows, both dealing specifically with nineteenth-century British science and illustration.

Type
REVIEW ESSAYS
Copyright
© 2005 Cambridge University Press

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References

John Gould's Birds of Australia,” at the Australian Embassy in Washington, D.C. March 4-April 14, 2004. Curated by Leo Joseph and Robert McCracken Peck of The Academy of Natural Sciences, Philadelphia.
Ocean Flowers: Impressions from Nature,” at The Drawing Center, New York City. March 25–May 22, 2004; Yale Center for British Art, June 2–August 8, 2004. Curated by Carol Armstrong, Princeton University, and Catherine de Zegher, Director of the Drawing Center.
Allen David Elliston. 1976. The Naturalist in Britain: A Social History. London: Allen Lane
Armstrong Carol and de Zegher Catherine. 2004. Ocean Flowers: Impressions from Nature. Princeton: Princeton UP
Gates Barbara. 1998. Kindred Nature: Victorian and Edwardian Women Embrace the Living World. Chicago: Chicago UP
Merrill Lynn L. 1989. The Romance of Victorian Natural History. New York: Oxford UP
Secord James, ed. with N. Jardine and E. Spary. 1996. Cultures of Natural History. New York: Cambridge UP
Shteir Ann B. 1996. Cultivating Women, Cultivating Science: Flora's Daughters and Botany in England, 1760 to 1860. Baltimore: Johns Hopkins UP