Hostname: page-component-7479d7b7d-k7p5g Total loading time: 0 Render date: 2024-07-10T12:32:55.719Z Has data issue: false hasContentIssue false

The Social Construction of Public Locations

Published online by Cambridge University Press:  24 October 2008

Extract

Locations, particularly public, popular locations, are constructed ideologically. By that I mean that places, like other artifacts in culture, accrete meaning and are in effect created by that meaning. The Haussmanization of Paris provides a particularly good instance of the way that the nineteenth-century city was newly conceived of as an organized, ideological system with a shape – a logic and a uniformity. When Baron Haussman attempted to impose the boulevard and sweeping avenues over the crazy quilt of the old quartiers, he was investing public place with public meaning. The nineteenth century particularly saw the rise of the concept of the public place. As the Goncourts noted in 1860, “The interior is passing away. Life turns back to become public” (Clark 34).

Type
Research Article
Copyright
Copyright © Cambridge University Press 1989

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

WORKS CITED

Bakhtin, Mikhail. Rabelais and His World. Cambridge, Mass.: M.I.T. P, 1968.Google Scholar
Boulton, William B.The Amusements of Old London. 2 vols. London: John C. Nimmo, 1901.Google Scholar
Bourdieu, Pierre. Distinction, A Social Critique of the Judgement of Taste. Trans. Nice, Richard. Cambridge, Mass.: Harvard UP, 1984.Google Scholar
Burney, Fanny. Evelina, or a Young Lady's Entrance into the World, 1778. New York: Norton, 1965.Google Scholar
Castle, Terry. The Masquerade. Stanford: Stanford UP, 1987.Google Scholar
Clark, T.J.The Painting of Modern Life: Paris in the Art of Manet and His Followers. Princeton: Princeton UP, 1984.Google Scholar
Crow, Thomas E.Painters and Public Life in Eighteenth Century Paris. New Haven: Yale UP, 1985.Google Scholar
Davis, Lennard J.Factual Fictions: Origins of the English Novel. New York: Columbia UP, 1983.Google Scholar
Defoe, Daniel. Moll Flanders, 1722. New York: Norton, 1973.Google Scholar
Defoe, Daniel. Robinson Crusoe, 1719. New York: Norton, 1975.Google Scholar
Defoe, Daniel. A Tour Through the Whole Island of Great Britain, 1724–27. London: Frank Cass, 1968.Google Scholar
Dickens, Charles. Bleak House, 1852–53. Harmondsworth: Penguin, 1971.Google Scholar
Dickens, Charles. Great Expectations, 1860–61. Harmondsworth: Penguin, 1965.Google Scholar
Dickens, Charles. Oliver Twist, 1837–38. New York: Signet, 1961.Google Scholar
Elias, Norbert. The Civilizing Process. The History of Manners. Trans. Jephcott, Edmund. New York: Urizen, 1978.Google Scholar
Fielding, Henry. Tom Jones, 1749. New York: Norton, 1973.Google Scholar
Gaskell, Elizabeth. Mary Barton, 1848. Harmondsworth: Penguin, 1970.Google Scholar
Goffman, Erving. Behavior in Public Places: Notes on the Social Organization of Gatherings. New York: Free Press of Glencoe, 1963.Google Scholar
Hugo, Victor. Les Misérables, 1862. Trans. Denny, Norman. 2 vols. Harmondsworth: Penguin, 1982.Google Scholar
Morgan, Edmund S.Inventing the People: The Rise of Popular Sovereignty in England and America. New York: Norton, 1988.Google Scholar
SirNipclose, Nicholas (pseudonym). The Theaters: A Poetical Dissection. London: John Bell, 1772.Google Scholar
Smollett, Tobias. Humphry Clinker, 1771. Harmondsworth: Penguin, 1967.Google Scholar
A Vindication to a Right in the Public to a One Shilling Gallery. London: J. Owen, 1792.Google Scholar
White, Allon, and Stallybrass, Peter. The Poetics of Repression. Ithaca: Cornell UP, 1986.Google Scholar
Zola, Emile. Germinal, 1885. Trans. Tancock, L.W.. Harmondsworth: Penguin, 1954.Google Scholar