Hostname: page-component-84b7d79bbc-lrf7s Total loading time: 0 Render date: 2024-07-29T13:23:14.010Z Has data issue: false hasContentIssue false
  • English
  • Français

Cultural Engagement: The Case of the Oakland Symphony Orchestra

Published online by Cambridge University Press:  07 March 2019

Marcia Herndon
Get access Rights & Permissions [Opens in a new window]

Extract

Music and dance serve to transmit visual, auditory, and symbolic indications of cultural identity. Within a society, the cultural performances of its particular named, identified groups create special kinds of temporal-spatial continua. Analysis of the positioning of, and support for, these groups through time within a given society reveals the type and degree of cultural engagement.

Type
Articles
Information
Yearbook for Traditional Music , Volume 20 , 1988 , pp. 134 - 145
Copyright
Copyright © 1988 by the International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References Cited

Bauman, Richard 1975 “Verbal Art as Performance,” American Anthropologist 77:290–311.CrossRefGoogle Scholar
Béhague, Gerard, ed. 1984 Performance Practice: Ethnomusicological Perspectives. Westport, Connecticut: Greenwood Press.Google Scholar
Feld, Steven 1982 Sound and Sentiment. Birds, Weeping, Poetics, and Song in Kaluli Expression. Philadelphia: University of Pennsylvania Press.Google Scholar
Herndon, Marcia and Kimberlin, Cynthia Tse 1987a “A Symphony in Oakland's Image,” Oakland Tribune, November 16, editorial page.Google Scholar
Herndon, Marcia and Kimberlin, Cynthia Tse 1987b Executive Summary. Symphonic Music in Oakland: Past, Present and Future. Hercules, California: Music Research Institute.Google Scholar
McLeod, Norma and Herndon, Marcia 1980 The Ethnography of Musical Performance. Norwood, Pennsylvania: Norwood Editions.Google Scholar
Qureshi, Regula Burckhardt 1987 “Music Sound and Contextual Input: A Performance Model for Musical Analysis,” Ethnomusicology 31 (1):56–86.CrossRefGoogle Scholar
Singer, Milton 1955 “The Cultural Pattern of India,” The Far Eastern Quarterly 15:23–26.CrossRefGoogle Scholar
Stone, Ruth M. 1982 Let the Inside be Sweet. The Interpretation of Music Event among the Kpelle of Liberia. Bloomington, Indiana: Indiana University Press.Google Scholar