Hostname: page-component-77c89778f8-vsgnj Total loading time: 0 Render date: 2024-07-20T22:37:38.395Z Has data issue: false hasContentIssue false
  • English
  • Français

Iguchi Junko , translated by Qi Lin , Zhongguo beifang nongcun de kouchuan wenhua: shuochang de shu, wenben, biaoyan (Oral Traditions of Rural Northern China: Text and Performance in Narrative Music ) Xiamen: Xiamen University Press, 2003. xiv, 237 pp., photographs, figures, abstract in English, musical transcriptions, compact disc.

Review products

Iguchi Junko , translated by Qi Lin , Zhongguo beifang nongcun de kouchuan wenhua: shuochang de shu, wenben, biaoyan (Oral Traditions of Rural Northern China: Text and Performance in Narrative Music ) Xiamen: Xiamen University Press, 2003. xiv, 237 pp., photographs, figures, abstract in English, musical transcriptions, compact disc.

Published online by Cambridge University Press:  07 March 2019

Chan Sauyan
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Information
Yearbook for Traditional Music , Volume 37 , 2005 , pp. 164 - 167
Copyright
Copyright © 2005 By The International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References cited

Bordahl, Vibeke 1996 The Oral Tradition of Yangzhou Storytelling. Surrey: Curzon Press. Bordahl, Vibeke, ed.Google Scholar
1999 The Eternal Storyteller: Oral Literature in Modern China. Surrey: Curzon Press.Google Scholar
Chan, Sau Yan 1991 Improvisation in a Ritual Context: The Music of Cantonese Opera. Hong Kong: The Chinese University Press.Google Scholar
1998 “Exploding the Belly: Improvisation in Cantonese Opera,” In In the Course of Performance: Studies in the World of Musical Improvisation, ed. Bruno Nettl and Melinda Russell, London and Chicago: University of Chicago Press, pp. 199–218.Google Scholar
1999 Introduction to Cantonese Opera in Hong Kong (in Chinese). Hong Kong: Cantonese Opera Research Programme, The Chinese University of Hong Kong.Google Scholar
Tsao, Pen-yeh 1986 “Training of Tan-tzu Performers: Processes of Oral Transmission in the Perpetuation of the Suchou Singing-narrative.” In The Oral and the Literate in Music, ed. Tokumaru Y. and Yamaguti O., Tokyo: Academia Music Limited, pp. 221–230.Google Scholar
1988 The Music of Su-Chou T'an-tz'u. Hong Kong: Chinese University Press.Google Scholar
Yung, Bell 1976 “Reconstructing a Lost Performance Context: A Field Work Experiment.” Chinoperl Papers, no.6 (1976), pp. 120–143.Google Scholar
1989 Cantonese Opera: Performance as Creative Process. Cambridge: Cambridge University Press.Google Scholar