Hostname: page-component-84b7d79bbc-4hvwz Total loading time: 0 Render date: 2024-07-29T13:22:17.811Z Has data issue: false hasContentIssue false
  • English
  • Français

Publications and their Influence on the Development of Ethnomusicology

Published online by Cambridge University Press:  07 March 2019

K. Peter Etzkorn
Get access Rights & Permissions [Opens in a new window]

Extract

Publications are the core of scholarship. For disciplines dealing with human history, they assume significance beyond that associated with other fields. These disciplines have taken as their subject matter that which individuals have made public, or have shared with others, i.e. what French sociologists describe as représentations individuelles in the conscience collective (Bohannon 1960).

Type
Articles
Information
Yearbook for Traditional Music , Volume 20 , 1988 , pp. 43 - 50
Copyright
Copyright © 1988 by the International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References Cited

Bohannon, Paul 1964 “Conscience Collective and Culture,” in Kurt H. Wolff, ed., Essays on Sociology and Philosophy by Emile Durkheim et al., New York: Harper Torchbooks, 77-96Google Scholar
Choate, Robert A. 1967 “The Symposium: An Introduction,” Music Educators Journal 54(3):49-79, (Nov).Google Scholar
Etzkorn, K. Peter 1974 “On Music, Social Structure and Sociology,” International Review of the Aesthetics and Sociology of Music V(1):43–50.CrossRefGoogle Scholar
Etzkorn, K. Peter 1987 “Letter from the Editor,” Ethnomusicology 31(3).Google Scholar
Harrison, Frank L. 1963 “American Musicology and the European Tradition,” in Frank Ll. Harrison, Mantle Hood, and Claude V. Palisca, Musicology, Englewood Cliffs: N.J., Prentice Hall, Inc., 1-86Google Scholar
Kunst, Jaap 1959 Ethnomusicology: A Study of its Nature, Its Problems, Methods and Representative Personalities to Which is Added a Bibliography, 3rd Edition, The Hague: Nijhoff.CrossRefGoogle Scholar
Leppert, Richard and McClary, Susan 1987 Music and Society: The Politics of Composition, Performance and Reception, Cambridge: Cambridge University Press.Google Scholar
Nettl, Bruno 1964 Theory and Method in Ethnomusicology, New York: The Free Press of Glencoe, 27–61.Google Scholar
Seeger, Charles 1940 “Folk Music as a Source of History,” in Caroline F. Ware, ed., The Culture Approach to History, New York.CrossRefGoogle Scholar
Seeger, Charles 1969 “On the Formational Apparatus of the Music Compositional Process,” Ethnomusicology 13(2):230–247.CrossRefGoogle Scholar
Seeger, Charles 1971 “Reflections Upon a Given Topic: Music in Universal Perspective,” Ethnomusicology 15(3):385–398.CrossRefGoogle Scholar
Spiess, Claudio 1988 “A Note from Terra Firma,” Perspectives of New Music 26(1):210–212.CrossRefGoogle Scholar
Stephen, Timothy and Harrison, Teresa M. 1987 Comserve User's Guide – Version 2.0, Troy, N.Y.: Dept. of Language, Literature and Communication.Google Scholar