Hostname: page-component-78c5997874-lj6df Total loading time: 0 Render date: 2024-11-01T20:08:44.805Z Has data issue: false hasContentIssue false

The Search for the Sound of the Putorino: “Me Te Waie Utuutu Ana”

Published online by Cambridge University Press:  07 March 2019

Extract

The noted New Zealand Maori authority Te Rangi Hiroa declared that the rich heritage of traditional instruments was now silent, they were no longer played, they would be ‘forever mute'(Buck 1949:270). Among the predominant flutes and trumpets of this instrumentarium were voice modifiers (jews harp, mouth bow), whizzers and whirlers, and percussion (rattlers, castanets, gong, and other ‘found’ instruments). Most enigmatic of all was the pūtωrino, the so-called bugle-flute, perhaps unique in the world's instruments, a combination of three instruments—flute, trumpet and voice modifier. A description of the sound of this instrument 'Me te wai e utuutu ana' (like water ‘bubbling into a calabash held under the surface of the water’ Anderson 1934: 275) provides our title, and one of the signposts in the revival of the pūtωrino.

Type
Articles
Copyright
Copyright © 2005 By The International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Footnotes

1

‘Nukunuku said the sound [of the pūtωrino] was likened to the bubbling of water into a calabash held under the surface as is seen in the saying “Me te wai e utuutu ana“’ (Andersen 1934:275).

References

References Cited

Andersen, Johannes C. 1907 Maori Life in Ao-tea. Christchurch.Google Scholar
1924 Maori music. Transactions of the New Zealand Institute 55, 28th August 1924, Wellington.Google Scholar
1934 Maori Music. New Plymouth.Google Scholar
Barrow, T. 1969 Maori Wood Sculpture. Wellington.Google Scholar
1966 Traditional Music of the Maori. Viking Recording VP 243.Google Scholar
Best, Elsdon 1976 [1925] Games and Pastimes of the Maori. Wellington.Google Scholar
Buck, Sir Peter [Te Rangi Hiroa] 1949 The Coming of the Maori. Wellington.Google Scholar
Flintoff, Brian 2004 Taonga Puoro: Singing Treasures, The musical instruments of the Maori. Nelson.Google Scholar
Kartomi, Margaret J. 1990 On Concepts and Classifications of Musical Instruments. Chicago.Google Scholar
McLean, Mervyn 1976 New Zealand nose flute: fact or fallacy? Galpin Society Journal 9, 2734.Google Scholar
1996 Maori Music Auckland.Google Scholar
Miller, David, rev. Walker, Annette K. 1984 Common Insects in New Zealand. Wellington.Google Scholar
Newman, Alfred K. 1905 On the musical notes and other features of the long Maori trumpet. Transactions of the New Zealand Institute 38, 134 -9.Google Scholar
Orbell, Margaret 1995 The Illustrated Encylopaedia of Maori Myth and Legend. Christchurch.Google Scholar
Williams, Herbert 1971 [1844] A Dictionary of the Maori Language. Seventh edition. Wellington.Google Scholar
Xingrong, Zhang 2003 South of the Clouds: Instrumental music of Yunnan. (Volume 2, CD 4, Track 5) Manu CD 2021/22, Auckland.Google Scholar