Are obligations of collective agents—such as states, businesses, and non-profits—ever overdemanding? I argue they are not. I consider two seemingly attractive routes to collective overdemandingness: that an obligation is overdemanding on a collective just if the performance would be overdemanding for members; and that an obligation is overdemanding on a collective just if the performance would frustrate the collective’s permissible deep preferences. I reject these. Instead, collective overdemandingness complaints should be reinterpreted as complaints about inability or third-party costs. These are not the same as overdemandingness. Accordingly, we can ask an awful lot of collective agents.

This paper proposes a new framework for thinking about hope, with certain unexpected consequences. Specifically, I argue that a shift in focus from locutions like “x hopes that” and “x is hoping that” to “x is hopeful that” and “x has hope that” can improve our understanding of hope. This approach, which emphasizes hopefulness as the central concept, turns out to be more revealing and fruitful in tackling some of the issues that philosophers have raised about hope, such as the question of how hope can be distinguished from despair or how people can have differing strengths in hope. It also allows us to see that many current accounts of hope, far from being rivals, are actually compatible with one another.

Democratic institutions are appealing means of making publicly justified social choices. By allowing participation by all citizens, democracy can accommodate diversity among citizens, and by considering the perspectives of all, via ballots or debate, democratic results can approximate what the balance of reasons favors. I consider whether, and under what conditions, democratic institutions might reliably make publicly justified social decisions. I argue that conventional accounts of democracy, constituted by voting or deliberation, are unlikely to be effective public justification mechanisms. I conclude that the limitations of conventional mechanisms can be ameliorated through the use of lotteries instead of elections.

Social kinds are heterogeneous. As a consequence of this diversity, some authors have sought to identify and analyse different kinds of social kinds. One distinct kind of social kinds, however, has not yet received sufficient attention. I propose that there exists a class of social-computation-supporting kinds, or SCS-kinds for short. These SCS-kinds are united by the function of enabling computations implemented by social groups. Examples of such SCS-kinds are reimbursement form, US dollar bill, chair of the board. I will analyse SCS-kinds, contrast my analysis with theories of institutional kinds, and discuss the benefits of investigating SCS-kinds.

Charles Travis has developed a distinction between “the historical” (the sensible world) and “the conceptual” (thoughts and concepts), which underlies his influential contributions to the philosophy of language and perception. The distinction is based on the observation that there are, for any thought, indefinitely many different circumstances that would render it true. The generality of thoughts and concepts contrasts with the particularity of the sensible world. I challenge the assumption that what exhibits such generality cannot belong to the sensible world. I also defend a version of the claim that perception involves the exercise of conceptual capacities.

What has become known as the blockers problem is an alleged difficulty facing attempts to formulate physicalism as a supervenience thesis. A blocker is an entity, itself contrary to physicalism, with the power to disrupt an otherwise necessary connection between physical and nonphysical conditions. I argue that there is no distinct blockers problem. Insofar as a problem can be identified, it turns out to be just a rather baroque version of a distinct and familiar objection to supervenience formulations and to be of no independent interest. Work on the formulation of physicalism can thus proceed without worrying about blockers.

This paper explores what happens when artists fail to execute their goals. I argue that taxonomies of failure in general, and of failed-art in particular, should focus on the attempts which generate the failed-entity, and that to do this they must be sensitive to an attempt’s orientation. This account of failed-attempts delivers three important new insights into artistic practice: (1) there can be no accidental art, only deliberate and incidental art; (2) art’s intention-dependence entails the possibility of performative failure, but not of failed-art; and (3) art’s intention-dependence is perfectly compatible with the role that luck plays in artistic creation.