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How Reliable Are Nineteenth-Century Reviews of Concerts and Operas?: Félicien David's Le Désert and His Grand Opéra Herculanum - CORRIGENDUM

Published online by Cambridge University Press:  12 September 2022

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Abstract

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Type
Corrigendum
Information
Nineteenth-Century Music Review , Volume 19 , Special Issue 2: French Criticism , August 2022 , pp. 235
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Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press

The author regrets the inclusion of two errors in the above article:

On page 2 the sentence reads:

‘Similarly, Le Ménestrel was put out by Heugel, a prominent publisher of operas (by Offenbach and Massenet, among others) and lasted for a century (1840-1940).’

The correct sentence is:

‘Similarly, Le Ménestrel was put out from 1840 onwards by the Heugel firm, a prominent publisher of operas (by Offenbach and Massenet, among others). The journal lasted for over a century (1833-1940).’

On page 14:

‘Olivia's love nest’

should be:

‘Olympia's love nest’

References

Locke, R. (2021). How Reliable Are Nineteenth-Century Reviews of Concerts and Operas?: Félicien David's Le Désert and His Grand Opéra Herculanum. Nineteenth-Century Music Review 19/2 (2022): 217–233. doi:10.1017/S1479409820000488Google Scholar