People Will Always Need Coal

In 1975, the NCB released a recruitment film, entitled People Will Always Need Coal, to encourage more men into the industry.Footnote ¹⁵ The NCB had its own film unit producing in-house instructional and technical films for the industry itself, but some intended for public viewing were produced by external companies, the most significant being Data Film Productions.Footnote ¹⁶ While the industry had experienced large-scale colliery closures in the 1960s, the situation had changed by the mid-1970s: the combined effect of the international oil crisis of 1973 and the publication of the NCB's Plan for Coal in 1974 seemed to offer the possibility of a stable and secure future for the industry.Footnote ¹⁷ People Will Always Need Coal was shown in local cinemas and presented mining in clearly defined masculine terms, encouraging would-be recruits to “be a miner”.Footnote ¹⁸ The film represented the epitome of a masculinity that, in mining communities, remained rooted in an industrial past.Footnote ¹⁹

In the 1970s, British coal communities existed and functioned within a broader transatlantic and gendered anglophone popular culture. The young prospective miners who the recruitment drive was aimed at would have watched the same films and television programmes, and listened to the same music, as many of their counterparts elsewhere in the UK and the US.Footnote ²⁰ With its use of a pulsing rhythm and blues soundtrack and images of modernity, affluence and consumption, it is a reminder that young miners in 1975 were more likely to be interested in pop, rock, and soul music than more traditional coalfield cultural forms, such as male voice choirs and brass bands.Footnote ²¹ The film is directed in an exciting, dramatic style, reminiscent of some of the action-packed television series and films of the period, including the latest in the James Bond franchise, The Man with the Golden Gun, which had premiered in December 1974, and the macho antics in the police drama The Sweeney, which aired on television in January 1975. With the skiing, champagne, and playboy imagery, the purpose of the film was aspirational (“Live your life the way you want it to be”), to illustrate the rich rewards and financial security for young men opting for a career in mining. The accompanying song claimed that being a miner meant access to “money – lots of money”. After the success of the strikes of 1972 and 1974, miners’ pay had already increased by nineteen per cent in 1975, complemented by enhanced pension benefits.Footnote ²²

With its commodification of glamorous women, alongside its depiction of all male leisure pursuits (white-water canoeing and shooting), the framing of People Will Always Need Coal expressly associated “being a miner” with being a man (Figure 2). One scene shows men going to the pub together, a space that is presented as exclusively male. The film captures a moment when the industry envisaged a secure, long-term future for its employees with ever-increasing wages, career opportunities, and middle-class lifestyles. The miner is presented as the primary family earner, with increasing leisure time and an affluence to enjoy expensive pursuits that had once been the preserve of social elites. It delivers a more avowedly individualistic and consumerist message than the more collectivist appeals of previous recruitment strategies. The narrator claims that young workers entering a career in mining can “get more out of life”. In one image, the young miner is seen sharing a romantic dinner with his partner in a “fine dining” restaurant. A year later, in 1976, the modernity of the industry was highlighted in the NCB short film Miners, shot in the Leicestershire coalfield, mixing familiar underground imagery with scenes of the contemporary miners’ home.Footnote ²³ People Will Always Need Coal thus provides a specific moment when miners’ masculinity was both reinforced and subject to change. It is a valuable entry point for exploring the intersections of masculinity, class, gender, and popular culture in the British coalfields.Footnote ²⁴

Figure 2. Still from People Will Always Need Coal.

^© BFI / Courtesy of the BFI National Archive.

Becoming a Miner: Physical Prowess and Camaraderie

In the British coalfields, notions of masculinity had been perpetuated by legal enforcement; following the prohibition of female employment underground by the Coal Mines Act of 1842, mining was overwhelmingly a job done by men. In this respect, it was earlier to impose these restrictions than many other countries (France, 1874; Sweden, 1900; and Japan and India, 1947). Conversely, as late as 1982, there were 2,500 female coal miners in the United States.Footnote ²⁵ The legal prohibition of female employment in the British coal industry, coupled with the numerous dangers and arduous physical exertion, which were an intrinsic part of the work, led inevitably to the development of a heightened sense of masculinity amongst miners.Footnote ²⁶ Such codes, practices, and symbols of masculinity were confirmed by the oral testimony of former miners who were interviewed as part of the research for this article.Footnote ²⁷ As such, the masculinity of coal communities had been a long time in the making and was passed on through genealogies of coal through to the terminal decline of the industry in the 1980s.

The dangers and risks involved in mining underpinned the construction, practice, and culture of masculinity. In North Wales, John Wiltshire described in detail the roof fall that smashed through his foot in the 1980s as leading to long-term disability: “I turned to run away and this bloody big stone came down and ‘bang’”.Footnote ²⁸ Such struggles with “mother nature” also led to loss of life. Neal Rigby, a miner at Golborne Colliery in Lancashire, was visibly moved when recalling the scene of a disaster underground in 1979 leading to the deaths of ten miners: “I came across the first casualty, and then another, and then another […] and […] found the lads who were dead and buried. So that was it like. No counselling or anything like that. That's how it was in them days”.Footnote ²⁹ During the interview, Rigby was visibly upset when recounting this traumatic event. Other interviewees expressed similar emotions, thus exhibiting a brittleness in contrast to a masculinity that was more apparent outside of the interview space. Injuries and scars, both physical and mental, were often deployed as badges of masculine pride and caught the attention of young miners who aspired to adopt the physical attributes and charisma of “colliery legends”.

Danger was an inescapable part of the working experience of miners, with the physically arduous conditions inevitably creating a culture in which a degree of risk-taking was accepted and even encouraged. Equally, those who broke the rules by, for example, bringing contraband such as cigarettes underground, were harshly penalized by fellow miners.Footnote ³⁰ Miners who did not conform to particular masculine norms could be bullied, marginalized, and excluded. These men would be given more isolated tasks underground, such as monitoring conveyors (button boys), driving haulage engines, or given light work such as “dust suppression”. The recollections of South Wales miner Lyn Evans are indicative of how a sense of masculine pride was passed down from fathers to sons:

For boys who had grown up in a mining village, starting work at a colliery once they left school was an introduction to a new world, but one with which they were already intimately acquainted. This world was reflected metaphorically in terms of the transformative effect upon their position within the community and their sense of self and identity. There were various ways that boys were inducted into this new life and the absorption of an occupational masculinity – not just the formal administrative processes of commencing employment with the NCB, but also a range of informal experiences and “rites of passage”. Recalling when he started mining work, Derbyshire miner David Watson reflected upon his sense of disorientation at how his relationship with older miners changed as he went from being a friend of their sons to being their co-worker:

Glynn Power, another Derbyshire miner, described a feature of going underground that many young men initially found shocking. The experience of having to undress and shower in the company of a large number of older men also reinforced a sense of masculinity:

Nonetheless, some younger miners resisted such collective washing and would opt for the shower cubicle rather than the dominant open-plan bathing areas. Others were reluctant to take off their underwear until out of sight of the group. Here, too, dominant forms of masculinity were subject to modification and challenge. Juvenile miners, aged 16–18, were still developing a sense of individual and collective identity, which some embraced and others navigated with more trepidation.

Having commenced work as a miner, young men quickly assumed a distinct occupational identity, and felt a corresponding sense of pride in their own burgeoning masculinity arising as a direct consequence of their work. Looking back on mining life in the 1970s, Phillip White from South Wales recalled:

A Nottinghamshire miner's daughter, Kathleen Bartholomew, recalled that, when her father died at a young age, her brother David's response was to go and work at Bentinck Colliery, as a way of defiantly asserting his masculinity:

One of the socio-cultural consequences of a sense of close-knit occupational identity and resultant workplace camaraderie was the ubiquity of “pit humour” amongst miners.Footnote ³⁶ While the precise manifestations of this obviously differed according to the individuals involved, it was axiomatic that such humour was frequently expressed in distinctively masculine terms, such as initiation ceremonies, “leg-pulling”, and physical pranks. Functionally, such humour served to strengthen the bonds between miners. As former Nottinghamshire miner Pete Field expressed it, “I worked with a set of comedians, you know? Yeah, some of the jokes they come out with […] they were good blokes […] Wouldn't see anybody in trouble, you know what I mean?”Footnote ³⁷ Yet, such humour, deployed through a wider lexicon of masculinity, could no doubt also be exclusionary and intimidating. Each colliery had miners and officials who gained reputations as bullies and tyrants, and this came through quite strongly in interviews. Paul Parry from Point of Ayr Colliery in North Wales claimed that: “the old guys, that had been working there since they left school […] were so used to being bullied they didn't know what the difference was […] I'd never seen anything like Point of Ayr, as in bullying, you know, genuine bullying. Especially young lads”.Footnote ³⁸ This was also confirmed by the undermanager, who stated in his autobiography that “the verbal and physical abuse meted out was beyond anything I guess went on in other industries”.Footnote ³⁹

“Banter” was also an integral element of pit humour in terms of reinforcing the inherent masculinity of the colliery. It played an increasingly important role in the 1970s, with a growing number of groups of miners transferred from one colliery (and, indeed, coalfield) to another. Often, such humour was highly idiosyncratic. At Point of Ayr, transferees from Wrexham and Burnley were known, respectively, as “jackos” and “ecky thumpers”.Footnote ⁴⁰ South Wales miner Wayne Thomas, who transferred collieries from Abernant to Tower in the 1980s, recounted a vivid example of this phenomenon:

While much of this “pit banter” was no doubt intended to be good-humoured, it could sometimes be felt to have an unwelcome, alienating, “othering” effect upon those who were on the receiving end of it and who perhaps did not conform to the more dominant characteristics of miners’ masculinity. One Derbyshire miner had long hair when he started work at the colliery; he later recalled: “I got named Polly, because they thought I were a young lass […] Still get called that by the lads now when I see them […] I thought, I'm having this cut”.Footnote ⁴² In North Wales, one miner was stuck with the name “John Lady”, because he once dressed as a woman to a party. Another was labelled “Betty” for his perceived effeminacy. One Welsh miner was the butt of jokes for his role in designing dresses for Coal Queens who competed in regional and national beauty contests; another was labelled “Walter the Dancer” due to his interest in ballroom dancing. Yet, these were also examples of power relationships that worked to both reinforce and challenge dominant forms of masculine behaviour and identities. An anecdote recalled by a former Nottinghamshire miner illustrates how such “banter” could get out of hand:

Masculinity was weaponized against individuals deemed insufficiently “manly” and therefore deserving of ridicule and symbolic emasculation. As Bill Marshall, a former miner and then manager from Scotland, recalled:

Masculinity was often expressed through physical prowess such as height, muscles, fighting skills, and penis size. Each colliery had a “Darren big dick” or “Charlie tripod”. Showers were mostly open plan and younger miners were initially intimidated by the hundreds of naked bodies on display.Footnote ⁴⁵ Danger, risk, camaraderie, and humour formed the building blocks of masculinity. This engendered solidarity and collective values, but could also be othering and alienating to those miners who did not conform to the subterranean norms of the colliery.Footnote ⁴⁶ Nonetheless, such masculinity was subject to internal tensions, critique, and challenge.

Hierarchies of Masculinity

Although work in the mines was largely identified as exclusively masculine, there were many different occupations and pay grades within the industry, with miners seeing some jobs as having a higher status than others (Figure 3). Mining accidents also meant the ever-present prospect of disability, which, in turn, could lead to a sense of a loss of masculinity. Although coal mining was heavily male dominated, the process of socialization was not exclusively the reserve of men, with women working in the canteens, as nurses, and in clerical posts.Footnote ⁴⁷ As the factors determining this status were the highest rates of pay and the greatest physical danger and exertion, this hierarchy of status was also expressed through masculinity: faceworkers, as the biggest earners, were seen as the “ultimate miners”; in contrast, surface workers could sometimes be “othered” as less masculine and therefore not really “proper” miners.Footnote ⁴⁸ This phenomenon was further complicated by the tendency of careers to follow a distinct trajectory, sometimes described in terms of being the “miners’ lifecycle”.Footnote ⁴⁹ Within the hierarchy of masculinity, “ultimate miners” and “big hitters” generated their own myths and these were filtered through the workforce and wider coal communities.

Figure 3. NCB recruitment advert c.1968–1970. The narrative notes that “real men” ride motorcycles and work as coal miners. However, the “hyper masculinity” of the miner here is tempered by the fact that the industry also offered technical and professional educational opportunities. Many young men took advantage of this and were able to gain qualifications and training leading to career progression into white-collar positions in the industry or trade union officialdom. As with similar recruitment campaigns from the same period, the miner of the 1970s was presented as masculine, but also someone who was at ease with the new opportunities offered by modernity and the affluent society.

Source: National Union of Mineworkers (NUM) Archives, Barnsley, UK, Box NCB Material, Miscellaneous.

The intense physicality of coalface work meant that it was usually done by “alpha male” miners in their thirties; in contrast, older miners were progressively moved to less arduous work underground, before often ending up working on the colliery surface. Veteran miners would resent this transition: both in terms of reduced earnings and a loss of status. Recalling some of the older men that he knew at the beginning of his career at Annesley Colliery, one former mineworker commented:

All of these factors also applied to the large number of miners who had become impaired during the course of their employment. They tended to be transferred to surface work and comparatively light duties; this further underlined the symbiotic link between physical prowess and masculinity in determining the “pecking order” or hierarchy amongst miners.Footnote ⁵¹

Throughout the post-war period, the NUM worked diligently to ameliorate the disabilities experienced by the many impaired individuals within its membership.Footnote ⁵² Even so, in communities where their physical prowess was respected, many miners internalized a sense of shame at feeling themselves to be emasculated by physical impairments wrought upon their bodies, whether via workplace accident or industrial diseases such as pneumoconiosis and silicosis. In such a pressurized and dangerous working environment, the potential for industrial relations friction between workers and management was also omnipresent; various masculine tropes were the medium through which these disputes and disagreements were articulated. Masculinity could be utilized and exploited by management in various ways. Alistair Moore, a mines surveyor, recalled:

Inevitably, such “macho” expressions of managerial authority could shade easily into intimidation and bullying. As one miner from Point of Ayr Colliery commented: “I'd say […] it was bullying really, by the bosses.”Footnote ⁵⁴ Michael Morton, an official at the same colliery, welcomed the fact that one manager had left, stating that “it went without saying, he'd been an absolute twat”.Footnote ⁵⁵ In contrast to this approach, some managers favoured a less confrontational style. As Arthur Hendy, manager of Goldthorpe Colliery in Yorkshire, explained in an interview for the industry journal Coal News,

Another way that colliery management could utilize their masculinity to obtain miners’ cooperation was by showing that they were not afraid of doing physical work themselves. Bill Marshall identified his own strategies of man management, in which physical prowess was maintained as essential for asserting masculine dominance. It abounds with the military analogies of leading from the front:

Miners’ opposition to managerial dictates was often expressed in masculine terms of “standing up for yourself”. This later became a feature of the background and duration of the miners’ strike of 1984–1985. Yet, “standing up for yourself” was also presented in gendered terms, with picket line placards extolling strike breakers to “get off your knees and fight like men”.Footnote ⁵⁸ Such framing of solidarity through a masculine lens was thus both unifying and divisive. During the 1984–1985 strike, women were instrumental in fighting pit closures, drawing the support of LGBT+ groups.Footnote ⁵⁹ In an act of solidarity, miners then attended marches for Gay Pride and sexual equality, further emphasizing the malleability and adaptability of miners’ masculinities in coalfield communities.

Masculinity and the Limits of the Idealized Miner

According to Linda McDowell, “places are made through power relations which construct the rules which define boundaries. These boundaries are both social and spatial – they define who belongs to a place and who may be excluded”.Footnote ⁶⁰ This was evident in the mine, the community, and the wider culture of the coalfields. Yet, miners’ masculinity was also linked to time, place, and the traditions of particular regions. In Nottinghamshire, miners’ wives often worked in factories, less so in other regions such as South Wales. Collieries that were close to large cities, such as Bradford Colliery in Manchester, were often more open to cosmopolitan cultures that engendered transgression as opposed to the isolated villages that were more distant from urban centres.

The British coal industry was not entirely male dominated. Small numbers of women were themselves colliery workers, employed in the canteens and offices, and as nurses – and by their very existence, they both complicate and reinforce the idealized masculine miner trope. When asked about this topic, one woman (who started working in a colliery canteen in the 1980s) replied: “Oh wow. It was a male environment […] You had to be strong about it, you know? They weren't that bad. There was one or two that could be quite nasty about it, but most of them, they just thought the world of us really”.Footnote ⁶¹ These intra-colliery gender relations were themselves conditioned by the fact that the women held jobs that could be readily coded as “traditional female work”, which was considered less valuable than the work of the men. Yet, women could access the masculine world of the mine and the wider community through membership of trade unions, political activism, friendship networks, and participation in brass bands and youth subcultures.

Men were dominant both socially and spatially, and the power relations reduced women to positions where they had to endure either “quite nasty” behaviour or be at the mercy of men's kindness and patronage. Few women were able to infiltrate the masculine subterranean world of the mine, and when they did they were subjected to forms of everyday sexual harassment that were a feature of British society in the 1970s. Joan Hart was a nurse in the Yorkshire coalfield at Hatfield Colliery, and before going underground she was informed that the men “see it as their domain not yours. You can't change that”.Footnote ⁶² One miner exposed himself to her in the medical centre, to which she replied “It's rather small […] it looks like it's rubbing on your trousers […] I'll get you a plaster.”Footnote ⁶³ Another miner apologized to her for using expletives and she replied that there was no need, “I'm in your world; you're not in mine.”Footnote ⁶⁴ Similarly, women were employed in the offices of the NUM at the area and national level. Here, they were witness to the political factionalism of the union in the 1970s, but excluded from the formal decision-making processes that were the preserve of men. Yet, many were able to enter the male spaces of the union office, the meeting hall, and the negotiating table and provided sound advice to elected representatives. Rosemary Williams from Wrexham, North Wales, had worked in the NUM office for over forty years, and her knowledge of the union and the industry was substantial. Williams and others became unofficial confidants and advisors to elected officials who wielded considerable industrial and political power.

In order to survive the spaces of masculinity, women needed strategies for navigating men's behaviour, which, in the cases of Hart, medical room employees, canteen workers, and administrators, ranged from subverting sexual power relations with put downs to providing traditional forms of feminized care. She describes how she was also often on duty “holding impromptu meetings underground – a kind of pit marriage-guidance service”.Footnote ⁶⁵ Night-shift workers often worried about their wives having affairs and, in some cases, transgressors were transferred to other collieries and coalfields. This process reinforced idealistic and moralistic conceptions of fidelity, which worked to cement gender norms in coal communities. The masculinity of particular miners was undermined when rumours of their wives’ illicit dalliances were whispered in pubs and clubs and daubed onto the coal tubs underground.Footnote ⁶⁶ Yet, such women were also playing essential roles in challenging orthodox identities in mining villages through cultural and sexual transgression.

Men utilized the masculinity of “the miner” for the purposes of sexual dominance. All collieries had their “jack-the-lads”, “womanizers”, and “club pin-ups”. One miner at Point of Ayr colliery gained extra income as a male model and “page 7 hunk” in the Sun newspaper, a national tabloid that promoted conventional tropes of masculinity, femininity, and sexual heteronormativity. The proliferation of pornographic magazines underground in some collieries also reinforced such images and expectations. Similar to the lifestyle of the young miner presented in People Will Always Need Coal, magazines such as Penthouse contained “adverts for cars, cigarettes, and alcohol”.Footnote ⁶⁷ At Point of Ayr, two miners gained extra income through renting pirated films such as the latest Hollywood blockbusters, “video nasties”, and hard-core pornographic films, which were now more widely available due to the affordability of video recorders and popular demand. Yet, some younger miners proved resistant to attempts at enforcing a rigid masculinity. In the late 1970s and 1980s, wider cultural changes contributed to generational tensions underground in terms of discussions of sex, relationships, and movements for equality.

A strong sense of occupational identity and community culture was articulated through a distinct sense of both the real and imagined status of miners as “idealized proletarians”. In the words of Tam Coulter from Scotland: “We thought we were the best in the world. We were the elite.”Footnote ⁶⁸ Yet, the close affinity between colliery and community was not necessarily always and everywhere an unambiguously positive phenomenon. For example, Kathleen Bartholomew, the sister of a miner at Bentinck Colliery, observed:

In the South Wales coalfield, miners enjoyed a degree of cultural kudos within “valleys communities” that left a lasting legacy into the 1980s.Footnote ⁷⁰ As the famous Welsh actor Richard Burton commented, in a television interview broadcast in July 1980, reflecting on his childhood in a mining family in Pontrhydyfen, “Every little boy's ambition in my valley was to become a miner.”Footnote ⁷¹ Coal thus reinforced the dominant masculinity of its associated communities. Looking back on the 1970s, miners who were teenagers or young men at that time later reflected on the sense of social status. Phil White from Nantyffyllon, near Maesteg, demonstrated this vividly:

Within this, there was an awareness within “valleys’ communities” – particularly amongst those who were active within the South Wales NUM – of the historical significance of the role played by the miners in the history of the British labour movement. As Glyn Roberts from Tower Colliery recalled, “If you was living in the Valleys, yes, you can go and be a bus driver or anything else, but to be a miner, to follow your father's footsteps was a tradition, part of the culture.”Footnote ⁷³ The view of miners as a “special breed” also comes across strongly in the range of autobiographies produced by men with a background in the industry. This was often also linked to industrial militancy, political radicalism, and social and cultural hedonism. In the Northeast and Yorkshire coalfields, Dave Douglass was a gadfly involved in a range of domestic and international causes, travelling the world in support of the revolutionary left, while simultaneously bedding numerous women through his incursions into the politics of counter-culture in the 1970s.Footnote ⁷⁴

Class remained a central feature in the lives and identities of British miners and their respective communities – indeed, miners often were (and still are) seen as “archetypal proletarians”, the quintessential exemplars of a strong working-class occupational identity. This idealization retains a lasting power in the popular consciousness. It was exactly this association of miners and class identity that Emlyn Williams, the president of the South Wales NUM, was referring to in his 1981 presidential address, when he told the assembled delegates that miners “are associated in people's minds with resistance and struggles […] There is no doubt in my mind that miners have an historical mission to lead in class struggles.”Footnote ⁷⁵ This class politics was often articulated in masculine terms, whether consciously or subconsciously personified by the political activism of miners such as Dave Douglass and the area and national leaders of the NUM.Footnote ⁷⁶ Nonetheless, between 1926 and 1972, there had not been a national strike in the coal industry, thus further problematizing the link between miners and militancy.

In the practical realities of miners’ daily lives, it was typically the case that intersectionality meant that categories of gender and class rarely existed entirely separately from each other but rather intertwined and overlapped in a multitude of different ways. This excerpt from an interview with a miner from Resolven, South Wales, who described why he decided to start work in the industry in the early 1980s, is revealing:

Miners’ sense of masculinity, deriving from their work but also helping to strengthen bonds within the wider community, is also conveyed by Huw Jones of Tower Colliery:

Reflecting its important role within coalfield communities, every issue of the industry magazine Coal News had a sports page: this focused on “masculine” activities such as football, rugby, or horse racing, and particularly on intra-industry sports teams and miners who excelled in these fields. Activities were generally supported and sustained by CISWO (Coal Industry Social Welfare Organization). One example of this, from Markham Colliery, Derbyshire, in the 1980s, features activities including golf, fishing, clay pigeon shooting, bowls, rugby, snooker, cricket, martial arts, and scuba diving.Footnote ⁷⁹ Although the wide array of activities discussed in this particular source ranges from traditional (football and cricket), to special trip-based (sea fishing), to more modern (martial arts), almost all of them are the types of pastimes that, in Britain, have historically been culturally “coded” as masculine.Footnote ⁸⁰ As such, industry publications also played an essential role in reinforcing the signifiers of masculinity that underpinned coal mining.

Masculine identity, originating in a clearly defined occupational milieu and reinforced by the influence of the overwhelmingly working-class socio-cultural environment, which characterized many mining communities, was further shaped by leisure. This was often collectively organized through the colliery, the pub, and the welfare club. Down to the 1980s, pubs and clubs in mining communities were largely unambiguously coded as masculine spaces and, with their closure in the 1980s and 1990s, the image of the “idealized miner” has become relatively fixed. Retired miners are now read as being the dominant example of a wider “crisis of masculinity”, yet such masculinity was more nuanced, complex, and multi-faceted.

Miners and the Contestation of Masculinity

In the 1970s, coal mining was still viewed in robustly masculine terms, building upon both traditional notions of the “male breadwinner” and the physically arduous and hazardous nature of the work itself. Such masculinity was reframed through a modern lens in recruitment films like People Will Always Need Coal with the construction of miners as playboys and proletarian James Bonds. While it is impossible to quantify with any degree of accuracy, the carrying over of masculine occupational/sociocultural identities into the domestic sphere would almost certainly have increased the likelihood of many miners holding sexist ideas about the appropriate respective societal roles for men and women, with the consequent instance upon some tasks being deemed “men's work” and others being “women's work”.Footnote ⁸¹ In the 1970s, this was reinforced through the sale and distribution of pornographic magazines in local shops, which then found their way into the underground environs of the colliery.Footnote ⁸² Nonetheless, in this most gendered of industries, particular forms of masculinity were not entirely hegemonic.Footnote ⁸³

The material basis for the trope of the “male breadwinner” as the sole source of household income was challenged by the growth of new employment opportunities for women.Footnote ⁸⁴ These jobs were mainly in the new manufacturing industries and the expanding service sector – even if many jobs were low-paid, part-time, and semi-skilled. Between 1951 and 1971, for example, female employment in Wales grew by forty-nine per cent, while male employment decreased by six per cent. Women comprised twenty-eight per cent of the Welsh workforce in 1961; this proportion had risen to forty-five per cent by the mid-1970s.Footnote ⁸⁵ Similar trends were also true of England and Scotland. In keeping with Phillips’ observations about the female labour market participation in the Scottish coalfields, it was Margaret Glover, the wife of an Ayrshire miner, who kept her family supported through the 1984–1985 miners’ strike, with her job as a cleaner in a local hospital.Footnote ⁸⁶ However, this did not lead to any large-scale redistribution of the burden of domestic labour. As Cooper has argued in relation to Wales, working women would work the “double shift”, returning from their job only to face another shift of cleaning the house and caring for children. Husbands often “never lifted a finger” or did very little.Footnote ⁸⁷

The connection between coal mining and gendered domestic, occupational, and social roles remained relatively fixed in the popular consciousness. Nonetheless, this picture is too one-dimensional. As Sutcliffe-Braithwaite and Thomlinson have recently argued, the post-war decades saw the establishment and consolidation of vernacular discourses of gender equality within the British working class.Footnote ⁸⁸ This led to critiques of the objectification of women in regional NUM publications such as the Yorkshire Miner. Evidence from interviews suggests that, at an individual level, the domestic situation could sometimes be more complicated and nuanced, with some miners readily performing “unmanly” duties such as domestic work and childcare.Footnote ⁸⁹ This excerpt from an interview with John Bowen, a miner from Aberdare, in the South Wales coalfield, discussing his married life, illustrates the point succinctly:

Similarly, discussing her childhood in Hirwaun in the 1950s, Jenny Williams recalled that her father swapped his shift pattern to be able to fulfil childcare duties:

This was by no means confined to South Wales. Morris Steel from Easington Colliery in County Durham recalled that both mining and domestic duties were part of his daily routine:

Perhaps the most illuminating example is from an interview with Glyn Roberts, a South Wales miner discussing his recollections of his father:

Roberts confirmed that, while his father was not unique in this respect, he would probably have been in a minority. His recollection that other miners poked fun at his father's readiness to do domestic work is illustrative of the role of peer pressure in attempting to enforce community norms about typical and acceptable gendered codes of behaviour. Equally, the fact that his father could successfully shrug off such taunts was precisely because, in other respects, he was a quintessential exemplar of robust, physical masculinity – as a tall, tough miner, boxer, and rugby player. Glyn explained that his father's readiness to partake in domestic jobs was a result of his strong socialist beliefs and his consequent support for feminism and sexual equality.Footnote ⁹⁴ Margaret Glover similarly spoke of her miner father raising all his children, alongside his shifts at the colliery, after her mother left when she was young.Footnote ⁹⁵ The image she paints is of a devoted family man, alongside the stoical masculinity of pit work. This echoes scholarship by historians such as Lynn Abrams and Aimee McCullough on working class fatherhood in Scotland.Footnote ⁹⁶

Many conventional histories of the British coal industry presuppose a static picture in which employment roles and identities within a family unit did not alter over time; in practice, the reality was more complex.Footnote ⁹⁷ The commencement of work as a miner by a young male member of the family – with the likelihood of his consequent adoption of a masculine mining occupational identity – had the potential to dramatically affect familial relationships. One manifestation of this could be the assumed adoption of a more senior role in the “pecking order” by the young mineworker; as Scottish miner Tam Coulter, and a former Vice President of the NUM Scottish Area, reflected:

It was by no means certain that such changes would have been universally welcomed by other family members; in some cases, at least, the opposite was true, with relationships becoming adversely affected on a long-term or permanent basis. Recalling her brother, who worked at Bentinck Colliery during the 1970s, Kathleen Bartholomew commented:

The continuity of 1970s masculine cultural influences (music, film, TV, sports) was unlikely to have encouraged a greater degree of equality between the sexes. Heroes of American western films, along with James Bond, Bruce Lee (international martial arts superstar), championship boxers, and local and national football “terrace heroes”, bedecked the bedroom walls of young men in mining communities. Pubs, clubs, and discotheques also retained their particular codes and “norms” around the cultural practices of men and women. Young miners who carried umbrellas, wore coats in mild weather, or stood out from the crowd were subject to both verbal and physical abuse. In North Wales, one miner bore the brunt of jokes for being sighted hanging his wife's laundered underwear on the washing line. He gained the nickname “Don Dish” because of his penchant for “washing the pots” after meals.Footnote ¹⁰⁰ Yet, in all these spaces, miners and others within these communities were unmaking and remaking particular versions of masculinity that became more malleable over time.

Some miners actively subverted such masculine “norms” through involvement in youth subcultures and engagement with contemporary trends in popular music. Each colliery was represented in the various tribes that brought colour and critique to mining communities in the 1970s: mods; rockers; soul boys; skinheads; Bowie boys; and punks. Bryan Ferry, a miner's son from Washington, County Durham, was, by the summer of 1972, appearing with his group Roxy Music performing “Virginia Plane” on the BBC music show Top of the Pops, wearing glitter and make-up.Footnote ¹⁰¹ In the same year, at a music festival held close to Bickershaw Colliery in the Lancashire coalfield, the Kinks performed their recent hit single “Lola” about a dalliance with a “drag queen”.Footnote ¹⁰² A few miles from the festival site, in Leigh, miner's son Pete Shelley was devouring popular music and, within three years, would be at the forefront of punk rock with his group the Buzzcocks.Footnote ¹⁰³ Talking of his childhood in the West Fife mining village of Ballingry, the lead singer of the Scottish punk band The Skids, Richard (“Rick”) Jobson, grew up on a diet of both Bowie and Roxy Music and pushing the masculine norms in his community.Footnote ¹⁰⁴

A strong contender – both literally and figuratively – for the example par excellence of an individual from a coalfield community who subverted particular notions of masculinity in the 1970s was Adrian Street, who found international fame as a professional wrestler.Footnote ¹⁰⁵ Billed as “the Exotic One” and “the Sadist in Sequins”, Street's public persona was flamboyant and sexually ambiguous, and he made extensive and lavish use of outrageous clothes, hairstyles, and make-up as his trademark image. Born in Brynmawr, South Wales, in 1940, Street was taken out of school by his coalmining father in 1955, to work alongside him at Beynon's Colliery in Blaina, but then ran away to London to become a wrestler, to the incredulous scepticism of his father and workmates. His first professional wrestling match took place in August 1957 and his first big break occurred in 1961; his popularity, fame, and success increased thereafter, culminating eventually in a move to the US in 1982.Footnote ¹⁰⁶

When Street won the European Middleweight title in 1973, the national press sent a photographer to cover his story. He insisted that the photo shoot take place back at the colliery, where his ambition had been mocked and ridiculed. The resultant photographs are extraordinary, contrasting Street's glittering, lavish, full-costume appearance with his father and his workmates in dirt-covered pit attire (Figure 4). Reflecting upon this in 2014, Street commented that: “That photo is my way of making a two-finger salute to the lot of them. I think by now I've proved my Dad and the other coal miners wrong.”Footnote ¹⁰⁷ Street's reaction against traditional norms of coalfield society and hegemonic masculinity was to prove incredibly influential in a wider sense, complementing both the “glam rock” and punk era of the 1970s. Marc Bolan, of the internationally famous rock band T-Rex, credited Street as one inspiration for his glam-rock style.Footnote ¹⁰⁸ Both underground, overground, and in the domestic sphere, young miners continued to transgress gender norms by subverting dominant characterizations of masculinity into the 1980s and 1990s.

Figure 4. Adrian Street pictured with his father, a coal miner, at the pithead of Bryn Mawr Colliery, Wales.

Source: Mirrorpix/Getty Images. Photographer: Dennis Hutchinson.