Book contents
- Frontmatter
- Contents
- EDITOR'S INTRODUCTION
- PART I DRAWING, TRANSFERRING AND PRINTING
- CHAPTER I Introductory
- CHAPTER II Mechanical and Chemical Principles of some of the Lithographic Materials used in Printing
- CHAPTER III Instruments, Tools, and Appliances used in Drawing and Writing
- CHAPTER IV Instruments, Tools, and Apparatus used in Printing
- CHAPTER V Accessories to the Lithographic Printing-press
- CHAPTER VI Grinding and Polishing Stones
- CHAPTER VII Lithography on Paper or Transfer Lithography
- CHAPTER VIII Ink Writing and Drawing on Stone
- CHAPTER IX Chalk Drawing on Stone
- CHAPTER X Etching Chalk Drawings on Stone
- CHAPTER XI Taking Impressions for Transferring
- CHAPTER XII Transferring
- CHAPTER XIII Proving and Printing
- CHAPTER XIV Printing (continued)
- CHAPTER XV Printing (continued)
- CHAPTER XVI Miscellaneous Processe
- CHAPTER XVII Miscellaneous Processes (continued)
- CHAPTER XVIII Engraving on Stone
- CHAPTER XIX Zincography
- CHAPTER XX Chromo-lithography
- CHAPTER XXI Chromo-lithography (continued)
- CHAPTER XXII Chromo-lithography (continued)
- CHAPTER XXIII Chromo-lithography (continued)
- CHAPTER XXIV Photo-lithography
- APPENDIX.—Recipes
- PART II LITHOGRAPHIC MACHINE-PRINTING
- BIBLIOGRAPHY OF LITHOGRAPHY
- INDEX
CHAPTER XX - Chromo-lithography
Published online by Cambridge University Press: 05 July 2011
- Frontmatter
- Contents
- EDITOR'S INTRODUCTION
- PART I DRAWING, TRANSFERRING AND PRINTING
- CHAPTER I Introductory
- CHAPTER II Mechanical and Chemical Principles of some of the Lithographic Materials used in Printing
- CHAPTER III Instruments, Tools, and Appliances used in Drawing and Writing
- CHAPTER IV Instruments, Tools, and Apparatus used in Printing
- CHAPTER V Accessories to the Lithographic Printing-press
- CHAPTER VI Grinding and Polishing Stones
- CHAPTER VII Lithography on Paper or Transfer Lithography
- CHAPTER VIII Ink Writing and Drawing on Stone
- CHAPTER IX Chalk Drawing on Stone
- CHAPTER X Etching Chalk Drawings on Stone
- CHAPTER XI Taking Impressions for Transferring
- CHAPTER XII Transferring
- CHAPTER XIII Proving and Printing
- CHAPTER XIV Printing (continued)
- CHAPTER XV Printing (continued)
- CHAPTER XVI Miscellaneous Processe
- CHAPTER XVII Miscellaneous Processes (continued)
- CHAPTER XVIII Engraving on Stone
- CHAPTER XIX Zincography
- CHAPTER XX Chromo-lithography
- CHAPTER XXI Chromo-lithography (continued)
- CHAPTER XXII Chromo-lithography (continued)
- CHAPTER XXIII Chromo-lithography (continued)
- CHAPTER XXIV Photo-lithography
- APPENDIX.—Recipes
- PART II LITHOGRAPHIC MACHINE-PRINTING
- BIBLIOGRAPHY OF LITHOGRAPHY
- INDEX
Summary
In treating of Chromolithography, we propose first to point out those conditions and processes which are common to all the various methods of producing coloured effects; then we shall give a description of simple colour-work, suitable for plans, labels, show-cards, &c; next, of tinted lithography, which is used in subjects of more artistic character; and, finally, that combination of the former methods which is usually denominated Chromolithography or Oleography, when applied to the reproduction of artistic subjects. In this manner we shall have occasion to introduce some things in the first part which it will not be necessary to repeat in the other two, of which the methods of making sets-off and registering the sheets may be cited as examples.
149. General Conditions.—It may be stated generally that all lithographs in two or more colours are printed from two or more stones. That being so, it will be seen that some method must be employed, first, to get a correct trace of the subject on the first stone made upon the second; and, second, of being able, in printing, to lay the sheet so correctly in position that the second printing may fall exactly into its place upon the first. To attain the first of these conditions we must have what is called a key-stone.
150. Key-stone.—In the ordinary run of show-card and label-work this stone is used for finishing, but in work of more artistic character it is usual to employ this stone as a means of getting all other colours in their place, and generally to omit it in printing.
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- Information
- The Grammar of LithographyA Practical Guide for the Artist and Printer in Commercial and Artistic Lithography, and Chromolithography, Zincography, Photo-lithography, and Lithographic Machine Printing, pp. 144 - 147Publisher: Cambridge University PressPrint publication year: 2010