10 results in Contemporary Hispanic and Lusophone Cultures
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Contested Identities in Costa Rica
- Constructions of the Tico in Literature and Film
- Liz Harvey-Kattou
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- Liverpool University Press
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- 08 July 2020
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- 28 June 2019
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Costa Rica is a country known internationally for its eco-credentials, dazzling coastlines, and reputation as one of the happiest and most peaceful nations on earth. Beneath this façade, however, lies an exclusionary rhetoric of nationalism bound up in the concept of the tico, as many Costa Ricans refer to themselves. Beginning by considering the very idea of national identity and what this constitutes, this book explores the nature of the idealised tico identity, demonstrating the ways in which it has assumed a white supremacist, Central Valley-centric, patriarchal, heteronormative stance based on colonial ideals. Chapters two and three then go on to consider the literature and films produced that stand in opposition to this normative image of who or what is tico and their creation as vehicles of soft power which aim to question social norms. This book explores protest literature from the 1970s by Quince Duncan, Carmen Naranjo, and Alfonso Chase who narrate their experiences from the margins of society by virtue of their identity as Afro-Costa Rican, feminist, and homosexual authors. Cinema from the twenty-first century is then analysed to demonstrate the nuanced position chosen by national directors Esteban Ramírez, Paz Fábrega, Jurgen Ureña, and Patricia Velásquez to challenge the dominant nation-image as they reinscribe youth culture, a female consciousness, trans identity, and Afro-Costa Rica onto the fabric of the nation.
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Postgrowth Imaginaries
- New Ecologies and Counterhegemonic Culture in Post-2008 Spain
- Luis I. Prádanos
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- Liverpool University Press
- Published online:
- 27 June 2020
- Print publication:
- 23 November 2018
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An Open Access edition of this work is available on Modern Languages Open (https://www.modernlanguagesopen.org/) Postgrowth Imaginaries brings together environmental cultural studies and postgrowth economics to examine counterhegemonic narratives and radical cultural shifts sparked by the global financial crisis of 2008. A number of critical voices worldwide have emphasized that in the context of a finite biosphere, constant economic growth is a biophysical impossibility. The problem is not a lack of growth but rather the globalization of an economic system addicted to constant growth, which destroys the ecological planetary systems that support life on Earth while failing to fulfil its social promises. Post-2008 Spain offers an optimal context to investigate these cultural processes, and this book demonstrates that a transition toward what Prádanos calls 'postgrowth imaginaries'—the counterhegemonic cultural sensibilities that are challenging the growth paradigm in manifold ways—is well underway in the Iberian Peninsula today. Specifically, this book explores how emerging cultural sensibilities in Spain—reflected in fiction and nonfiction writing and film, television programs, photographs and graphic novels, op-eds, web pages, political manifestos, and socioecological movements—are actively detaching themselves from the dominant imaginary of economic growth. By approaching the counterhegemonic cultures of the crisis through environmental criticism, Postgrowth Imaginaries uncovers a whole range of cultural nuances often ignored by Iberian cultural studies. '[This work] constitutes an urgent, enlightening, and empowering reflection about a crucial subject of our time. Its main focus and virtue is to provide with sound intellectual tools to think about the fundamental danger that the growth paradigm (and particularly its capitalist version) means for humanity and planet Earth. It also opens the discussion about the possibility of a "post-growth" world. [...] The book takes a special interest in studying the academic and disciplinary implications of this debate: what does it mean for humanities, cultural studies, urban studies, and, particularly for Iberian studies to take seriously the ecological crisis and the threat that the growth paradigm means? The claim is not for just a change of subjects of study in these disciplines, but moreover for a change in the way we think.' Luis Moreno-Caballud, University of Pennsylvania 'Prádanos's book will become a necessary reference for all those who will subsequently write about post-growth, environmental studies in the Spanish/Iberian context and related subjects.' Katarzyna Olga Beilin, University of Wisconsin 'The book is sure to engage Iberian and other cultural scholars. [...] throughout the book Prádanos analyses an impressively wide array of cultural productions—from the habitual novels, films, and documentaries to graphic novels and cartoons, songs, and an "audiovisual experiment," a website, a street mural in Madrid, and even an art installation made entirely of garbage—all of which call attention to the excesses and failures of the neoliberal growth fantasy.' Mònica Tomàs, ISLE: Interdisciplinary Studies in Literature and Environment
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Anti-Empire: Decolonial Interventions in Lusophone Literatures
- Daniel F. Silva
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- Liverpool University Press
- Published online:
- 16 January 2020
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- 27 September 2018
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Anti-Empire explores how different writers across Lusophone spaces have engaged with imperial and colonial power at its various levels of domination, while imagining alternatives to dominant discourses pertaining to race, ethnicity, culture, gender, sexuality, and class. Guided by a theoretically eclectic approach ranging from Psychoanalysis, Deconstruction, Postcolonial Theory, Queer Theory, and Critical Race Studies, Empire is explored as a spectrum of contemporary global power inaugurated by European expansion and propagated in the postcolonial present through economic, cultural, and political forces. Through the texts analysed, Anti-Empire offers in-depth interrogations of contemporary power in terms of racial politics, gender performance, socio-economic divisions, political structures, and the intersections of these facets of domination and hegemony. By way of grappling with Empire's discursive field and charting new modes of producing meaning in opposition to that of Empire, the texts read from Brazil, Cabo Verde, East Timor, Portugal, and São Tomé and Príncipe open new inquiries for Postcolonial and Decolonial Studies while contributing theoretical debates to the study of Lusophone cultures.
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Translating New York
- The City's Languages in Iberian Literatures
- Regina Galasso
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- Liverpool University Press
- Published online:
- 27 November 2019
- Print publication:
- 14 June 2018
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The cultural production of Spanish-speaking New York is closely linked to the Caribbean and to Latin America at large, but the city also plays a pivotal role in the work of a host of authors from the Iberian Peninsula, writing in Spanish, Catalan, and English. In many cases, their New York City texts have marked their careers and the history of their national literatures. Drawing from a variety of genres, Translating New York recovers cultural narratives occluded by single linguistic or national literary histories, and proposes that reading these texts through the lens of translation unveils new pathways of cultural circulation and influence. Looking beyond representations of the city's physical space, Translating New York suggests that travel to the city and contact with New York's multilingual setting ignited a heightened sensitivity towards both the verbal and non-verbal languages of the city, garnering literary achievement and aesthetic innovation. Analyzing the novels, poetry, and travel narratives of Felipe Alfau, José Moreno Villa, Julio Camba, and Josep Pla, this book uncovers an international perspective of Iberian literatures. Translating New York aims to rethink Iberian literatures through the transatlantic travels of influential writers.The pre-publication version of Translating New York was awarded the 2017 Northeast Modern Language Association Book Award for the best unpublished book-length manuscript on modern language literature.
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Porous City
- A Cultural History of Rio de Janeiro
- Bruno Carvalho
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- Liverpool University Press
- Published online:
- 05 May 2018
- Print publication:
- 22 October 2013
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During the 1990s Rio de Janeiro earned the epithet of 'divided city', an image underscored by the contrast between its upper-class buildings and nearby hillside 'favelas.' The city's cultural production, however, has been shaped by porous boundaries and multi-ethnic encounters. Drawing on a broad range of historical, theoretical and literary sources, Porous City generates new ways of understanding Rio's past, its role in the making of Brazilian culture, and its significance to key global debates about modernity and urban practices. This book offers an original perspective on Rio de Janeiro that focuses on the New City, one of the most compelling spaces in the history of modern cities. Once known as both a 'Little Africa' and as a 'Jewish Neighborhood,' the New City was an important reference for prominent writers, artists, pioneering social scientists and foreign visitors (from Christian missionaries to Orson Welles). It played a crucial role in foundational narratives of Brazil as 'the country of carnival' and as a 'racial democracy.' Going back to the neighborhood's creation by royal decree in 1811, this study sheds light on how initially marginalized practices –like samba music– became emblematic of national identity. A critical crossroads of Rio, the New City was largely razed for the construction of a monumental avenue during World War II. Popular musicians protested, but 'progress' in the automobile age had a price. The area is now being rediscovered due to developments spurred by the 2016 Olympics. At another moment of transition, Porous City revisits this fascinating metropolis.
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Iberian Modalities
- A Relational Approach to the Study of Culture in the Iberian Peninsula
- Edited by Joan Ramon Resina
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- Published by:
- Liverpool University Press
- Published online:
- 05 May 2013
- Print publication:
- 01 February 2013
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Of late the term Iberian Studies has been gaining academic currency, but its semantic scope still fluctuates. For some it is a convenient way of combining the official cultures of two states, Portugal and Spain; yet for others the term opens up disciplinary space, altering established routines. A relational approach to Iberian Studies shatters the states epistemological frame and complexifies the field through the emergence of lines of inquiry and bodies of knowledge hitherto written off as irrelevant. This timely volume brings together contributions from leading international scholars who demonstrate the cultural and linguistic complexity of the field by reflecting on the institutional challenges to the practice of Iberian Studies. As such, the book will be required reading for all those working in the field.
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Thinking Barcelona
- Ideologies of a Global City
- Edgar Illas
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- Liverpool University Press
- Published online:
- 05 April 2013
- Print publication:
- 10 October 2012
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Thinking Barcelona studies the ideological work that redefined Barcelona during the 1980s and adapted the city to a new economy of tourism, culture, and services. The 1992 Olympic Games offered to the municipal government a double opportunity to establish an internal consensus and launch Barcelona as a happy combination of European cosmopolitanism and Mediterranean rootedness. The staging of this municipal “euphoric postpolitics,” which entailed an extensive process of urban renewal, connects with the similarly exultant contexts of a reviving Catalan nation, post-transitional Spain, and post-Cold War globalization. The transformation of Barcelona, in turn, contributed to define the ideologies of globalization, as the 1992 Games were among the first global mega-events that celebrated the neoliberal “end of history.” Three types of materials are examined: political speeches and scripts of the Olympic ceremonies, with special focus on Xavier Rubert de Ventós’s screenplay for the reception of the flame in Empúries; the urban renewal of Barcelona directed by architect Oriol Bohigas; and fictional narratives by Quim Monzó, Francisco Casavella, Eduardo Mendoza, and Sergi Pàmies. This juxtaposition of heterogeneous materials pursues some type of postdisciplinary decoding linked to a strictly Marxist premise: the premise that correlations between different superstructural elements shed light on the economic instance. In this study, Barcelona emerges as a singular conjuncture overdetermined by global capitalism, but is also a space to reflect on three main problematics of postmodern globalization: the spectralization of the social in a fully commodified world; the contradiction between cosmopolitanism and the state; and the vanishing essence of the city.
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Spanish Spaces
- Landscape, Space and Place in Contemporary Spanish Culture
- Ann Davies
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- Liverpool University Press
- Published online:
- 05 August 2012
- Print publication:
- 31 May 2012
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Spanish Spaces is a pioneering study that marries contemporary cultural geography with contemporary Spanish culture. The field of cultural geography has grown both extensively and rapidly, as has the field of cultural analysis and debate on Spanish cultural texts; yet despite a convergence in study between cultural geography (and cultural studies more widely) and cultural texts themselves, this has made little impact to date within the area of contemporary Spanish cultural studies. Yet Spains varied terrain, with complex negotiations between rural, urban and coastal (negotiations that have on occasion spilled over into political and violent conflict), and perhaps its very lack of a contemporary landscape tradition familiar to British and German cultural studies, offer the opportunity for fresh insights into questions of landscape, space and place. Spanish Spaces consists of thematic case studies (memory and forgetting, nationalism and terrorism, crime and detection, gender, tourism and immigration as negotiated through cultural texts), selected for their currency and their links to each other and drawing on the explorations of these themes in contemporary Spanish film and literature. Throughout the chapters the author investigates what it means to think of space and place in specifically Spanish terms.
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Writing Galicia into the World
- New Cartographies, New Poetics
- Kirsty Hooper
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- Liverpool University Press
- Published online:
- 26 October 2011
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- 31 May 2011
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Writing Galicia explores a part of Europes cultural and social landscape that has until now remained largely unmapped: the exciting body of creative work emerging since the 1970s from contact between the small Atlantic country of Galicia, in the far north-west of the Iberian peninsula, and the Anglophone world. Unlike the millions who participated in the mass migrations to Latin America during the 19th century, those who left Galicia for Northern Europe in their hundreds of thousands during the 1960s and 1970s have remained mostly invisible both in Galicia and in their host countries. This study traces the innovative mappings of Galician cultural history found in literary works by and about Galicians in the Anglophone world, paying particular attention to the community of London Galicians and their descendants, in works by artists (Isaac Díaz Pardo), novelists (Carlos Durán, Manuel Rivas, Xesús Fraga, Xelís de Toro, Almudena Solana) and poets (Ramiro Fonte, Xavier Queipo, Erin Moure). The central argument of Writing Galicia is that the imperative to rethink Galician discourse on emigration cannot be separated from the equally urgent project to re-examine the foundations of Galician cultural nationalism, and that both projects are key to Galicias ability to participate effectively in a 21st-century world. Its key theoretical contribution is to model a relational approach to Galician cultural history, which allows us to reframe this small Atlantic culture, so often dismissed as peripheral or minor, as an active participant in a network of relation that connects the local, national and global.
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The Twilight of the Avant-Garde
- Spanish Poetry 1980-2000
- Jonathan Mayhew
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- Published by:
- Liverpool University Press
- Published online:
- 05 January 2012
- Print publication:
- 01 May 2009
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Twilight of the Avant-Garde: Spanish Poetry 1980-2000 addresses the central problem of contemporary Spanish poetry: the attempt to preserve the scope and ambitiousness of modernist poetry at the end of the twentieth century. Jonathan Mayhew first offers a critical analysis of the called 'poetry of experience' of Luis García Montero, a tendency that is based on the supposed obsolescence of the modernist poetics of the first half of the century. While the 'poetry of experience' presents itself as a progressive attempt to 'normalise' poetry, to make it accessible to the common reader, Mayhew views it as a reactionary move that ultimately reduces poetry to the status of a minor genre. The author then turns his attention to the poetry of José Angel Valente and Antonio Gamoneda, whose poetry embodies the continuation of modernism, and to the work of younger women poets of the last two decades of the twentieth century. Throughout this controversial and provocative book, Mayhew challenges received notions about the value of poetic language in relation to the larger culture and society. It turns out that the cultural ambition of modernist poetics is still highly relevant even in an age in which more cynical views of literature seem prevalent. Ultimately, Mayhew writes as an advocate for the survival of more challenging and ambitious modes of poetic writing in the postmodern age.
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