Mortuary practices reveal a great deal about the social organization of prehistoric cultures and their landscape of places. However, tombs are favored targets for looters, making it difficult to determine original burial practices. Very little was known about Wari burial during the Middle Horizon (A.D. 500–1000), even though Wari was an imperial, early Bronze Age culture with a spectacular urban capital in highland Peru. Excavations at the secondary Wari city of Conchopata produced remains of more than 200 individuals, from disturbed and undisturbed contexts. These burials as well as information from other sites permit an initial description of ideal patterns of Wari mortuary behavior. The forms abstracted reveal graves ranging from poor and ordinary citizens to royal potentates, supporting inferences of hierarchical political organization. It is also clear that the living accessed graves of important people frequently, implying some form of ancestor worship. However, unlike the later Inkas, Wari ancestors were venerated in their tombs, located deep within residential compounds and palaces.

This paper is about Monte Negro’s origins, and how this site fits the emerging pattern in studies of Oaxacan urbanization including the Zapotec capital at Monte Albán. Our settlement data from a multivalley regional survey in the Mixteca Alta including Monte Negro allows comparison with other urban centers that we have surveyed. Monte Negro’s origins are due to internal settlement shifts, but occurred in the external context of widespread militarism and multiple urban transitions. Examination of local, regional, and macroregional settlement systems through time reveals variation in urban trajectories that current models were not designed to explain.

Craft consumption in Early Nasca (ca. A.D. 1–450) society is explored by evaluating the use of polychrome pottery within the context of a residential village. Data are presented from the Early Nasca village, Marcaya, where excavations utilizing a household archaeology approach revealed that most polychromes were consumed by households with high and low status alike, while certain vessel shapes were reserved for high-status households. These findings challenge the common assumption that highly valued crafts were monopolized by elites in middle-range societies, and show instead that there is a potential demand for crafts by both elites and commoners. It is argued that polychrome pottery was broadly used in Nasca because it was integral to ritual consumption that first took place in feasting ceremonies at the regional center Cahuachi, while certain vessel types were restricted to high-status households that acted as intermediaries between Cahuachi and the village.

Se describe un contexto funerario correspondiente a una población costera del período Arcaico Temprano, cuyos rasgos se presentan como evidencia para proponer que la tradición Chinchorro sería de origen y desarrollo local. Los indicadores provienen del sitio Acha-3, vinculado a una tradición de adaptación marítima (9,000–8,000 a.P.). Estas evidencias validaría las siguientes propuestas: (a) define un patrón funerario, tecnológico y económico con fuertes vínculos Chinchorro; (b) la evidencia bioarqueológica demuestra que estos grupos manejaban una estrategia de subsistencia bien adaptada al ecosistema marítimo; y (c) representa un sitio funerario temprano para las tierras bajas del área centro sur andina, sustentado en dos dataciones de radiocarbono (no calibradas) de 8,120 ± 90 a.P. (Cuerpo 1) y 8,380 ± 60 a. P. (Cuerpo 3). El patrón mortuorio se caracteriza por una inhumación múltiple formada por tres individuos dispuestos en posición extendida, envueltos en pieles de camélido, lobo marino y esteras vegetales pintadas, con escasas ofrendas asociadas. Aunque no hay evidencias de momificación artificial, el claro intento de enfardar los cuerpos, la inhumación múltiple en posición extendida, y el contexto cultural asociado, nos permiten sostener la hipótesis de que la emergencia de las prácticas funerarias Chinchorro sería un desarrollo más bien local que alóctono.