Book contents
- Frontmatter
- Contents
- AUTHOR'S PREFACE
- EDITOR'S PREFACE
- GENERAL INTRODUCTION. Of Thorough Base
- PART I DIATONIC HARMONY, OR HARMONY IN THE STRICT STYLE
- PART II CHROMATIC HARMONY, OR HARMONY IN THE FREE STYLE
- CHAPTER XIII Of Chromatic or Fundamental Harmony, the Intervals used therein, and Chromatic Scales
- CHAPTER XIV Of the Progression of Parts in Chromatic Harmony
- CHAPTER XV Of False Relation as regards Fundamental Harmony
- CHAPTER XVI Of Common Chords and their First Inversions
- CHAPTER XVII Of the Second Inversions of Concords
- CHAPTER XVIII Of the Fundamental Sevenths of the Dominant, Supertonic, and Tonic
- CHAPTER XIX Of the Fundamental Minor and Major Ninths of the Dominant, Supertonic, and Tonic
- CHAPTER XX Of the Chord of the Fundamental Eleventh of the Dominant
- CHAPTER XXI Of the Fundamental Chords of the Thirteenth of Dominant, Supertonic, and Tonic
- CHAPTER XXII Of the Chords of the Augmented Sixth
- CHAPTER XXIII Of the Suspension of Fundamental Choids
- CHAPTER XXIV Of Mixture of the Diatonic and Chromatic Styles
- CHAPTER XXV Of Diatonic and Chromatic Passing Notes in the Free Style, and Arpeggios
- CHAPTER XXVI Of Pedals in the Free Style
- CHAPTER XXVII Of Modulation in the Free Style
- APPENDIX
- POSTSCRIPT
CHAPTER XXII - Of the Chords of the Augmented Sixth
Published online by Cambridge University Press: 05 February 2013
- Frontmatter
- Contents
- AUTHOR'S PREFACE
- EDITOR'S PREFACE
- GENERAL INTRODUCTION. Of Thorough Base
- PART I DIATONIC HARMONY, OR HARMONY IN THE STRICT STYLE
- PART II CHROMATIC HARMONY, OR HARMONY IN THE FREE STYLE
- CHAPTER XIII Of Chromatic or Fundamental Harmony, the Intervals used therein, and Chromatic Scales
- CHAPTER XIV Of the Progression of Parts in Chromatic Harmony
- CHAPTER XV Of False Relation as regards Fundamental Harmony
- CHAPTER XVI Of Common Chords and their First Inversions
- CHAPTER XVII Of the Second Inversions of Concords
- CHAPTER XVIII Of the Fundamental Sevenths of the Dominant, Supertonic, and Tonic
- CHAPTER XIX Of the Fundamental Minor and Major Ninths of the Dominant, Supertonic, and Tonic
- CHAPTER XX Of the Chord of the Fundamental Eleventh of the Dominant
- CHAPTER XXI Of the Fundamental Chords of the Thirteenth of Dominant, Supertonic, and Tonic
- CHAPTER XXII Of the Chords of the Augmented Sixth
- CHAPTER XXIII Of the Suspension of Fundamental Choids
- CHAPTER XXIV Of Mixture of the Diatonic and Chromatic Styles
- CHAPTER XXV Of Diatonic and Chromatic Passing Notes in the Free Style, and Arpeggios
- CHAPTER XXVI Of Pedals in the Free Style
- CHAPTER XXVII Of Modulation in the Free Style
- APPENDIX
- POSTSCRIPT
Summary
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- Alfred Day's Treatise on Harmony , pp. 142 - 148Publisher: Cambridge University PressPrint publication year: 2012First published in: 1885