Book contents
- Frontmatter
- Contents
- AUTHOR'S PREFACE
- EDITOR'S PREFACE
- GENERAL INTRODUCTION. Of Thorough Base
- PART I DIATONIC HARMONY, OR HARMONY IN THE STRICT STYLE
- PART II CHROMATIC HARMONY, OR HARMONY IN THE FREE STYLE
- CHAPTER XIII Of Chromatic or Fundamental Harmony, the Intervals used therein, and Chromatic Scales
- CHAPTER XIV Of the Progression of Parts in Chromatic Harmony
- CHAPTER XV Of False Relation as regards Fundamental Harmony
- CHAPTER XVI Of Common Chords and their First Inversions
- CHAPTER XVII Of the Second Inversions of Concords
- CHAPTER XVIII Of the Fundamental Sevenths of the Dominant, Supertonic, and Tonic
- CHAPTER XIX Of the Fundamental Minor and Major Ninths of the Dominant, Supertonic, and Tonic
- CHAPTER XX Of the Chord of the Fundamental Eleventh of the Dominant
- CHAPTER XXI Of the Fundamental Chords of the Thirteenth of Dominant, Supertonic, and Tonic
- CHAPTER XXII Of the Chords of the Augmented Sixth
- CHAPTER XXIII Of the Suspension of Fundamental Choids
- CHAPTER XXIV Of Mixture of the Diatonic and Chromatic Styles
- CHAPTER XXV Of Diatonic and Chromatic Passing Notes in the Free Style, and Arpeggios
- CHAPTER XXVI Of Pedals in the Free Style
- CHAPTER XXVII Of Modulation in the Free Style
- APPENDIX
- POSTSCRIPT
CHAPTER XXVII - Of Modulation in the Free Style
Published online by Cambridge University Press: 05 February 2013
- Frontmatter
- Contents
- AUTHOR'S PREFACE
- EDITOR'S PREFACE
- GENERAL INTRODUCTION. Of Thorough Base
- PART I DIATONIC HARMONY, OR HARMONY IN THE STRICT STYLE
- PART II CHROMATIC HARMONY, OR HARMONY IN THE FREE STYLE
- CHAPTER XIII Of Chromatic or Fundamental Harmony, the Intervals used therein, and Chromatic Scales
- CHAPTER XIV Of the Progression of Parts in Chromatic Harmony
- CHAPTER XV Of False Relation as regards Fundamental Harmony
- CHAPTER XVI Of Common Chords and their First Inversions
- CHAPTER XVII Of the Second Inversions of Concords
- CHAPTER XVIII Of the Fundamental Sevenths of the Dominant, Supertonic, and Tonic
- CHAPTER XIX Of the Fundamental Minor and Major Ninths of the Dominant, Supertonic, and Tonic
- CHAPTER XX Of the Chord of the Fundamental Eleventh of the Dominant
- CHAPTER XXI Of the Fundamental Chords of the Thirteenth of Dominant, Supertonic, and Tonic
- CHAPTER XXII Of the Chords of the Augmented Sixth
- CHAPTER XXIII Of the Suspension of Fundamental Choids
- CHAPTER XXIV Of Mixture of the Diatonic and Chromatic Styles
- CHAPTER XXV Of Diatonic and Chromatic Passing Notes in the Free Style, and Arpeggios
- CHAPTER XXVI Of Pedals in the Free Style
- CHAPTER XXVII Of Modulation in the Free Style
- APPENDIX
- POSTSCRIPT
Summary
![Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'](https://static.cambridge.org/content/id/urn%3Acambridge.org%3Aid%3Abook%3A9781139105484/resource/name/firstPage-9781139105484c27_p181-188_CBO.jpg)
- Type
- Chapter
- Information
- Alfred Day's Treatise on Harmony , pp. 181 - 188Publisher: Cambridge University PressPrint publication year: 2012First published in: 1885